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Corrupt Blood Incident: Virtual Toxicology

Corrupted Blood Incident, the World of Warcraft (WoW) virus from which South Kiosk’s summer exhibition takes its title, infected the Continue reading →

Becoming a Line

Examining distributed agency through lines found in drawing, theatrics and novel writing. Like many other artists, I work in lines.[1] Continue reading →

Art, politics and irony: in conversation with Desearch Repartment

Lately, there has been much discussing on whether art should deal with current issues or it would be better off Continue reading →

Curating Queerness as an Activist Practice

In July 1989, several months after the death of Robert Mapplethorpe, his retrospective exhibition The Perfect Moment was due to Continue reading →

Revolution: Russian Art 1917–1932

Visitors to the Royal Academy’s ‘Revolution: Russian Art 1917–1932’ are greeted by a red banner with emblazoned gold-lettering announcing ‘All Continue reading →

Exhibition tactics of a Contemporary Artist

I have been exhibiting art for a long time, since the late 1980s, yet it is only now that I feel Continue reading →

The Mother of Anxiety

Sophie Calle as the Precursor to Supermodernity’s Individual “Crisis of Meaning” In his 2011 novel Leaving the Atocha Station, American Continue reading →

the perfect mat for the perfect table : interview by Elliott Burns

In the summer of 2016 Lalitha Bandaru, Gonçalo Birra, Francisco Osório and Wataru Tominaga graduated from MA Fine Art at Chelsea Continue reading →

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