What can we learn from Ariane Prin‘s RUST collection?

During the London Design Festival 2015 I discovered Ariane Prin’s freshly launched hand- made homeware collection RUST at Herrick Gallery Continue reading →

Curating in the Dark

Constellation, The Undercroft, Norwich, 2-17 July 2016 Dialogue, discourse, conversation and sometimes just chatting are the often hidden elements in Continue reading →

The net art virus

While the debate over the lineage of the Internet, from net.art to Post-Internet is a hotly discussed topic – the Continue reading →

Mindfulness for Creativity

When time is short and we need to create, the last thing we may want to do is slow down Continue reading →

An art essay written by a parrot: Valerio Nicolai at Treti Galaxie

When philosopher Davide Dal Sasso came to visit the Valerio Nicolai solo show Permanent Transformation of a Magician in Ant Continue reading →

No.Company. : rehearsing alone with others

No.Company. is an ongoing project that tests and questions the rehearsal process that builds towards a final performance. No.Company. discovers Continue reading →

How to handle an art-box: Some instructions on fig-2 by its curator, Fatos Ustek

fig-2 is the second iteration of a process that began in 2000 in London under the auspices of curators Mark Continue reading →

#josephkosuth :notes on the second lives of artworks

background In his documentary, The Mona Lisa Curse (2008), critic Robert Hughes details the mid-twentieth century adaptation of artwork as Continue reading →