Yoshua Okón: Future Shock

Mexican video artist Yoshua Okón’s work crosses the boundaries between reality and fiction, art and politics. He blends staged situations, Continue reading →

Gabriel de la Mora: Entropías at Proyectos MONCLOVA

It took Gabriel de la Mora five years of architectural practice to decide to become an artist. It took him Continue reading →

Brendan Lynch: Different Dances

The artistic practice of Brendan Lynch developed from a dialogue (possibly even conflict) between the aesthetics defined by Culture (with Continue reading →

Michael Sailstorfer: Clouds and Tears

Michael Sailstorfer’s debut solo show in Mexico City opens with Wolken Monclova (2017), an arrangement of truck tyre inner-tubes, composed Continue reading →

Café La Habana Sessions by Patti Smith

Reading M Train (2015) you’d suspect that Patti Smith navigates the world by a precise set of perfect coffee shops. Continue reading →

Sonora 128: speaking to 21 million

Surveying the landscape of Mexico City it is possible to categorise the city’s billboards into three distinct breeds. The first Continue reading →

Haegue Yang: Ornament and Abstraction

Imagine if the 20th century had concluded with modernism and minimalism becoming totalitarian aesthetic doctrines, dominating every facet of human Continue reading →

Fernando Ortega: Nota Rosa (Pink Note)

Situated in a verdant corner of Parque Chapultepec, Mexico City’s largest green space, Museo Tamayo is hidden amongst the surrounding foliage, Continue reading →