Beyond Bearable: Hokusai at the British Museum

I’d like to begin by stating, paradoxically, that a good exhibition at The British Museum is a bad show. In Continue reading →

Art, politics and irony: in conversation with Desearch Repartment

Lately, there has been much discussing on whether art should deal with current issues or it would be better off Continue reading →

Representing / Re-Presenting the Paper Series: Interview with LAVERACK by Matthew Harrison-Lord

Matthew Harrison-Lord is holding a virtual interview through an instant messaging platform with LAVERACK. Both artists therefore are allowed time Continue reading →

In conversation with… #exstrange

Miriam La Rosa talks to curators Marialaura Ghidini and Rebekah Modrak about their  project #exstrange, an online exhibition space that uses eBay as Continue reading →

YouTube Red and Free Communication Online

YouTube, the video sharing website launched in 2005, is ostensibly a website with a simple concept, where users may upload, Continue reading →

October 5th 2015, Amsterdam – The Waag Society

What is needed far more than new facts is a fundamentally new vision of history[1] (I. van Sertima, 2003) On Continue reading →

The Role of Spectatorship in Art outside Market and Critics Rules

The critic Claire Bishop in Artificial Hells: Participatory Art and the Politics of Spectatorship writes “the audience, previously conceived as Continue reading →

A Manifesto: Audience Control in Art Galleries

1. Children under the age of 9 should not be allowed in Art galleries. Children do not understand art and Continue reading →