Ben Woodeson in conversation with Angela Pippo

Following the conclusion of Concrete Matters, an exhibition held at the Bank Space Gallery from 3 March to 19 March Continue reading →

Painting the Modern Garden: Monet to Matisse

One of the best exhibitions you can now attend in London is being held at the Royal Academy of Arts Continue reading →

The Wine Dice

The Wine Dice is a decision making tool. Instead of the usual one to six, the Wine Dice shows five Continue reading →

Neoliberal Lulz @ Carrol/Fletcher: Lol -> lul; lols -> luls; lolz -> lulz

There was a time when pigment or stone were sovereign mediums in art production, when the tangible market was the Continue reading →

#josephkosuth :notes on the second lives of artworks

background In his documentary, The Mona Lisa Curse (2008), critic Robert Hughes details the mid-twentieth century adaptation of artwork as Continue reading →

Pierre Huyghe: Generating Antagonism Through Appropriation of Public Space

Claire Bishop develops a critical reflection on art as the site for a politics of spectatorship. For Bishop, subjectivity is Continue reading →

Julian Charrière: For They That Sow the Wind

From the audio of the video piece ‘Somewhere’ echoing throughout the open space on the ground floor, to the strong Continue reading →

QWAYPURLAKE – Challenging the curatorial boundaries:interview with Simon Morrisey.

Qwaypurlake was the most recent exhibition at Hauser & Wirth Somerset curated by Simon Morrisey. It started from elements of Continue reading →