Magical Surfaces: The Uncanny in Contemporary Photography

When in 1919 Freud developed the concept of the ‘uncanny’, he dedicated a long part of his dissertation to clarifying Continue reading →

No.Company. : rehearsing alone with others

No.Company. is an ongoing project that tests and questions the rehearsal process that builds towards a final performance. No.Company. discovers Continue reading →

My Place/ Your Place/ Our Place/ Place

Does a place remember you and how do you remember the place? Is it by the physical description; number of Continue reading →

It is Probably Better to Start from Zero

A window is multifunctional, on practical and also metaphorical levels. It can be a barrier that separates the public from Continue reading →

How to handle an art-box: Some instructions on fig-2 by its curator, Fatos Ustek

fig-2 is the second iteration of a process that began in 2000 in London under the auspices of curators Mark Continue reading →

THIS MUST BE THE PLACE_Chpt.4: Space as visual sound

This series aims to point out the existing dialogues between art and space, intended as architectonical or geographical. The topic Continue reading →

Ben Woodeson in conversation with Angela Pippo

Following the conclusion of Concrete Matters, an exhibition held at the Bank Space Gallery from 3 March to 19 March Continue reading →

Painting the Modern Garden: Monet to Matisse

One of the best exhibitions you can now attend in London is being held at the Royal Academy of Arts Continue reading →