Beyond Bearable: Hokusai at the British Museum

I’d like to begin by stating, paradoxically, that a good exhibition at The British Museum is a bad show. In Continue reading →

Corrupt Blood Incident: Virtual Toxicology

Corrupted Blood Incident, the World of Warcraft (WoW) virus from which South Kiosk’s summer exhibition takes its title, infected the Continue reading →

Lucia Leuci: Materia prima

The feast to which Lucia Leuci invites us is an estranging one. In the dining room at the Fondazione Pini Continue reading →

Haegue Yang: Ornament and Abstraction

Imagine if the 20th century had concluded with modernism and minimalism becoming totalitarian aesthetic doctrines, dominating every facet of human Continue reading →

Fernando Ortega: Nota Rosa (Pink Note)

Situated in a verdant corner of Parque Chapultepec, Mexico City’s largest green space, Museo Tamayo is hidden amongst the surrounding foliage, Continue reading →

Alien Matter: Welcome to the Future

Conceived as a part of the Berlin-based art, culture and technology festival Transmediale’s program, the exhibition Alien Matter dealt with Continue reading →

Revolution: Russian Art 1917–1932

Visitors to the Royal Academy’s ‘Revolution: Russian Art 1917–1932’ are greeted by a red banner with emblazoned gold-lettering announcing ‘All Continue reading →

Gabriel Orozco: OROXXO

Last year I moved to Mexico City to live with my girlfriend. At first, with almost no comprehension of Spanish, Continue reading →