Jack O’Brien: Chew, if only you could see

Jack O’Brien’s Chew, if only you could see is the latest instalment at clearview, a small space hidden near the Continue reading →

Gabriel de la Mora: Entropías at Proyectos MONCLOVA

It took Gabriel de la Mora five years of architectural practice to decide to become an artist. It took him Continue reading →

Gluck: Art and Identity

Gluck was the chosen name of the painter Hannah Gluckstein who was born into a wealthy family in London. Gluck’s Continue reading →

Goodbye Sonora 128

At first I failed to register the final exhibition of Sonora 128’s two year billboard tenancy. My wife and I Continue reading →

Brendan Lynch: Different Dances

The artistic practice of Brendan Lynch developed from a dialogue (possibly even conflict) between the aesthetics defined by Culture (with Continue reading →

Michael Sailstorfer: Clouds and Tears

Michael Sailstorfer’s debut solo show in Mexico City opens with Wolken Monclova (2017), an arrangement of truck tyre inner-tubes, composed Continue reading →

Whenever the Heart Skips a Beat

“Mehringplatz is a rocket station for time travel. It connects past, present and future.” In Hanae Utamura’s (*1980, Ibaraki/Japan) The Continue reading →

Café La Habana Sessions by Patti Smith

Reading M Train (2015) you’d suspect that Patti Smith navigates the world by a precise set of perfect coffee shops. Continue reading →