Corrupt Blood Incident: Virtual Toxicology

Corrupted Blood Incident, the World of Warcraft (WoW) virus from which South Kiosk’s summer exhibition takes its title, infected the Continue reading →

Sonora 128: speaking to 21 million

Surveying the landscape of Mexico City it is possible to categorise the city’s billboards into three distinct breeds. The first Continue reading →

Representing / Re-Presenting the Paper Series: Interview with LAVERACK by Matthew Harrison-Lord

Matthew Harrison-Lord is holding a virtual interview through an instant messaging platform with LAVERACK. Both artists therefore are allowed time Continue reading →

Lucia Leuci: Materia prima

The feast to which Lucia Leuci invites us is an estranging one. In the dining room at the Fondazione Pini Continue reading →

Curating Queerness as an Activist Practice

In July 1989, several months after the death of Robert Mapplethorpe, his retrospective exhibition The Perfect Moment was due to Continue reading →

Haegue Yang: Ornament and Abstraction

Imagine if the 20th century had concluded with modernism and minimalism becoming totalitarian aesthetic doctrines, dominating every facet of human Continue reading →

Fernando Ortega: Nota Rosa (Pink Note)

Situated in a verdant corner of Parque Chapultepec, Mexico City’s largest green space, Museo Tamayo is hidden amongst the surrounding foliage, Continue reading →

Alien Matter: Welcome to the Future

Conceived as a part of the Berlin-based art, culture and technology festival Transmediale’s program, the exhibition Alien Matter dealt with Continue reading →