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“I see people; they look like trees walking around” : pools and/of meaning in Byzantia Harlow’s ‘From the same source I have not taken’

Art and illusion may be said to go hand in hand. The artist is both alchemical creature and creator, taking Continue reading →

Reanimation: are Joan Jonas’ re-performances contemporary art’s perfect product?

On a wintry Sunday afternoon last month, I leant against a railing overlooking the Thames—three down from Joan Jonas and Continue reading →

Artist of the Month: May with Torbjørn Rødland

Torbjørn Rødland (1970, Stavanger) is a photographer whose work tends to divide the audience. Oftentimes his pieces are referred to Continue reading →

WiR #2: Memory Tape

‘Memory Tape’ is the fourth of a series of texts written by Anna Mace as part of the CtC Writer in Residence (CtC WiR) Continue reading →

WiR #2: 114 Lines

‘114 Lines’ is the third of a series of texts written by Anna Mace as part of the CtC Writer in Residence (CtC WiR) Continue reading →

Jack O’Brien: Chew, if only you could see

Jack O’Brien’s Chew, if only you could see is the latest instalment at clearview, a small space hidden near the Continue reading →

Focus on Ability: The Importance of Outsider Art Institutions in Australia

In the mid-1940s, French painter Jean Dubuffet coined the term Art Brut, or ‘Raw Art’, which he conceptualised as works Continue reading →

Openings & Exhibitions April 2018

5 || April Andy Abbott – What The Walls Say Exhibition Launch, exhibition, Oxford Town Hall You are warmly welcomed Continue reading →

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