https://curatingthecontemporary.org/2014/11/02/waiting-for-borremans-cinematic-time-in-the-work-of-michael-borremans/https://curatingthecontemporary.org/wp-content/uploads/2014/11/trickland.jpgtricklandMichaël Borremans, Trickland, 2002https://curatingthecontemporary.org/wp-content/uploads/2014/11/weight.jpgWeighthttps://curatingthecontemporary.org/wp-content/uploads/2014/11/the-feeding.jpgThe FeedingMichaël Borremans, The Feeding (film still), 2006 2024-11-05T23:29:00+00:00monthlyhttps://curatingthecontemporary.org/2021/01/26/remote-studio-dates-13-charlotte-warne-thomas/2021-01-29T06:20:57+00:00monthlyhttps://curatingthecontemporary.org/about-2/2021-01-19T14:50:20+00:00weekly0.6https://curatingthecontemporary.org/2020/09/01/remote-studio-dates-12-stefania-zocco/https://curatingthecontemporary.org/wp-content/uploads/2020/09/8pepes-portrait-studio-wip.jpg8pepe's portrait studio WIP2020-09-02T08:59:44+00:00monthlyhttps://curatingthecontemporary.org/2020/07/17/remote-studio-date-11-emanuel-rodriguez-chaves/2020-07-18T08:44:19+00:00monthlyhttps://curatingthecontemporary.org/2020/07/11/remote-studio-dates-10-tara-heffernan-and-shevaun-wright/https://curatingthecontemporary.org/wp-content/uploads/2020/07/class-action-2019.-installation-detail.-image-courtesy-of-the-artist..pngClass Action (2019). Installation detail. Image courtesy of the artist.2020-07-11T05:46:13+00:00monthlyhttps://curatingthecontemporary.org/2020/07/05/remote-studio-dates-9-zachary-eastwood-bloom/https://curatingthecontemporary.org/wp-content/uploads/2020/07/prometheusepimetheus-1.jpgPrometheus & Epimetheushttps://curatingthecontemporary.org/wp-content/uploads/2020/07/fates-plotterdrawing1.jpg2020-07-05T08:10:53+00:00monthlyhttps://curatingthecontemporary.org/2020/06/21/remote-studio-dates-8-neil-gall/https://curatingthecontemporary.org/wp-content/uploads/2020/06/03-copy-2.jpgManif I (2020)Manif I (2020), Coloured pencil on paper, 14 x 83.4 cm, Neil Gallhttps://curatingthecontemporary.org/wp-content/uploads/2020/06/14-copy-2.jpgRitrattoRitratto (2020), Acrylic on jesmonite, Top part 11 x 12 x 13 cm, Bottom part 15 x 15 x 15 cm, Neil Gallhttps://curatingthecontemporary.org/wp-content/uploads/2020/06/1.jpgStudio Craft (2020)Studio Craft (2020), Oil on canvas, 166 x 105 cm, Neil Gall2020-06-21T10:57:34+00:00monthlyhttps://curatingthecontemporary.org/2020/06/09/remote-studio-dates-7-giuseppe-lana/https://curatingthecontemporary.org/wp-content/uploads/2020/06/amnesia.jpegamnesiahttps://curatingthecontemporary.org/wp-content/uploads/2020/06/gc-crossover-2019.jpgGC-crossover-20192020-06-09T04:59:52+00:00monthlyhttps://curatingthecontemporary.org/2020/05/26/remote-studio-dates-6-mia-salsjo/2020-05-26T09:20:20+00:00monthlyhttps://curatingthecontemporary.org/2020/05/10/remote-studio-dates-5-cristiano-capuano-and-michael-jalaru-torres/https://curatingthecontemporary.org/wp-content/uploads/2020/05/1.jpgBlood2020-05-10T06:29:28+00:00monthlyhttps://curatingthecontemporary.org/2020/04/11/remote-studio-dates-1-susana-pilar/https://curatingthecontemporary.org/wp-content/uploads/2020/04/photo-credits-marnix-van-den-berg.-p1e5jd17uo12v0vll1itbuna1gdr.jpgPhoto credits-Marnix van den Berg.-p1e5jd17uo12v0vll1itbuna1gdr2020-05-09T08:12:49+00:00monthlyhttps://curatingthecontemporary.org/2020/04/12/remote-studio-dates-2-ibrahim-ahmed/2020-05-09T08:12:25+00:00monthlyhttps://curatingthecontemporary.org/2020/05/04/remote-studio-dates-3-yonel-watene/https://curatingthecontemporary.org/wp-content/uploads/2020/05/mackie-boy-savoie-de-lacy-offsite.jpgMackie Boy, SAVOIE de LACY, offsite2020-05-09T08:11:54+00:00monthlyhttps://curatingthecontemporary.org/2020/05/07/remote-studio-dates-4-byzantia-harlow/https://curatingthecontemporary.org/wp-content/uploads/2020/05/the-silver-stream-a-voayge-radio-episosde-image-.jpgThe Silver Stream - A Voayge - radio episosde image2020-05-09T08:11:34+00:00monthlyhttps://curatingthecontemporary.org/archive/https://curatingthecontemporary.org/wp-content/uploads/2014/10/icfaforlandingpageslider.jpgICFA Archive StacksICFA Archive Stacks2020-05-07T00:18:55+00:00weekly0.6https://curatingthecontemporary.org/contributors/2020-04-11T02:42:39+00:00weekly0.6https://curatingthecontemporary.org/contact/2020-04-11T02:41:55+00:00weekly0.6https://curatingthecontemporary.org/2019/07/08/joan-jonas-moving-off-the-land-ii/2019-07-07T17:02:17+00:00monthlyhttps://curatingthecontemporary.org/2019/06/26/an-escape-attempt/https://curatingthecontemporary.org/wp-content/uploads/2019/06/uma-lulik01.jpgUMA LULIK012019-06-28T06:42:50+00:00monthlyhttps://curatingthecontemporary.org/2019/06/11/friendly-game-grasslin-collection-museum-fur-neue-kunst/https://curatingthecontemporary.org/wp-content/uploads/2019/06/image-6.jpgImage 6Mark Dion, The Library for the Birds of Antwerp, 1993, © Collection Grässlin Photo: Bernhard Strauss https://curatingthecontemporary.org/wp-content/uploads/2019/06/image-5.jpgImage 5Installation View - Left: Cosima von Bonin, Hasbian (#33), Wurzbian (#34), THERAPIE (#45), 2001-2002, © Collection Grässlin; Right: Christa Näher, Kardinal, 2014, © Museum für Neue Kunst Freiburg Photo: Bernhard Strauss https://curatingthecontemporary.org/wp-content/uploads/2019/06/image-4.jpgImage 4Installation View - Left: Christa Näher, untitled, 1986, © Collection Grässlin; Middle: Günther Förg, untitled, 2001, © Collection Grässlin, VG Bildkunst 2019 Photo: Bernhard Strauss https://curatingthecontemporary.org/wp-content/uploads/2019/06/image-3.jpgImage 3Installation View - Left: Günther Fruhtrunk, Drei Lichtquellen, 1953-1954, © Collection Grässlin, VG Bildkunst 2019; Middle: Isa Genzken, Christiane, Dan, Kai, 1998-2000, © Collection Grässlin, VG Bildkunst 2019; Right: Kalin Lindena, Around when you are, 2001, © Collection Grässlin Photo: Bernhard Strauss 2019-06-09T13:09:05+00:00monthlyhttps://curatingthecontemporary.org/2019/06/05/silicon-plateau-vol-2/https://curatingthecontemporary.org/wp-content/uploads/2019/06/15_sp2_yogesh-barve.jpg15_SP2_Yogesh-BarveYogesh Barve, The Truth, 2018; pp.208-209. Courtesy of the editors and the author.https://curatingthecontemporary.org/wp-content/uploads/2019/06/14_sp2_yashas-shetty.jpg14_SP2_Yashas-ShettyYashas Shetty, Aadhaar Cards of Great Leaders, 2018; pp.166-167. Courtesy of the editors and the author.https://curatingthecontemporary.org/wp-content/uploads/2019/06/13_sp2_vandana-menon.jpg13_SP2_Vandana-MenonVandana Menon, Stories from the Gridlock: Ghosts in the Machine, 2018. Courtesy of the editors and the author; pp.116-117. Courtesy of the editors and the author.https://curatingthecontemporary.org/wp-content/uploads/2019/06/12_sp2_tarakelton.jpg12_SP2_TaraKeltonTara Kelton, Black Box, 2018; pp.50-51. Courtesy of the editors and the author.https://curatingthecontemporary.org/wp-content/uploads/2019/06/02_silicon-plateau_book-cover_back.jpg02_Silicon-Plateau_Book-Cover_BackSilicon Plateau Vol-2,, Front cover. Courtesy of the editors.https://curatingthecontemporary.org/wp-content/uploads/2019/06/11_sp2_qusai-katawala.jpg11_SP2_Qusai-KatawalaQusai Kathawala, Let’s talk about the future,baby/ Let’s talk about you and me/, 2018; pp.194-195 Courtesy of the editors and the author.https://curatingthecontemporary.org/wp-content/uploads/2019/06/10_sp2_nicole-rigillo.jpg10_SP2_Nicole-RigilloNicole Rigillo, Environmental Apptivism: WhatsApp and Digital Public Spheres in Bangalore, 2018; pp.170-171. Courtesy of the editors and the author.https://curatingthecontemporary.org/wp-content/uploads/2019/06/09_sp2_mathangi-krishnamurthy.jpg09_SP2_Mathangi-KrishnamurthyMathangi Krishnamurthy, How to do things with Bits and Bytes, 2018; pp.52-53. Courtesy of the editors and the author.https://curatingthecontemporary.org/wp-content/uploads/2019/06/08_sp2_mariam-suhail.jpg08_SP2_Mariam-SuhailMariam Suhail, Wish We Were Here!, 2018; pp.18-19. Courtesy of the editors and the author.https://curatingthecontemporary.org/wp-content/uploads/2019/06/07_sp2_furqan-jawed.jpg07_SP2_Furqan-JawedFurqan Jawed, Five Uber Driver Reviews, 2018; pp.146-147. Courtesy of the editors and the author.2019-06-05T00:45:13+00:00monthlyhttps://curatingthecontemporary.org/2019/05/13/in-conversation-with-sergio-racanati/2019-05-14T17:10:57+00:00monthlyhttps://curatingthecontemporary.org/2019/02/19/how-far-is-utopia/2019-02-18T19:55:31+00:00monthlyhttps://curatingthecontemporary.org/2019/02/04/in-conversation-with-gagan-singh/2019-02-04T09:46:05+00:00monthlyhttps://curatingthecontemporary.org/2019/01/31/openings-and-exhibitions-february-2019/2019-01-30T20:53:10+00:00monthlyhttps://curatingthecontemporary.org/2018/12/06/in-conversation-with-paribartana-mohanty/https://curatingthecontemporary.org/wp-content/uploads/2018/12/image-4.jpgimage 4Video Still, Trees are stranger than aliens in the movies, Vadehra Art Gallery, 2018https://curatingthecontemporary.org/wp-content/uploads/2018/12/image-3.jpgimage 3We are on Earth, Oil on Canvas, 36" x 54", 2018https://curatingthecontemporary.org/wp-content/uploads/2018/12/image-2.jpgimage 2Foundational Political Myth, Oil on Canvas, 8 feet x 4.5feet, 2018 https://curatingthecontemporary.org/wp-content/uploads/2018/12/image-1.jpgimage 1Exhibition Display Image, Trees are stranger than aliens in the movies, Vadehra Art Gallery, 20182018-12-05T21:15:39+00:00monthlyhttps://curatingthecontemporary.org/2018/11/12/artist-of-the-month-november-and-december-with-jonathas-de-andrade/https://curatingthecontemporary.org/wp-content/uploads/2018/11/installation-view_21_1600_c.jpgInstallation-view_21_1600_cZumbi encarnado, Zumbi incarnated, 2014https://curatingthecontemporary.org/wp-content/uploads/2018/11/jode2017_01de-800x534_800.jpgJODE2017_01de-800x534_800Eu, mestiço, Me, mestizo. 2017https://curatingthecontemporary.org/wp-content/uploads/2018/11/img_8407_o.jpgIMG_8407_oeducação para adultos, education for adults, 2010https://curatingthecontemporary.org/wp-content/uploads/2018/11/chegada2_o.jpgchegada2_oO Levante, The Uprising, 2012-2013, happening + video + documentation 2018-12-01T13:50:08+00:00monthlyhttps://curatingthecontemporary.org/2018/11/04/openings-and-exhibitions-november-2018/https://curatingthecontemporary.org/wp-content/uploads/2018/11/the-tortoise-which-flew-crushd-into-these-bones-2017.jpgTHE-TORTOISE-WHICH-FLEW-CRUSHD-INTO-THESE-BONES-2017https://curatingthecontemporary.org/wp-content/uploads/2018/11/wagent-chain_43.jpgWAGENT-CHAIN_43https://curatingthecontemporary.org/wp-content/uploads/2018/11/francisupritchard_transparent_edit_12.pngfrancisupritchard_transparent_edit_1https://curatingthecontemporary.org/wp-content/uploads/2018/11/dynamic-3912ac09-0326-5c95-a648-609aa2b55cd1.jpgDynamic-3912ac09-0326-5c95-a648-609aa2b55cd1https://curatingthecontemporary.org/wp-content/uploads/2018/11/screen-shot-2018-11-04-at-2-13-03-pm.pngScreen Shot 2018-11-04 at 2.13.03 pmhttps://curatingthecontemporary.org/wp-content/uploads/2018/11/website_image.jpgwebsite_imagehttps://curatingthecontemporary.org/wp-content/uploads/2018/11/global.jpgglobalhttps://curatingthecontemporary.org/wp-content/uploads/2018/11/0dd600fe-1398-49ec-85cb-efcb6c105849.jpg0dd600fe-1398-49ec-85cb-efcb6c105849https://curatingthecontemporary.org/wp-content/uploads/2018/11/rebecca-birch-undermine-production-still.jpgRebecca Birch, Undermine (Production still)2018-11-18T23:52:15+00:00monthlyhttps://curatingthecontemporary.org/2018/11/08/deep-trash-escoria-the-latin-queer-way/https://curatingthecontemporary.org/wp-content/uploads/2018/11/dtrashsepfinal_15.jpgDTRASHSEPFINAL_15Image courtesy Deep Trash and the artisthttps://curatingthecontemporary.org/wp-content/uploads/2018/11/tizo-all_dtrashsepfinal_65.jpgTizo All_DTRASHSEPFINAL_65https://curatingthecontemporary.org/wp-content/uploads/2018/11/tizo-all_dtrashsepfinal_81.jpgTizo All_DTRASHSEPFINAL_81https://curatingthecontemporary.org/wp-content/uploads/2018/11/dtrashsepfinal_149.jpgDTRASHSEPFINAL_149Terrorismo Teatral Migrante. By Thomas Hensher https://curatingthecontemporary.org/wp-content/uploads/2018/11/omy4437.jpg_OMY4437Ethnography of a prothesis, Nataly Prada. Photography by Orlando Myxx2018-11-07T21:54:17+00:00monthlyhttps://curatingthecontemporary.org/2018/11/05/yoshua-okon-future-shock/https://curatingthecontemporary.org/wp-content/uploads/2018/11/yoshua-okc3b2n-canned-laughter-2009-installation-view-of-the-exhibition-future-shock-chalton-gallery-london-iii.jpgYoshua Okòn, Canned Laughter, 2009, Installation View of the Exhibition Future Shock, Chalton Gallery, London IIIhttps://curatingthecontemporary.org/wp-content/uploads/2018/11/yoshua-okc3b3n-the-indian-project-rebuilding-history-2015-installation-view-chalton-gallery.jpgYoshua Okón, The Indian Project (Rebuilding History), 2015, installation view Chalton Galleryhttps://curatingthecontemporary.org/wp-content/uploads/2018/11/yoshua-okc3b2n-canned-laughter-2009-installation-view-of-the-exhibition-future-shock-chalton-gallery-london-ii.jpgYoshua Okòn, Canned Laughter, 2009, Installation View of the Exhibition Future Shock, Chalton Gallery, London2018-11-04T10:21:23+00:00monthlyhttps://curatingthecontemporary.org/2018/10/07/openings-and-exhibitions-october-2018/https://curatingthecontemporary.org/wp-content/uploads/2018/10/drawing-workshop-with-gabrielle-lockwood-estrin_20-oct_credit-the-artist.jpgDrawing-workshop-with-Gabrielle-Lockwood-Estrin_20-Oct_credit-the-artisthttps://curatingthecontemporary.org/wp-content/uploads/2018/10/ftloc_levy_1.jpgFTLOC_LEVY_1https://curatingthecontemporary.org/wp-content/uploads/2018/10/diypublication2_500_706_s_c1.jpgDIYpublication2_500_706_s_c1https://curatingthecontemporary.org/wp-content/uploads/2018/10/1269-pierre-serpentine.jpg1269-pierre-serpentinehttps://curatingthecontemporary.org/wp-content/uploads/2018/10/hannah-perry-header-image.jpgHannah Perry - HEADER IMAGEhttps://curatingthecontemporary.org/wp-content/uploads/2018/10/david-a-bailey_websiteonly.jpgDavid-A-Bailey_websiteONLYhttps://curatingthecontemporary.org/wp-content/uploads/2018/10/cfa4e105-0a10-4f2e-8be8-894168d69835.jpgcfa4e105-0a10-4f2e-8be8-894168d69835https://curatingthecontemporary.org/wp-content/uploads/2018/10/winning-art-with-captions-6.jpgWinning art with captions-6https://curatingthecontemporary.org/wp-content/uploads/2018/10/reganwaycommunityhallhoxtonjpgcopy.jpgRegan+Way+Community+Hall,+Hoxton+jpg+copyhttps://curatingthecontemporary.org/wp-content/uploads/2018/10/f02ca9a1-0688-4525-9f39-d3f443239748.jpgGreengrassiSimon Ling Works2018-10-07T07:27:59+00:00monthlyhttps://curatingthecontemporary.org/2018/09/27/jordi-colomer/https://curatingthecontemporary.org/wp-content/uploads/2018/09/7-nuova-palermo-felicissima.jpg7. Nuova Palermo FelicissimaNuova Palermo Felicissima (still from video (2018), Jordi Colomer, project for Manifesta12, Palermo, (c) Jordi Colomer https://curatingthecontemporary.org/wp-content/uploads/2018/09/6-c3banete-join-us.png6. Únete Join Us¡Únete! Join Us! (still from video)(2017), Jordi Colomer, site-specific project for the Spanish Pavilion, 57th Venice Biennale, (c) Jordi Colomer https://curatingthecontemporary.org/wp-content/uploads/2018/09/5-x-ville.gif5. X-VilleX-Ville (still from video)(2015), Jordi Colomer, video (23’), (c) Jordi Colomer https://curatingthecontemporary.org/wp-content/uploads/2018/09/4-arabian-stars.jpg4. Arabian StarsArabian Stars (still from video)(2005), Jordi Colomer, video (38’) and projection room, (c) Jordi Colomer and Centre George Pompidou, Paris https://curatingthecontemporary.org/wp-content/uploads/2018/09/3-papamovil.jpg3. PapamovilPapamovil (print from project)(2005), Jordi Colomer, video and prints, (c) Jordi Colomer https://curatingthecontemporary.org/wp-content/uploads/2018/09/2-simo.jpg2. SimoSimo (still from video)(1997), Jordi Colomer, video (12 min) in loop and projection room,(c) Jordi Colomer and MACBA https://curatingthecontemporary.org/wp-content/uploads/2018/09/1-anarchitekton.jpg1. AnarchitektonAnarchitekton (still from video) (2002 - 2004), Jordi Colomer, four channel video, (c) Jordi Colomer and MACBA 2018-09-23T10:43:20+00:00monthlyhttps://curatingthecontemporary.org/2018/09/24/the-great-british-seaside/https://curatingthecontemporary.org/wp-content/uploads/2018/09/jessie-martin_5.jpgJessie Martin_5Exhibition Shot of Martin Parr's 'The Essex Seaside', The Great British Seaside, National Maritime Museum, 2018, Photo Courtesy of Writer. https://curatingthecontemporary.org/wp-content/uploads/2018/09/jessie-martin_4.jpgJessie Martin_4Exhibition Shot of Martin Parr's work, The Great British Seaside, National Maritime Museum, 2018, Photo Courtesy of Writer. https://curatingthecontemporary.org/wp-content/uploads/2018/09/jessie-martin_2.jpgJessie Martin_2Brighton West Pier, 2011, Simon Roberts. Copyright Courtesy of Simon Roberts & Flowers Gallery.https://curatingthecontemporary.org/wp-content/uploads/2018/09/jessie-martin_1.jpgJessie Martin_1Opening Exhibition Shot, The Great British Seaside, National Maritime Museum, 2018, Photo Courtesy of Writer. https://curatingthecontemporary.org/wp-content/uploads/2018/09/jessie-martin_6.jpgJessie Martin_6Exhibition Shot of Martin Parr's work, The Great British Seaside, National Maritime Museum, 2018, Photo Courtesy of Writer. https://curatingthecontemporary.org/wp-content/uploads/2018/09/jessie-martin_3.jpgHUD2004027W005219-17Enjoying the beach, Porth Oer (Whistling Sands), Wales, 2004, David Hurn. Copyright Courtesy of David Hurn | Magnum Photos2018-09-23T10:10:59+00:00monthlyhttps://curatingthecontemporary.org/2018/09/10/hush-hush/https://curatingthecontemporary.org/wp-content/uploads/2018/09/hush-hush-saturday-18th-work-by-pietro-bardini-blank.jpgHush Hush Saturday 18th work by Pietro Bardini - BlankPhoto: courtesy Brandon Davieshttps://curatingthecontemporary.org/wp-content/uploads/2018/09/hush-hush-saturday-18th-cosima-cobley-carr-performing.jpgHush Hush Saturday 18th Cosima Cobley Carr PerformingPhoto: courtesy Brandon Davieshttps://curatingthecontemporary.org/wp-content/uploads/2018/09/hush-hush-friday-17th-pet-groteque-soundchecking.jpgHush Hush Friday 17th Pet Groteque soundcheckingPhoto: courtesy Brandon Davieshttps://curatingthecontemporary.org/wp-content/uploads/2018/09/hush-hush-friday-17th-on-screen-melanie-eckersley-the-state-of-grace.jpgHush Hush Friday 17th - on screen Melanie Eckersley The state of GracePhoto: courtesy Brandon Davieshttps://curatingthecontemporary.org/wp-content/uploads/2018/09/hush-hush-friday-17th-audience.jpgHush Hush Friday 17th - AudiencePhoto: courtesy Brandon Davieshttps://curatingthecontemporary.org/wp-content/uploads/2018/09/conversations.jpgConversations2018-09-09T15:20:08+00:00monthlyhttps://curatingthecontemporary.org/2018/09/04/artist-of-the-month-september-with-bonita-ely/https://curatingthecontemporary.org/wp-content/uploads/2018/09/longevitysisorsandsickles20022.pngLongevity+Sisors+and+Sickles+2002+2Bonita Ely, Longevity Scissors and Sickles (2002). Image Courtesy of the artist.https://curatingthecontemporary.org/wp-content/uploads/2018/09/longevitysisorsandsickles2002.pngLongevity+Sisors+and+Sickles+2002Bonita Ely, Longevity Scissors and Sickles (2002). Image Courtesy of the artist. https://curatingthecontemporary.org/wp-content/uploads/2018/09/be_08.jpgBE_08Bonita Ely, Singer (2013) from Interior Decoration. Image courtesy of Milani Gallery. https://curatingthecontemporary.org/wp-content/uploads/2018/09/lakethunder2006.pngLake+Thunder+2006'Lake Thunder' (2006). Image Courtesy of the artist.https://curatingthecontemporary.org/wp-content/uploads/2018/09/1p1300043gd.png1,+P1300043Gd'Interior Decoration' documenta 14, Palais Bellevue, Kassel, Germany, 8 Apr - 17 Sep 2017. Image Courtesy of the artist.https://curatingthecontemporary.org/wp-content/uploads/2018/09/img_8002wholeinstallation.jpgIMG_8002WholeInstallation'Plastikus Progressus' documenta 14, Athens School of Fine Arts Gallery, 8 April - 16 July 2017. Image Courtesy of the artist.https://curatingthecontemporary.org/wp-content/uploads/2018/09/be_02.jpgBE_02https://curatingthecontemporary.org/wp-content/uploads/2018/09/c-20th-mythological-beasts-at-home-with-the-locust-people.jpgC. 20th Mythological Beasts At Home With the Locust People2018-09-03T23:44:15+00:00monthlyhttps://curatingthecontemporary.org/2018/09/03/wir-3-moved-by-art/https://curatingthecontemporary.org/wp-content/uploads/2018/09/new-moved-by-art-emily-pope.jpgnew moved by art Emily Pope2018-09-03T19:53:07+00:00monthlyhttps://curatingthecontemporary.org/2018/09/02/openings-and-exhibitions-september-2018/https://curatingthecontemporary.org/wp-content/uploads/2018/09/madeline_hollander_-_arena_2017_beach_sessions_rockaway_beach_ny_0.pngmadeline_hollander_-_arena_2017_beach_sessions_rockaway_beach_ny_0https://curatingthecontemporary.org/wp-content/uploads/2018/09/ldb18_somerset-house_landing-page-header_1440x960px_surprise.pngLDB18_Somerset House_Landing Page Header_1440x960px_Surprisehttps://curatingthecontemporary.org/wp-content/uploads/2018/09/39813765_10160841763120541_3630492703772377088_n.jpg39813765_10160841763120541_3630492703772377088_nhttps://curatingthecontemporary.org/wp-content/uploads/2018/09/39296935_10156559396248149_5742096349600415744_o.jpg39296935_10156559396248149_5742096349600415744_ohttps://curatingthecontemporary.org/wp-content/uploads/2018/09/37156184_10156556955263149_3425698067414777856_o.jpg37156184_10156556955263149_3425698067414777856_ohttps://curatingthecontemporary.org/wp-content/uploads/2018/09/38600499_2088412018038843_5078768333252198400_n.jpg38600499_2088412018038843_5078768333252198400_nhttps://curatingthecontemporary.org/wp-content/uploads/2018/09/38734190_2399766613397322_2185289118370496512_o.jpg38734190_2399766613397322_2185289118370496512_ohttps://curatingthecontemporary.org/wp-content/uploads/2018/09/39083370_2399773093396674_2872836098818572288_o.jpg39083370_2399773093396674_2872836098818572288_ohttps://curatingthecontemporary.org/wp-content/uploads/2018/09/37727531_819745038230989_7363137377864253440_n.jpg37727531_819745038230989_7363137377864253440_nhttps://curatingthecontemporary.org/wp-content/uploads/2018/09/39944430_2007749412622036_2383297654860808192_n.jpg39944430_2007749412622036_2383297654860808192_n2018-09-02T13:26:16+00:00monthlyhttps://curatingthecontemporary.org/2018/08/06/exhibitions-and-exhibitions-august-2018/https://curatingthecontemporary.org/wp-content/uploads/2018/08/38173191_1988133364576914_5002274892695994368_o.jpg38173191_1988133364576914_5002274892695994368_ohttps://curatingthecontemporary.org/wp-content/uploads/2018/08/37277235_10156481399222731_8192800471040131072_o.jpg37277235_10156481399222731_8192800471040131072_ohttps://curatingthecontemporary.org/wp-content/uploads/2018/08/37886223_10160708675500261_8902681831183220736_o.jpg37886223_10160708675500261_8902681831183220736_ohttps://curatingthecontemporary.org/wp-content/uploads/2018/08/37243102_2593425400682958_5158031495138377728_o.jpg37243102_2593425400682958_5158031495138377728_ohttps://curatingthecontemporary.org/wp-content/uploads/2018/08/37739178_2116860451676886_5188035797365817344_o.jpg37739178_2116860451676886_5188035797365817344_ohttps://curatingthecontemporary.org/wp-content/uploads/2018/08/37412581_936793333189516_4024975429751275520_o.jpg37412581_936793333189516_4024975429751275520_ohttps://curatingthecontemporary.org/wp-content/uploads/2018/08/37568658_1781310911906388_8230945398445834240_n.jpg37568658_1781310911906388_8230945398445834240_nhttps://curatingthecontemporary.org/wp-content/uploads/2018/08/37346198_10156740827438783_1514180687161196544_n.jpg37346198_10156740827438783_1514180687161196544_nhttps://curatingthecontemporary.org/wp-content/uploads/2018/08/2-5.jpg2-52018-09-02T12:27:16+00:00monthlyhttps://curatingthecontemporary.org/2018/08/30/please-play-with-glitches-in-the-system-javier-lloret-and-michaela-lakova-on-x-temporary-org/https://curatingthecontemporary.org/wp-content/uploads/2018/08/1.gif1Prosperity as you’ve never seen (2018), Javier Lloret, Courtesy of the artisthttps://curatingthecontemporary.org/wp-content/uploads/2018/08/4.gif4Prosperity as you’ve never seen (2018), Javier Lloret, Courtesy of the artisthttps://curatingthecontemporary.org/wp-content/uploads/2018/08/2.gif2Prosperity as you’ve never seen (2018), Javier Lloret, Courtesy of the artisthttps://curatingthecontemporary.org/wp-content/uploads/2018/08/3.gif3Prosperity as you’ve never seen (2018), Javier Lloret, Courtesy of the artisthttps://curatingthecontemporary.org/wp-content/uploads/2018/08/x-temporary.gifx-temporaryhttps://curatingthecontemporary.org/wp-content/uploads/2018/08/article-17-img-2.jpgarticle-17-img-2Article 17 Right to erasure (2018), Michaela Lakova, Courtesy of the artisthttps://curatingthecontemporary.org/wp-content/uploads/2018/08/article-17-gif-1.gifarticle-17-gif-1Article 17 Right to erasure (2018), Michaela Lakova, Courtesy of the artist2018-08-30T21:40:01+00:00monthlyhttps://curatingthecontemporary.org/2018/08/28/in-conversation-with-lawrence-lek/https://curatingthecontemporary.org/wp-content/uploads/2018/08/aeriallandscape-creditnc3b8telcorporationlawrencelek_kode9.jpgAerial+Landscape+-+credit+Nøtel+Corporation,+Lawrence+Lek+_+Kode92018-08-27T12:41:33+00:00monthlyhttps://curatingthecontemporary.org/2018/07/09/artists-of-the-month-july-with-christo-and-jeanne-claude/https://curatingthecontemporary.org/wp-content/uploads/2018/07/135b1e799e21501b48bdc13ae463b48f.jpg135b1e799e21501b48bdc13ae463b48fThe London Mastaba, Serpentine Lake, Hyde Park, 2016-18, Christo and Jeanne-Claude, Photo: Wolfgang Volz, © 2018 Christohttps://curatingthecontemporary.org/wp-content/uploads/2018/07/7b1c50cf2fdbe4a5c7cd35612f836cad.jpg7b1c50cf2fdbe4a5c7cd35612f836cadOver The River (Project for Arkansas River, State of Colorado), Drawing 2010 in two parts, Christo, Pencil, wax crayon, charcoal, pastel, enamel paint, fabric sample, hand-drawn topographic map, technical data and tape 96 x 42" and 96 x 15" (244 x 106.6 cm and 244 x 28 cm), Photo: André Grossmann, © 2010 Christo https://curatingthecontemporary.org/wp-content/uploads/2018/07/e6a2f1f1f35949028c733dc462e1e910.jpge6a2f1f1f35949028c733dc462e1e910The Gates (Project for Central Park, New York City, Drawing, 2003, Christo, in two parts, Pencil, charcoal, pastel, wax crayon, fabric sample, aerial photograph and hand-drawn technical data, 15 x 96" and 42 x 96" (38 x 244 cm and 106.6 x 244 cm), Whitney Museum of American Art, New York City, USA (Gift of Melva Bucksbaum and Raymond Learsy), Photo: André Grossmann, © 2003 Christo https://curatingthecontemporary.org/wp-content/uploads/2018/07/20dd2fe6bcd24995e975dcad2a4447d1.jpg20dd2fe6bcd24995e975dcad2a4447d1The Gates, Central Park, New York City, 1979-2005, Christo and Jeanne-Claude, Photo: Wolfgang Volz, © 2005 Christo and Jeanne-Claude https://curatingthecontemporary.org/wp-content/uploads/2018/07/815f01ce60d1536b80178fc9aee24eec.jpgPassau MuralThe Gates, Central Park, New York City, 1979-2005, Christo and Jeanne-Claude, Photo: Wolfgang Volz, © 2005 Christo and Jeanne-Claude https://curatingthecontemporary.org/wp-content/uploads/2018/07/b02f34f70686f31acd380ae62da79b64.jpgb02f34f70686f31acd380ae62da79b64Wrapped Reichstag (Project for Berlin) Drawing, 1979, Christo, in two parts, Pencil, charcoal, pastel, wax crayon and map, 15 x 96" and 42 x 96" (38 x 244 cm and 106.6 x 244 cm), Photo: André Grossmann, © 1979 Christo https://curatingthecontemporary.org/wp-content/uploads/2018/07/abccfc1f4edf8d1d3cd288a0003b1d6d.jpgabccfc1f4edf8d1d3cd288a0003b1d6dWrapped Reichstag, Berlin, 1971-95, Christo and Jeanne-Claude, Photo: Wolfgang Volz, © 1995 Christo https://curatingthecontemporary.org/wp-content/uploads/2018/07/89e39dd136dd0b166efdd5c0763d88ed.jpg89e39dd136dd0b166efdd5c0763d88edProjet du mur provisoire de tonneaux metalliques (Rue Visconti, Paris 6) Collage, 1961, Christo, Two collaged photographs and a typewritten text, 9 1/2 x 16" (24 x 40.6 cm), Photo: Shunk-Kender, © 1961 Christo https://curatingthecontemporary.org/wp-content/uploads/2018/07/4381c387f1074c0ba6631cb15768bc25.jpg4381c387f1074c0ba6631cb15768bc25The London Mastaba, Serpentine Lake, Hyde Park, 2016-18, Christo and Jeanne-Claude, Photo: Wolfgang Volz, © 2018 Christo 2018-08-09T20:11:30+00:00monthlyhttps://curatingthecontemporary.org/2018/07/16/wir-3-2008-four-seasons-of-corporate-social-responsibility/https://curatingthecontemporary.org/wp-content/uploads/2018/07/emily-pope-four-seasons.jpgEmily Pope Four Seasons2018-07-16T14:59:34+00:00monthlyhttps://curatingthecontemporary.org/2018/07/06/in-conversation-with-saemundur-thor-helgason-and-amy-downes/2018-07-05T19:05:53+00:00monthlyhttps://curatingthecontemporary.org/2018/07/04/openings-and-exhibitions-july-2018/https://curatingthecontemporary.org/wp-content/uploads/2018/07/ceef3ddc-fd35-4057-8d9a-c07084aebfde.jpgceef3ddc-fd35-4057-8d9a-c07084aebfdehttps://curatingthecontemporary.org/wp-content/uploads/2018/07/untitled1.pnguntitledhttps://curatingthecontemporary.org/wp-content/uploads/2018/07/live20sessions.jpglivesessionshttps://curatingthecontemporary.org/wp-content/uploads/2018/07/1_16.jpg1_16https://curatingthecontemporary.org/wp-content/uploads/2018/07/afua_kehnide_3_1.pngafua_kehnide_3_1https://curatingthecontemporary.org/wp-content/uploads/2018/07/david-shrigley_light-switch_2007_01-420x327.jpgDavid-Shrigley_Light-Switch_2007_01-420x327https://curatingthecontemporary.org/wp-content/uploads/2018/07/francesyoung_songoffarewell_2007_03_2-420x336.jpgFrancesYoung_SongofFarewell_2007_03_2-420x336https://curatingthecontemporary.org/wp-content/uploads/2018/07/nc3b8tel-credit-nc3b8tel-corporation-lawrence-lek-_-kode9-lo-res.jpgNøtel - credit Nøtel Corporation, Lawrence Lek _ Kode9 - LO-REShttps://curatingthecontemporary.org/wp-content/uploads/2018/07/untitled.pnguntitledhttps://curatingthecontemporary.org/wp-content/uploads/2018/07/2e0238b8db803c91cdd6cda571b22ba8.jpg2e0238b8db803c91cdd6cda571b22ba82018-07-04T12:08:24+00:00monthlyhttps://curatingthecontemporary.org/2018/06/14/in-conversation-with-bob-bicknell-knight/https://curatingthecontemporary.org/wp-content/uploads/2018/06/elliott-burns_in-conversation-with-bob-bicknell-knight_2018_image-9.pngElliott Burns_In conversation with... Bob Bicknell-Knight_2018_Image 9https://curatingthecontemporary.org/wp-content/uploads/2018/06/elliott-burns_in-conversation-with-bob-bicknell-knight_2018_image-8.jpgElliott Burns_In conversation with... Bob Bicknell-Knight_2018_Image 8Escape Pod (2015) by Jonathan Monaghan. Image courtesy of Jonathan Monaghan and isthisit?. Image Credit: Jonathan Monaghan.https://curatingthecontemporary.org/wp-content/uploads/2018/06/elliott-burns_in-conversation-with-bob-bicknell-knight_2018_image-3.pngElliott Burns_In conversation with... Bob Bicknell-Knight_2018_Image 3https://curatingthecontemporary.org/wp-content/uploads/2018/06/elliott-burns_in-conversation-with-bob-bicknell-knight_2018_image-6.pngElliott Burns_In conversation with... Bob Bicknell-Knight_2018_Image 6https://curatingthecontemporary.org/wp-content/uploads/2018/06/elliott-burns_in-conversation-with-bob-bicknell-knight_2018_image-2.pngElliott Burns_In conversation with... Bob Bicknell-Knight_2018_Image 2https://curatingthecontemporary.org/wp-content/uploads/2018/06/elliott-burns_in-conversation-with-bob-bicknell-knight_2018_image-4.pngElliott Burns_In conversation with... Bob Bicknell-Knight_2018_Image 4https://curatingthecontemporary.org/wp-content/uploads/2018/06/elliott-burns_in-conversation-with-bob-bicknell-knight_2018_image-7.pngElliott Burns_In conversation with... Bob Bicknell-Knight_2018_Image 7Value Indicator (2018) by Jillian Mayer. Image courtesy of Jillian Mayer and isthisit?. Image Credit: Jillian Mayer.https://curatingthecontemporary.org/wp-content/uploads/2018/06/elliott-burns_in-conversation-with-bob-bicknell-knight_2018_image-1.pngElliott Burns_In conversation with... Bob Bicknell-Knight_2018_Image 1isthisit? homepage (2nd June 2018). Image courtesy of Bob Bicknell-Knight and isthisit?. Image Credit: isthisit?.2018-06-13T20:34:30+00:00monthlyhttps://curatingthecontemporary.org/2018/05/31/digbeth-first-fridays-friday-4th-may-2018/https://curatingthecontemporary.org/wp-content/uploads/2018/05/khadija-von-zinnenburg-carroll-men-in-waiting-performance-music-by-jessyca-hutchins-photo-ilona-zielinska-2.jpgwww.elonaphotographer.comKhadija von Zinnenburg Carroll, Men in Waiting, performance, music by Jessyca Hutchins, photo Ilona Zielinskahttps://curatingthecontemporary.org/wp-content/uploads/2018/05/khadija-von-zinnenburg-carroll-men-in-waiting-performance-music-by-jessyca-hutchins-photo-ilona-zielinska-4.jpgwww.elonaphotographer.comKhadija von Zinnenburg Carroll, Men in Waiting, performance, music by Jessyca Hutchins, photo Ilona Zielinskahttps://curatingthecontemporary.org/wp-content/uploads/2018/05/khadija-von-zinnenburg-carroll-men-in-waiting-performance-music-by-jessyca-hutchins-photo-ilona-zielinska.jpgwww.elonaphotographer.comKhadija von Zinnenburg Carroll, Men in Waiting, performance, music by Jessyca Hutchins, photo Ilona Zielinskahttps://curatingthecontemporary.org/wp-content/uploads/2018/05/ra_dowd006.jpgRA_Dowd006Best Wishes, Warm Regards, Many Thanks! (2018), Luke Dowdhttps://curatingthecontemporary.org/wp-content/uploads/2018/05/ra_dowd007.jpgRA_Dowd007Best Wishes, Warm Regards, Many Thanks! (2018), Luke Dowd2018-06-06T21:42:18+00:00monthlyhttps://curatingthecontemporary.org/2018/06/06/artist-of-the-month-june-with-yasmin-smith/https://curatingthecontemporary.org/wp-content/uploads/2018/06/780_650_r_28d0357cecec5354f5f9bfcf9152d988.jpg780_650_r_28d0357cecec5354f5f9bfcf9152d988https://curatingthecontemporary.org/wp-content/uploads/2018/06/hewson-11.jpghewson-11Yasmin Smith, Ntaria Fence (2015). Image courtesy the artist, The Commercial and Darren Knight Gallery, Sydney. Photo Credit: Simon Hewson.https://curatingthecontemporary.org/wp-content/uploads/2018/06/780_650_r_581cfc71fbb006c0a95af49579a54864.jpg780_650_r_581cfc71fbb006c0a95af49579a54864Process detail of Yasmin Smith, Drowned River Valley (2018), showing solar evaporated salt sourced from Sydney Harbour salt glaze and Barangaroo sandstone clay on salt furnace. Photo credit: Elle Fredericksen.https://curatingthecontemporary.org/wp-content/uploads/2018/06/780_650_r_cd8e8193515e980e70ca7a589bc5ca41.jpg780_650_r_cd8e8193515e980e70ca7a589bc5ca412018-06-05T19:38:02+00:00monthlyhttps://curatingthecontemporary.org/2018/06/04/openings-exhibitions-june-2018/https://curatingthecontemporary.org/wp-content/uploads/2018/06/29744737_1649542091790209_5046416100606594203_o.jpg29744737_1649542091790209_5046416100606594203_ohttps://curatingthecontemporary.org/wp-content/uploads/2018/06/33488793_2050940938561283_8337000574914396160_o.jpg33488793_2050940938561283_8337000574914396160_ohttps://curatingthecontemporary.org/wp-content/uploads/2018/06/33806432_10154834223584649_5304843415869980672_o.jpg33806432_10154834223584649_5304843415869980672_ohttps://curatingthecontemporary.org/wp-content/uploads/2018/06/33105789_1674133545974898_524095926915039232_o.jpg33105789_1674133545974898_524095926915039232_ohttps://curatingthecontemporary.org/wp-content/uploads/2018/06/33892868_2076102256002777_7630048107589271552_o.jpg33892868_2076102256002777_7630048107589271552_ohttps://curatingthecontemporary.org/wp-content/uploads/2018/06/33509564_1882800445097483_7436724667454324736_o.jpg33509564_1882800445097483_7436724667454324736_ohttps://curatingthecontemporary.org/wp-content/uploads/2018/06/34016218_2021929331153545_8244038739391676416_o.jpg34016218_2021929331153545_8244038739391676416_ohttps://curatingthecontemporary.org/wp-content/uploads/2018/06/episode4emilypopethekeyboardlesson.jpgEPISODE4EMILYPOPETHEKEYBOARDLESSONhttps://curatingthecontemporary.org/wp-content/uploads/2018/06/4c99f9d2-f69c-4d9b-8762-ba02f4582f64.jpg4c99f9d2-f69c-4d9b-8762-ba02f4582f64https://curatingthecontemporary.org/wp-content/uploads/2018/06/itten-bauhaus-class-531x401.jpgItten-Bauhaus-Class-531x4012018-06-03T15:27:45+00:00monthlyhttps://curatingthecontemporary.org/2018/05/21/like-the-turn-of-a-kaleidoscope/https://curatingthecontemporary.org/wp-content/uploads/2018/05/the-factory.jpgThe Factoryhttps://curatingthecontemporary.org/wp-content/uploads/2018/05/double-double-2018.jpgDouble Double (2018)https://curatingthecontemporary.org/wp-content/uploads/2018/05/allcolourswillagreeinthedark-2018.jpgAllColoursWillAgreeInThedark (2018)https://curatingthecontemporary.org/wp-content/uploads/2018/05/shuttermydarkbrowneyes-2018.jpgShutterMyDarkBrownEyes (2018)2018-05-21T08:07:57+00:00monthlyhttps://curatingthecontemporary.org/2018/05/17/i-see-people-they-look-like-trees-walking-around-pools-and-of-meaning-in-byzantia-harlows-from-the-same-source-i-have-not-taken/https://curatingthecontemporary.org/wp-content/uploads/2018/05/from-the-same-source-i-have-not-taken-1.jpgFrom the Same Source I Have Not Taken 1https://curatingthecontemporary.org/wp-content/uploads/2018/05/from-the-same-source-i-have-not-taken-2-0.jpgFrom the Same Source I Have Not Taken 2.0https://curatingthecontemporary.org/wp-content/uploads/2018/05/from-the-same-source-i-have-not-taken-41.jpgFrom the Same Source I Have Not Taken-41https://curatingthecontemporary.org/wp-content/uploads/2018/05/from-the-same-source-i-have-not-taken-50.jpgFrom the Same Source I Have Not Taken-50From the Same Source I Have Not Taken (installation view) (2018), Byzantia Harlowhttps://curatingthecontemporary.org/wp-content/uploads/2018/05/from-the-same-source-i-have-not-taken-68.jpgFrom the Same Source I Have Not Taken-68From the Same Source I Have Not Taken (installation view) (2018), Byzantia Harlowhttps://curatingthecontemporary.org/wp-content/uploads/2018/05/from-the-same-source-i-have-not-taken-performance-21.jpgFrom the Same Source I Have Not Taken-Performance-21From the Same Source I Have Not Taken (installation view) (2018), Byzantia Harlow2018-05-16T20:00:55+00:00monthlyhttps://curatingthecontemporary.org/2018/05/10/reanimation-are-joan-jonas-re-performances-contemporary-arts-perfect-product/https://curatingthecontemporary.org/wp-content/uploads/2018/05/joan-jonas-delay-delay-1972-performance-lower-west-side-new-york-ny-1972-photo-by-gianfranco-gorgoni-c2a9-2018-joan-jonas.jpgJoan Jonas, Delay Delay, 1972, performance, Lower West Side, New York, NY, 1972. Photo by Gianfranco Gorgoni © 2018 Joan JonasJoan Jonas, Delay Delay, 1972, performance, Lower West Side, New York, NY, 1972. Photo by Gianfranco Gorgoni © 2018 Joan Jonashttps://curatingthecontemporary.org/wp-content/uploads/2018/05/joan_jonas_mirage_1976.jpgjoan_jonas_mirage_1976Joan Jonas, Mirage 1976 performance at the Anthology Film Archives, New York, 1976. Photo: Babette Mangolte © 1976 Babette Mangolte.https://curatingthecontemporary.org/wp-content/uploads/2018/05/robert-morris-continuous-project-altered-daily-1969-2.jpgRobert Morris, Continuous Project Altered Daily, 1969 (2)Robert Morris, Continuous Project Altered Daily, 1969. Earth, water, paper, grease, plastic. Courtesy of Robert Morris and Marian Goodman Gallery, New York. © 2010 Robert Morris/Artists Rights Society (ARS), New York. 2018-05-09T21:51:30+00:00monthlyhttps://curatingthecontemporary.org/2018/05/09/openings-exhibitions-may-2018/https://curatingthecontemporary.org/wp-content/uploads/2018/05/untitled.pnguntitled2018-05-09T08:51:53+00:00monthlyhttps://curatingthecontemporary.org/2018/05/08/artist-of-the-month-may-with-torbjorn-rodland/https://curatingthecontemporary.org/wp-content/uploads/2018/05/tr__08_019-2.jpgTR__08_019.2Hand on Fire (2008)https://curatingthecontemporary.org/wp-content/uploads/2018/05/golden-lager-2007.pnggolden-lager-2007Golden lager (2007)https://curatingthecontemporary.org/wp-content/uploads/2018/05/candles-and-cubes-2016.pngcandles-and-cubes-2016Candles and cubes (2016)https://curatingthecontemporary.org/wp-content/uploads/2018/05/bathroomtiles2010-13.jpgbathroomtiles2010-13Bathroom Tiles (2010-2013)https://curatingthecontemporary.org/wp-content/uploads/2018/05/torbjorn-rodland-zen-2014-chromogenic-print-29-dot-92-x-23-dot-62-inches-76-x-60-cm-detail.jpgtorbjorn-rodland-zen-2014-chromogenic-print-29-dot-92-x-23-dot-62-inches-76-x-60-cm-detailZen (2014)https://curatingthecontemporary.org/wp-content/uploads/2018/05/trichotillomania-2010.jpgtrichotillomania-2010Trichotillomania (2010)2018-05-09T00:01:13+00:00monthlyhttps://curatingthecontemporary.org/2018/02/15/perform-this-artists-curators-and-delegated-performance/https://curatingthecontemporary.org/wp-content/uploads/2018/02/callyspooner_6-dancers_2-1024x683.jpgvleeshal middelburg 20-06-2015https://curatingthecontemporary.org/wp-content/uploads/2018/02/nicole-bachmann-personare.jpegNicole Bachmann, PersonareNicole Bachmann, Personare, Courtesy of the artist and Tenderpixelhttps://curatingthecontemporary.org/wp-content/uploads/2018/02/romany-dear-and-melanie-forbes-solo-variations-2015-performance-at-cca-glasgow-photo-by-alan-dimmick_page_image_500.jpgromany-dear-and-melanie-forbes---solo-variations-(2015)---performance-at-cca,-glasgow,-photo-by-alan-dimmick_page_image_500Romany Dear and Melanie Forbes in Solo Variations, 2015 (photo by Alan Dimmick)2018-05-08T18:54:43+00:00monthlyhttps://curatingthecontemporary.org/2018/05/03/wir-2-memory-tape/https://curatingthecontemporary.org/wp-content/uploads/2018/05/maxresdefault.jpgmaxresdefault2018-05-02T21:12:38+00:00monthlyhttps://curatingthecontemporary.org/2018/04/12/artist-of-the-month-april-with-brook-andrew/https://curatingthecontemporary.org/wp-content/uploads/2018/04/48a0090a.jpg_48A0090ahttps://curatingthecontemporary.org/wp-content/uploads/2018/04/48a9795-1.jpg_48A9795https://curatingthecontemporary.org/wp-content/uploads/2018/04/dg102014.jpgDg102014https://curatingthecontemporary.org/wp-content/uploads/2018/04/76127f3acf2b4e08f00b0d80f15e531d.jpg76127f3acf2b4e08f00b0d80f15e531dhttps://curatingthecontemporary.org/wp-content/uploads/2018/04/146840_1b356b8bce564333f378039f21ecad41-11.jpg146840_1b356b8bce564333f378039f21ecad41-1https://curatingthecontemporary.org/wp-content/uploads/2018/04/146840_1b356b8bce564333f378039f21ecad41-1.jpg146840_1b356b8bce564333f378039f21ecad41-1https://curatingthecontemporary.org/wp-content/uploads/2018/04/48a0007_4.jpg_48A0007_4https://curatingthecontemporary.org/wp-content/uploads/2018/04/48a9795.jpg_48A97952018-04-12T12:31:00+00:00monthlyhttps://curatingthecontemporary.org/2018/04/05/wir-2-114-lines/https://curatingthecontemporary.org/wp-content/uploads/2018/04/requiemfor114radios.jpgrequiemfor114radios2018-04-04T13:47:52+00:00monthlyhttps://curatingthecontemporary.org/2018/04/04/jack-obrien-chew-if-only-you-could-see/https://curatingthecontemporary.org/wp-content/uploads/2018/04/jack-clearview-20-copy-2.jpgjack.clearview 20 copy 2https://curatingthecontemporary.org/wp-content/uploads/2018/04/jack-clearview-16-copy.jpgjack.clearview 16 copyhttps://curatingthecontemporary.org/wp-content/uploads/2018/04/jack-clearview-35-copy.jpgjack.clearview 35 copyhttps://curatingthecontemporary.org/wp-content/uploads/2018/04/jack-clearview-8-copy.jpgjack.clearview 8 copy2018-04-03T12:45:38+00:00monthlyhttps://curatingthecontemporary.org/2018/04/02/focus-on-ability-the-importance-of-outsider-art-institutions-in-australia/https://curatingthecontemporary.org/wp-content/uploads/2018/03/jd-kudu-2017.jpgJD Kudu 2017Kudu (2017), Jordan Dymke, Courtesy of QArt Gallery, Photo credit: Gordon Hayward https://curatingthecontemporary.org/wp-content/uploads/2018/03/artistsgroup.jpgArtistsGrouphttps://curatingthecontemporary.org/wp-content/uploads/2018/03/sg-in-control-2017.jpgSG In Control 2017In Control (2017), Shelby Gardner, Courtesy of QArt Gallery, Photo credit: Gordon Hayward https://curatingthecontemporary.org/wp-content/uploads/2018/03/hollywalton.jpgHollyWaltonArtist Holly Walton presenting her Christmas themed merchandisE, 2016, Courtesy of: QArt Gallery, Photo Credit: Jan Rowlinson 2018-03-31T12:13:40+00:00monthlyhttps://curatingthecontemporary.org/2018/03/31/t/https://curatingthecontemporary.org/wp-content/uploads/2018/03/249.jpg249https://curatingthecontemporary.org/wp-content/uploads/2018/03/29497408_10155244218396700_6134892634470767126_n.jpg29497408_10155244218396700_6134892634470767126_nhttps://curatingthecontemporary.org/wp-content/uploads/2018/03/2018aool_03__2048x99999_q85_subject_location-1591728_subsampling-2.jpg2018aool_03.jpg__2048x99999_q85_subject_location-1591,728_subsampling-2https://curatingthecontemporary.org/wp-content/uploads/2018/03/the-bookshop-band_1920.jpgthe-bookshop-band_1920https://curatingthecontemporary.org/wp-content/uploads/2018/03/29186778_10159293103326337_8939055140413898752_o.jpg29186778_10159293103326337_8939055140413898752_ohttps://curatingthecontemporary.org/wp-content/uploads/2018/03/27625496_963045177179193_622704720838709609_o.jpg27625496_963045177179193_622704720838709609_ohttps://curatingthecontemporary.org/wp-content/uploads/2018/03/28424895_10160077314830261_2646461583404632045_o.jpg28424895_10160077314830261_2646461583404632045_ohttps://curatingthecontemporary.org/wp-content/uploads/2018/03/29216930_10160161189585261_4726844746987468304_n.jpg29216930_10160161189585261_4726844746987468304_nhttps://curatingthecontemporary.org/wp-content/uploads/2018/03/29244427_10155316872713483_9179614858458588804_n.jpg29244427_10155316872713483_9179614858458588804_nhttps://curatingthecontemporary.org/wp-content/uploads/2018/03/28701181_10156129576293149_8787784859207094632_o.jpg28701181_10156129576293149_8787784859207094632_o2018-03-31T11:46:21+00:00monthlyhttps://curatingthecontemporary.org/2018/03/19/in-conversation-with-maria-ines-peixoto/https://curatingthecontemporary.org/wp-content/uploads/2018/03/alek-rein-musicbox.jpgAlek Rein @ MusicboxCourtesy of Maria Ines Peixotohttps://curatingthecontemporary.org/wp-content/uploads/2018/03/mind_perception-dangerous-business.jpgMIND_PERCEPTION dangerous businessCourtesy of Maria Ines Peixotohttps://curatingthecontemporary.org/wp-content/uploads/2018/03/mind_perception-human-touch.jpgMIND_PERCEPTION Human Touchhttps://curatingthecontemporary.org/wp-content/uploads/2018/03/chinaskee-musicbox.jpgChinaskee @ Musicboxhttps://curatingthecontemporary.org/wp-content/uploads/2018/03/the-miami-flu-musicbox.pngThe Miami Flu @ MusicboxCourtesy of Maria Ines Peixotohttps://curatingthecontemporary.org/wp-content/uploads/2018/03/mlx1.jpgmlx1Courtesy of Maria Ines Peixoto2018-03-18T19:56:28+00:00monthlyhttps://curatingthecontemporary.org/2018/03/12/artist-of-the-month-march-with-yayoi-kusama/https://curatingthecontemporary.org/wp-content/uploads/2018/03/yayoi-kusama_all-the-eternal-love-i-have-for-the-pumpkins_1_courtesy-yayoi-kusama-inc-ota-fine-arts-tokyo-singapore-and-victoria-miro-london-photography-thierry-bal-c2a9-yayoi-kus.jpgYayoi Kusama_All the Eternal Love I Have for the Pumpkins_(1)_Courtesy YAYOI KUSAMA Inc., Ota Fine Arts, Tokyo Singapore and Victoria Miro, London (photography Thierry Bal) © Yayoi KusAll the Eternal Love I Have for the Pumpkins, 2016. Installation view, Yayoi Kusama, Victoria Miro, 25 May – 30 July 2016. Photography: Thierry Balhttps://curatingthecontemporary.org/wp-content/uploads/2018/03/1966-narcissus-garden-1-full.jpg1966-Narcissus-Garden-1-fullhttps://curatingthecontemporary.org/wp-content/uploads/2018/03/50692825f5ef2d100360b47a4775c186f05a375e.jpg50692825f5ef2d100360b47a4775c186f05a375eInfinity Mirrored Room - Filled with the Brilliance of Life, 2011. Installation view, Yayoi Kusama, Tate Modern, 9 February – 5 June 2012. https://curatingthecontemporary.org/wp-content/uploads/2018/03/yayoi-kusama-infinity-net-paintings-1961-1023x802.jpgYayoi-Kusama-Infinity-Net-Paintings-1961-1023x802Yayoi Kusama Infinity Net Paintings 1961, Courtesy David Zwirnerhttps://curatingthecontemporary.org/wp-content/uploads/2018/03/kusa894_infinity-nets-aig_2013-a-536x400.jpgKUSA894_INFINITY-NETS-AIG_2013-a-536x400Yayoi Kusama, INFINITY NETS [AIG], 2013, Acrylic on canvas, 194 x 259 cm, 76 3/8 x 102 in, (KUSA 894). Courtesy Yayoi Kusama Studio, Inc., Ota Fine Arts, Tokyo / Singapore and Victoria Miro, London © Yayoi Kusama2018-03-11T16:59:45+00:00monthlyhttps://curatingthecontemporary.org/2018/03/05/gabriel-de-la-mora-entropias-at-proyectos-monclova/https://curatingthecontemporary.org/wp-content/uploads/2018/03/elliott-burns_entropc3adas-by-gabriel-de-la-mora-proyectos-monclova_image-8.jpgElliott Burns_'Entropías' by Gabriel de la Mora - Proyectos MONCLOVA_image 821 intentos (2017), Gabriel de la Mora, Courtesy of the artist and PROYECTOSMONCLOVA. Image Credit: Rodrigo Viñashttps://curatingthecontemporary.org/wp-content/uploads/2018/03/elliott-burns_entropc3adas-by-gabriel-de-la-mora-proyectos-monclova_image-5.jpgElliott Burns_'Entropías' by Gabriel de la Mora - Proyectos MONCLOVA_image 5(left to right): 274,772 (2016-2017), Process of pixelation (2015), 231,181 (46,121 + 99,725 + 85,335) (2017), Gabriel de la Mora, Courtesy of the artist and PROYECTOSMONCLOVA. Image Credit: Rodrigo Viñashttps://curatingthecontemporary.org/wp-content/uploads/2018/03/elliott-burns_entropc3adas-by-gabriel-de-la-mora-proyectos-monclova_image-1.jpgElliott Burns_'Entropías' by Gabriel de la Mora - Proyectos MONCLOVA_image 121 intentos (2017), Gabriel de la Mora, Courtesy of the artist and PROYECTOSMONCLOVA. Image Credit: Gabriel de la Mora Studiohttps://curatingthecontemporary.org/wp-content/uploads/2018/03/elliott-burns_entropc3adas-by-gabriel-de-la-mora-proyectos-monclova_image-3.jpgElliott Burns_'Entropías' by Gabriel de la Mora - Proyectos MONCLOVA_image 3 (left to right): Si la repetición existe, expresa al mismo tiempo una singularidad contra lo general, una universalidad contra lo particular, un elemento notable contra lo ordinario, una instantaneidad contra la variación, una eternidad contra la permanencia (2017-2018), Gabriel de la Mora, Courtesy of the artist and PROYECTOSMONCLOVA. Image Credit: Gabriel de la Mora Studiohttps://curatingthecontemporary.org/wp-content/uploads/2018/03/elliott-burns_entropc3adas-by-gabriel-de-la-mora-proyectos-monclova_image-2.jpgElliott Burns_'Entropías' by Gabriel de la Mora - Proyectos MONCLOVA_image 2 Censorship by pixilation (2011), Gabriel de la Mora, Courtesy of the artist and PROYECTOSMONCLOVA. Image Credit: Gabriel de la Mora Studiohttps://curatingthecontemporary.org/wp-content/uploads/2018/03/elliott-burns_entropc3adas-by-gabriel-de-la-mora-proyectos-monclova_image-4.jpgElliott Burns_'Entropías' by Gabriel de la Mora - Proyectos MONCLOVA_image 4(left to right): Pomona 42 I (2017), José Rosas Moreno 110 III (2017), Pomona 42 II (2017), Gabriel de la Mora, Courtesy of the artist and PROYECTOSMONCLOVA. Image Credit: Rodrigo Viñashttps://curatingthecontemporary.org/wp-content/uploads/2018/03/elliott-burns_entropc3adas-by-gabriel-de-la-mora-proyectos-monclova_image-7.jpgElliott Burns_'Entropías' by Gabriel de la Mora - Proyectos MONCLOVA_image 7(left to right): 231,181 (46,121 + 99,725 + 85,335) (2017), Process of pixelation (2015), Indigenous people / Haute couture (2014), Si la repetición existe, expresa al mismo tiempo una singularidad contra lo general, una universalidad contra lo particular, un elemento notable contra lo ordinario, una instantaneidad contra la variación, una eternidad contra la permanencia (2017-2018), Table of contents (2010), Censorship by pixellation (2011), A record of an exhibition of painting (2013), Before Pratt (2012), Before and after series (2016), Pomona 42 I (2017), Gabriel de la Mora, Courtesy of the artist and PROYECTOSMONCLOVA. Image Credit: Rodrigo Viñas https://curatingthecontemporary.org/wp-content/uploads/2018/03/elliott-burns_entropc3adas-by-gabriel-de-la-mora-proyectos-monclova_image-6.jpgElliott Burns_'Entropías' by Gabriel de la Mora - Proyectos MONCLOVA_image 6N.P.1 (2017), Gabriel de la Mora, Courtesy of the artist and PROYECTOSMONCLOVA. Image Credit: Gabriel de la Mora Studio2018-03-04T18:10:22+00:00monthlyhttps://curatingthecontemporary.org/2018/03/01/wir-2-here-this-now/https://curatingthecontemporary.org/wp-content/uploads/2018/03/picture2.jpgPicture22018-02-28T23:39:42+00:00monthlyhttps://curatingthecontemporary.org/2018/02/28/openings-exhibitions-march-2018/https://curatingthecontemporary.org/wp-content/uploads/2018/02/vts-web.jpgvts-webhttps://curatingthecontemporary.org/wp-content/uploads/2018/02/totallydifferentanimals.jpgtotallydifferentanimalshttps://curatingthecontemporary.org/wp-content/uploads/2018/02/efap_screenshot_hugeres_01_alt_small.jpgefap_screenshot_hugeres_01_alt_smallhttps://curatingthecontemporary.org/wp-content/uploads/2018/02/image-credit-claire-davies-20181.jpgImage Credit Claire Davies, 2018https://curatingthecontemporary.org/wp-content/uploads/2018/02/27858289_10155966716729564_4832116934763001848_n.jpg27858289_10155966716729564_4832116934763001848_nhttps://curatingthecontemporary.org/wp-content/uploads/2018/02/reyes_2.jpgREYES_2https://curatingthecontemporary.org/wp-content/uploads/2018/02/rebecca-tamas-pic-photo-mariana-georgallis.jpgRebecca-Tamas-pic-photo-Mariana-Georgallishttps://curatingthecontemporary.org/wp-content/uploads/2018/02/after_the_war_room1.pngafter_the_war_roomhttps://curatingthecontemporary.org/wp-content/uploads/2018/02/after_the_war_room.pngafter_the_war_roomhttps://curatingthecontemporary.org/wp-content/uploads/2018/02/image-credit-claire-davies-2018.jpgImage Credit Claire Davies, 20182018-02-27T11:29:48+00:00monthlyhttps://curatingthecontemporary.org/2018/02/26/gluck-art-and-identity/https://curatingthecontemporary.org/wp-content/uploads/2018/02/gluck_brighton011.jpggluck_brighton01[1]https://curatingthecontemporary.org/wp-content/uploads/2018/02/gluck_brighton041.jpggluck_brighton04[1]Gluck: Art and Identity (2018) (Installation view). Photo: Maria Ines Peixotohttps://curatingthecontemporary.org/wp-content/uploads/2018/02/gluck_brighton021.jpggluck_brighton02[1]Gluck: Art and Identity (2018) (Installation view). Photo: Maria Ines Peixotohttps://curatingthecontemporary.org/wp-content/uploads/2018/02/gluck_brighton031.jpggluck_brighton03[1]Gluck: Art and Identity (2018) (Installation view). Photo: Maria Ines Peixoto2018-02-25T16:26:01+00:00monthlyhttps://curatingthecontemporary.org/2018/02/19/goodbye-sonora-128/https://curatingthecontemporary.org/wp-content/uploads/2018/02/elliott-burns_goodbye-sonora-128_image-03.pngElliott Burns_Goodbye Sonora 128_image 03untitled (1995), Felix Gonzalez-Torres, Location: Gobernador Agustín Vicente Eguia 18, San Miguel Chapultepec I Secc, 11850, Courtesy of kurimanzutto and the Felix Gonzalez-Torres Foundation. Image Credit: PJ Rountreehttps://curatingthecontemporary.org/wp-content/uploads/2018/02/elliott-burns_goodbye-sonora-128_image-02.jpgElliott Burns_Goodbye Sonora 128_image 02untitled (1995), Felix Gonzalez-Torres, Location: Viaducto Tlalpan 83, Huipulco, 14370, Courtesy of kurimanzutto and the Felix Gonzalez-Torres Foundation. Image Credit: PJ Rountreehttps://curatingthecontemporary.org/wp-content/uploads/2018/02/elliott-burns_goodbye-sonora-128_image-01.jpgElliott Burns_Goodbye Sonora 128_image 01untitled (1995),Felix Gonzalez-Torres, Location: Avenida Sonora 128, Hipódromo Condesa, 06100, Courtesy of kurimanzutto and the Felix Gonzalez-Torres Foundation. Image Credit: PJ Rountreehttps://curatingthecontemporary.org/wp-content/uploads/2018/02/elliott-burns_goodbye-sonora-128_image-04.jpgElliott Burns_Goodbye Sonora 128_image 04  untitled (1995), Felix Gonzalez-Torres, Location: Avenida Sonora 128, Hipódromo Condesa, 06100, Courtesy of kurimanzutto and the Felix Gonzalez-Torres Foundation. Image Credit: PJ Rountree2018-02-18T19:20:55+00:00monthlyhttps://curatingthecontemporary.org/2018/02/07/artist-of-the-month-february-with-claire-fontaine/https://curatingthecontemporary.org/wp-content/uploads/2018/02/03a_using-walls-tears.jpg03a_using-walls-tearsClaire Fontaine, Tears, 2013, neon tubing, wire, frames (9 elements), The Jewish Museum, New York, Courtesy T293 and Claire Fontainehttps://curatingthecontemporary.org/wp-content/uploads/2018/02/clfo304.jpgCLFO304Claire Fontaine, La Isla de las Lagrimas, 2012, 8 piece neon installation, dimensions variable, Espacio 1414, Puerto Rico, Courtesy T293 and Claire Fontainehttps://curatingthecontemporary.org/wp-content/uploads/2018/02/claire-fontaine-i-am-your-voice-2017-karst-plymouth-1400x951.jpgClaire-Fontaine-I-Am-Your-Voice-2017-KARST-Plymouth-1400x951Claire Fontaine, I Am Your Voice, 2017, installation at KARST, Plymouth, 22 September - 18 November 2017, Courtesy T293 and Claire Fontainehttps://curatingthecontemporary.org/wp-content/uploads/2018/02/162.jpg162Claire Fontaine, Untitled (Open), 2012, argon and neon filled glass, transformer, cables and chains, 24.5 x 60 x 3 cm, Courtesy T293 and Claire Fontainehttps://curatingthecontemporary.org/wp-content/uploads/2018/02/t293-nil-database-15-1400x934.jpgt293.nil-database-15-1400x934Claire Fontaine, Yoda, Installation at Museo Pietro Canonica, Rome, 2016, Courtesy T293 and Claire Fontainehttps://curatingthecontemporary.org/wp-content/uploads/2018/02/clfo303-2.jpgCLFO303-2Claire Fontaine, Redemptions, 2013, aluminum cans, plastic bags, dimensions variable, CCA Wattis Institute for Contemporary Arts, San Francisco, Courtesy T293 and Claire Fontaine2018-02-06T21:35:50+00:00monthlyhttps://curatingthecontemporary.org/2018/01/31/openings-exhibitions-february-2018/https://curatingthecontemporary.org/wp-content/uploads/2018/01/243.jpeg243https://curatingthecontemporary.org/wp-content/uploads/2018/01/2aa29562d7d4aa091b344c3d3b76bc92_0.jpg2aa29562d7d4aa091b344c3d3b76bc92_0https://curatingthecontemporary.org/wp-content/uploads/2018/01/26850365_10154583670649649_5189879511675682068_o.jpg26850365_10154583670649649_5189879511675682068_ohttps://curatingthecontemporary.org/wp-content/uploads/2018/01/26239639_10155992308251797_4447113480365036687_n.jpg26239639_10155992308251797_4447113480365036687_nhttps://curatingthecontemporary.org/wp-content/uploads/2018/01/mark-dion-the-wonder-workshop-2015-2_web_crop.jpgVAC Future Histories exhibtion at the Venice Biennale 2015.https://curatingthecontemporary.org/wp-content/uploads/2018/01/25507947_1503944363017318_6535395418832215074_n.jpg25507947_1503944363017318_6535395418832215074_nhttps://curatingthecontemporary.org/wp-content/uploads/2018/01/26239271_2046855858688401_5258227110035031351_n.jpg26239271_2046855858688401_5258227110035031351_nhttps://curatingthecontemporary.org/wp-content/uploads/2018/01/26815005_10155967421728149_8662373462400405453_n.jpg26815005_10155967421728149_8662373462400405453_nhttps://curatingthecontemporary.org/wp-content/uploads/2018/01/27173264_1882250728465843_3290202790940087177_o.jpg27173264_1882250728465843_3290202790940087177_o2018-01-30T22:43:31+00:00monthlyhttps://curatingthecontemporary.org/2018/02/01/wir-2-refrain/https://curatingthecontemporary.org/wp-content/uploads/2018/01/01_samson-young_muted-situations_-1-string-quartet_03.jpg01_Samson-Young_Muted-Situations_-1-String-Quartet_032018-01-30T21:23:10+00:00monthlyhttps://curatingthecontemporary.org/2018/01/22/on-writing-about-making-text-to-make-text-on-writing-an-interview-with-ubik/https://curatingthecontemporary.org/wp-content/uploads/2018/01/6_autosuggestion_3.jpg6_Autosuggestion_3Autosuggestion (2012), LED ticker tape, Sofa, Dimensions variablehttps://curatingthecontemporary.org/wp-content/uploads/2018/01/5_autosuggestion_2.jpg5_Autosuggestion_2Autosuggestion (2012), LED ticker tape, Sofa, Dimensions variablehttps://curatingthecontemporary.org/wp-content/uploads/2018/01/4_autosuggestion.jpg4_AutosuggestionAutosuggestion (2012), LED ticker tape, Sofa, Dimensions variablehttps://curatingthecontemporary.org/wp-content/uploads/2018/01/7_portrait_1.jpg7_Portrait_1Portrait of an Artist through his Statements (2012), The installation comprised of 5000 fortune cookies distributed throughout the site, and contained 752 unique statements from my bank account from the period of January 2011-January 2012. https://curatingthecontemporary.org/wp-content/uploads/2018/01/8_portrait_2.jpg8_Portrait_2Portrait of an Artist through his Statements (2012), The installation comprised of 5000 fortune cookies distributed throughout the site, and contained 752 unique statements from my bank account from the period of January 2011-January 2012. https://curatingthecontemporary.org/wp-content/uploads/2018/01/10_incidentals_exit.jpg10_Incidentals_'Exit'Exit > Return > Entry (2014), Folded passport page on top right hand corner, 24 x 21 x 3 cm https://curatingthecontemporary.org/wp-content/uploads/2018/01/11_incidentals_one-way.jpg11_Incidentals_'One Way'One Way (2014), Folded passport page, crease lines, 24 x 21 x 3 cm https://curatingthecontemporary.org/wp-content/uploads/2018/01/12_incidentals_request.jpg12_Incidentals_'Request'Request (2014) ,Passport cover, staple holes, filing sticker, 21 x 24 x 3 cm https://curatingthecontemporary.org/wp-content/uploads/2018/01/9_incidentals_scan.jpg9_Incidentals_'Scan'Scan 1-4, 2014, Scanned passport page of visa on 308gsm Hahnemuhle paper, 51 x 40 cmhttps://curatingthecontemporary.org/wp-content/uploads/2018/01/2_dear1.jpg2_DEAR1Instagram Screenshots from the DEAR Series2018-01-21T16:23:06+00:00monthlyhttps://curatingthecontemporary.org/2018/01/04/wir-1-centimetres-do-not-count/https://curatingthecontemporary.org/wp-content/uploads/2018/01/doublefaced-no-4-year2013.jpgDoublefaced-No-4-year2013https://curatingthecontemporary.org/wp-content/uploads/2018/01/1-3-2.jpg1-3-2Sebastian Bieniek, Doublefaced n.4, (2013). Source: http://thestudiovisit.com/sebastian-bieniek/2018-01-04T12:22:00+00:00monthlyhttps://curatingthecontemporary.org/2017/12/18/only-fools-vote-tory-and-self-care-rhymes-with-cher/https://curatingthecontemporary.org/wp-content/uploads/2017/12/1-4.jpg1-42018-01-03T15:29:14+00:00monthlyhttps://curatingthecontemporary.org/2018/01/03/artist-of-the-month-january-with-tunga/https://curatingthecontemporary.org/wp-content/uploads/2018/01/2-4.jpg2-4Lézart, (1989). Copper, steel and magnet. Image courtesy of Inhotim.https://curatingthecontemporary.org/wp-content/uploads/2018/01/3-5.jpg3-5Palíndromo Incesto, 1990 – 1992. Copper wire, magnet, copper sheets and iron filings. Image courtesy of Inhotim.https://curatingthecontemporary.org/wp-content/uploads/2018/01/1-5.jpg1-5https://curatingthecontemporary.org/wp-content/uploads/2018/01/4-4.jpg4-4Eu, você e a lua (Me, you and the moon), Art Unlimited 2016. Source: http://www.ccslifestyle.com/2016/06/art-unlimited-2016-tunga-eu-voce-e-lua.html.2018-01-03T13:04:53+00:00monthlyhttps://curatingthecontemporary.org/2017/12/21/the-crying-game-3-a-conversation-with-conrad-ventur/https://curatingthecontemporary.org/wp-content/uploads/2017/12/untitledphotograph2016_conrad_ventur.jpgUntitledphotograph2016_Conrad_VenturUntitled photograph (2016), Conrad Venturhttps://curatingthecontemporary.org/wp-content/uploads/2017/12/untitled_nd_conrad_ventur2.jpgUntitled_nd_conrad_ventur2Untitled, Conrad Venturhttps://curatingthecontemporary.org/wp-content/uploads/2017/12/untitled_nd_conrad_ventur5.jpgUntitled_nd_conrad_ventur5Untitled, Conrad Venturhttps://curatingthecontemporary.org/wp-content/uploads/2017/12/atlantis-performance-ventur_conrad_mario-montez-triplecanopy2011.jpgAtlantis performance Ventur_Conrad_Mario.Montez.TripleCanopy2011Atlantis performance (2011), Conrad Venturhttps://curatingthecontemporary.org/wp-content/uploads/2017/12/mm21_2010_conradventur.jpgmm#21_2010_conradventurmm#21 (2010), Conrad Venturhttps://curatingthecontemporary.org/wp-content/uploads/2017/12/mm29_2013_conradventur.jpgmm#29_2013_conradventurmm#29 (2013), Conrad Ventur2017-12-21T12:35:16+00:00monthlyhttps://curatingthecontemporary.org/2017/12/14/curating-the-idea-golden-the-sculptural-nature-of-silence/https://curatingthecontemporary.org/wp-content/uploads/2017/12/anechoic-drawing-artist-and-image-chris-a-wright-2017.jpgAnechoic drawing Artist and image Chris A. Wright 2017Anechoic drawing Artist and image; Chris A. Wright 2017 https://curatingthecontemporary.org/wp-content/uploads/2017/12/peak-cavern-derbyshire-image-chris-a-wright-2008.jpgPeak Cavern Derbyshire. Image Chris A. Wright 2008Peak Cavern, Derbyshire. Image: Chris A. Wright 20082017-12-12T20:24:03+00:00monthlyhttps://curatingthecontemporary.org/2017/12/11/artist-of-the-month-december-with-lubaina-himid/https://curatingthecontemporary.org/wp-content/uploads/2017/12/walker-lubaina-043.jpgWalker-Lubaina-043Naming the Money (2004), Lubaina Himidhttps://curatingthecontemporary.org/wp-content/uploads/2017/12/171205194059-lubaina-himid-swallow-hard-lancaster-dinner-service.jpg171205194059-lubaina-himid-swallow-hard-lancaster-dinner-serviceSwallow Hard: The Lancaster Dinner Service (2007), Lubaina Himid, Credit: Courtesy Hollybush Gardenshttps://curatingthecontemporary.org/wp-content/uploads/2017/12/lh-fm-319-9742321_std.jpgLubaina Himid - Fashionable Marriage installation, Tate LiverpoolFashionable Marriage installation, Tate Liverpoolhttps://curatingthecontemporary.org/wp-content/uploads/2017/12/skynews-turner-prize-art-lubaina-himid_4175255.jpgBRITAIN-CULTURE-ART-TURNER-PRIZEPottery by Lubaina Himid entitled 'Swallow Hard: The Lancaster Dining Service' which forms part of her submission for the Turner Prize 2017 in the Ferens Art Gallery, Kingston upon Hull, northern England on September 25, 2017. The four artists shortlisted for Turner Prize 2017 are: Hurvin Anderson, Andrea Buttner, Lubaina Himid and Rosalind Nashashibi. / AFP PHOTO / OLI SCARFF / RESTRICTED TO EDITORIAL USE - MANDATORY MENTION OF THE ARTIST UPON PUBLICATION - TO ILLUSTRATE THE EVENT AS SPECIFIED IN THE CAPTION (Photo credit should read OLI SCARFF/AFP/Getty Images)https://curatingthecontemporary.org/wp-content/uploads/2017/12/lubaina_himid_navigation_charts_2017_installation_view__spike_island-_courtesy_the_artist_and_hollybush_gardens-_int_1-2.jpgLubaina_Himid_Navigation_Charts_(2017)_Installation_view__Spike_Island._Courtesy_the_artist_and_Hollybush_Gardens._INT_1-2Naming the Money (2004), Installation view of Navigation Charts, Spike Island, Bristol (2017), Courtesy of the artist, Hollybush Gardens, and National Museums, Liverpool Photo: Stuart Whipps2017-12-11T19:49:47+00:00monthlyhttps://curatingthecontemporary.org/2017/12/07/wir-1-too-intimate/2017-12-07T12:32:46+00:00monthlyhttps://curatingthecontemporary.org/2017/12/04/brendan-lynch-different-dances/2017-12-04T17:56:54+00:00monthlyhttps://curatingthecontemporary.org/2015/12/14/where-can-we-find-our-contemporary-heterotopias/https://curatingthecontemporary.org/wp-content/uploads/2015/12/image-6.jpgImage 6White Cube, Bermondsey, Photo: Jose Iglesias Gª-Arenalhttps://curatingthecontemporary.org/wp-content/uploads/2015/12/image-5.jpgImage 5White Cube, Bermondsey, Photo: Jose Iglesias Gª-Arenalhttps://curatingthecontemporary.org/wp-content/uploads/2015/12/image-4.jpgImage 4White Cube, Bermondsey, Photo: Jose Iglesias Gª-Arenalhttps://curatingthecontemporary.org/wp-content/uploads/2015/12/image-3.jpgImage 3White Cube, Bermondsey, Photo: Jose Iglesias Gª-Arenalhttps://curatingthecontemporary.org/wp-content/uploads/2015/12/image-2.jpgImage 2White Cube, Bermondsey, Photo: Jose Iglesias Gª-Arenalhttps://curatingthecontemporary.org/wp-content/uploads/2015/12/image-1.jpgImage 1White Cube, Bermondsey, Photo: Jose Iglesias Gª-Arenal2017-12-01T13:30:30+00:00monthlyhttps://curatingthecontemporary.org/2017/11/30/openings-exhibitions-december-2017/https://curatingthecontemporary.org/wp-content/uploads/2017/11/23561627_414516855618280_8537695389623076134_n.jpg23561627_414516855618280_8537695389623076134_nImage Courtesy of RED DOOR project Space.2017-11-30T14:16:49+00:00monthlyhttps://curatingthecontemporary.org/2017/11/23/michael-sailstorfer-clouds-and-tears/2017-11-22T22:07:14+00:00monthlyhttps://curatingthecontemporary.org/2017/11/16/10facts-what-happened-in-the-art-world-in-october-2/https://curatingthecontemporary.org/wp-content/uploads/2017/11/kader-attia-untitled-ghardac3afa-2009-c2a9-2017-the-solomon-r-guggenheim-foundation.jpgKADER ATTIA, UNTITLED (GHARDAÏA), 2009. © 2017 THE SOLOMON R. GUGGENHEIM FOUNDATIONKADER ATTIA, UNTITLED (GHARDAÏA), 2009. © 2017 THE SOLOMON R. GUGGENHEIM FOUNDATION2017-11-15T20:53:16+00:00monthlyhttps://curatingthecontemporary.org/2017/11/06/artist-of-the-month-november-with-cally-spooner/https://curatingthecontemporary.org/wp-content/uploads/2017/11/image-1-3.jpgImage 1-3Cally Spooner, Damning Evidence Illicit Behaviour Seemingly Insurmountable Great Sadness Terminated In Any Manner (2014). Installation views at Kunstverein Münich. Courtesy: the artist and Kunstverein Münich. Photo: Ulrich Gebert. https://curatingthecontemporary.org/wp-content/uploads/2017/11/image-2-2.jpgImage 2-2Cally Spooner, And You Were Wonderful, On Stage (2015). And You Were Wonderful, On Stage installation view at Stedelijk Museum, Amsterdam, 2015. https://curatingthecontemporary.org/wp-content/uploads/2017/11/image-3.jpgImage 3Cally Spooner: On False Tears and Outsourcing (2016). Courtesy New Museum, New York. Photo: Luis Antonio Ruiz / Matte Projects.https://curatingthecontemporary.org/wp-content/uploads/2017/11/image-4.jpgImage 4Maja Ho dancing in Cally Spooner's piece On False Tears and Outsourcing at the New Museum in NYC. May 2016. Photo of Jeremiah Wilson. 2017-11-06T11:19:56+00:00monthlyhttps://curatingthecontemporary.org/2017/11/02/wir-1-no-one-knows-why/https://curatingthecontemporary.org/wp-content/uploads/2017/11/87557a770d205bbca8268a63b22b09121.jpg87557a770d205bbca8268a63b22b0912https://curatingthecontemporary.org/wp-content/uploads/2017/11/87557a770d205bbca8268a63b22b0912.jpg87557a770d205bbca8268a63b22b0912https://curatingthecontemporary.org/wp-content/uploads/2017/11/baldessari-goya-071.jpgbaldessari-goya-07https://curatingthecontemporary.org/wp-content/uploads/2017/11/baldessari-goya-072.jpgbaldessari-goya-072https://curatingthecontemporary.org/wp-content/uploads/2017/11/baldessari-goya-07-e1509562304182.jpgbaldessari-goya-072017-11-02T11:57:17+00:00monthlyhttps://curatingthecontemporary.org/2017/11/01/openings-and-exhibitions-november-2017/https://curatingthecontemporary.org/wp-content/uploads/2017/10/mt-mr-md.jpgMT-MR-MDhttps://curatingthecontemporary.org/wp-content/uploads/2017/10/22499104_10155691150087808_8540460067867546287_o.jpg22499104_10155691150087808_8540460067867546287_oHighest Heights by Lena Heubusch. October 20172017-10-31T18:31:41+00:00monthlyhttps://curatingthecontemporary.org/2017/10/26/in-conversation-with-juliana-cintra/https://curatingthecontemporary.org/wp-content/uploads/2017/10/exposic3a7c3a3o-renata-har-fotos-jaime-acioli.jpgExposição Renata Har - fotos Jaime AcioliExhibition view: Renata Har. Photo: Jaime Acioli. Image Courtesy of Silvia Cintra + Box 4https://curatingthecontemporary.org/wp-content/uploads/2017/10/exposic3a7c3a3o-miguel-rio-branco-fotos-miguel-rio-branco_.jpgExposição Miguel Rio Branco - fotos Miguel Rio Branco_https://curatingthecontemporary.org/wp-content/uploads/2017/10/exposic3a7c3a3o-miguel-rio-branco-fotos-miguel-rio-branco.jpgExposição Miguel Rio Branco - fotos Miguel Rio BrancoExhibition view: Miguel Rio Branco. Photo: Miguel Rio Branco. Image Courtesy Silvia Cintra + Box 4https://curatingthecontemporary.org/wp-content/uploads/2017/10/exposic3a7c3a3o-marcius-galan-fotos-pat-kilgore.jpgMarcius GalanMarcius Galanhttps://curatingthecontemporary.org/wp-content/uploads/2017/10/exposic3a7c3a3o-marcius-galan-fotos-pat-kilgore_1.jpgMarcius GalanMarcius Galanhttps://curatingthecontemporary.org/wp-content/uploads/2017/10/exposic3a7c3a3o-marcius-galan-fotos-pat-kilgore_.jpgMarcius GalanExhibition view: Marcius Galan. Image Courtesy Silvia Cintra + Box 4https://curatingthecontemporary.org/wp-content/uploads/2017/10/exposic3a7c3a3o-iole-de-freitas-fotos-jaime-acioli.jpgExposição Iole de Freitas - fotos Jaime Aciolihttps://curatingthecontemporary.org/wp-content/uploads/2017/10/exposic3a7c3a3o-iole-de-freitas-fotos-jaime-acioli_.jpgExposição Iole de Freitas - fotos Jaime Acioli_Exhibition view: Iole de Freitas. Photo: Jaime Acioli. Image Courtesy of Silvia Cintra + Box 4https://curatingthecontemporary.org/wp-content/uploads/2017/10/exposic3a7c3a3o-daniel-senise-fotos-jaime-acioli.jpgExposição Daniel Senise - fotos Jaime Aciolihttps://curatingthecontemporary.org/wp-content/uploads/2017/10/exposic3a7c3a3o-daniel-senise-fotos-jaime-acioli_.jpgExposição Daniel Senise - fotos Jaime Acioli_Exhibition view: Daniel Senise. Photo: Jaime Acioli. Image Courtesy of Silvia Cintra + Box 42017-10-26T14:41:41+00:00monthlyhttps://curatingthecontemporary.org/2017/10/19/10facts-what-happened-in-the-art-world-in-september-2/https://curatingthecontemporary.org/wp-content/uploads/2017/10/image.jpgImage2017-10-17T22:36:25+00:00monthlyhttps://curatingthecontemporary.org/2017/10/13/in-conversation-with-aaron-scheer/2017-10-11T21:14:26+00:00monthlyhttps://curatingthecontemporary.org/2017/10/05/wir-1-adela/https://curatingthecontemporary.org/wp-content/uploads/2017/10/hh-lim-anche-i-denti-storti-raccontano-chi-sei-20151.jpgHH.-Lim-Anche-i-denti-storti-raccontano-chi-sei-2015https://curatingthecontemporary.org/wp-content/uploads/2017/10/hh-lim-anche-i-denti-storti-raccontano-chi-sei-2015.jpgHH.-Lim-Anche-i-denti-storti-raccontano-chi-sei-20152017-10-05T11:12:28+00:00monthlyhttps://curatingthecontemporary.org/2017/10/03/artist-of-the-month-october-with-miranda-july/https://curatingthecontemporary.org/wp-content/uploads/2017/10/2faed9b658d15dfa94e959d84224e9f0.png2faed9b658d15dfa94e959d84224e9f0Multi Purpose Cards, The Miranda, Miranda Julyhttps://curatingthecontemporary.org/wp-content/uploads/2017/10/picture1.jpgPicture1Sophie (Miranda July) © Future 2011 https://curatingthecontemporary.org/wp-content/uploads/2017/10/self.jpgselfSomebody (2014-2015), Miranda Julyhttps://curatingthecontemporary.org/wp-content/uploads/2017/10/314130.jpg314130Somebody (2014-2015), Miranda Julyhttps://curatingthecontemporary.org/wp-content/uploads/2017/10/miranda-july-moca-holes_viw00o.jpegmiranda-july-moca-holes_viw00oMiranda July (pictured left) “Three Hole Tablet,” Eleven Heavy Things, MOCA Pacific Design Center, 2011. Miranda July (center) “Two Faced Tablet,” Eleven Heavy Things, MOCA Pacific Design Center2017-10-03T21:23:28+00:00monthlyhttps://curatingthecontemporary.org/2017/10/02/whenever-the-heart-skips-a-beat/2017-10-02T06:04:58+00:00monthlyhttps://curatingthecontemporary.org/2017/09/30/openings-and-exhibitions-october-2017/https://curatingthecontemporary.org/wp-content/uploads/2017/09/too_young_for_what_webbg.jpgtoo_young_for_what_webBgRoland Hagenberg, Jean-Michel Basquiat painting, 1983 © Roland Hagenberg.https://curatingthecontemporary.org/wp-content/uploads/2017/09/vm_charged.jpgVM_chargedImage Courtesy of Virtuality Mortality.https://curatingthecontemporary.org/wp-content/uploads/2017/09/21687515_1631743260192028_696406154565707181_n.jpg21687515_1631743260192028_696406154565707181_nImage Courtesy of the artist and Deptford Lounge.https://curatingthecontemporary.org/wp-content/uploads/2017/09/21616047_1414435075322516_6273232674402870303_n.jpg21616047_1414435075322516_6273232674402870303_nImage Courtesy of SCAN Spanish Contemporary Art Network.https://curatingthecontemporary.org/wp-content/uploads/2017/09/21731245_1950593741895561_3449126784776895930_n.jpg21731245_1950593741895561_3449126784776895930_nUntitled (FoxGlove) © Thomas Hensher, 2016. Image Courtesy of CUNTemporary.https://curatingthecontemporary.org/wp-content/uploads/2017/09/21558727_1602420629779909_8017033965267786739_n.jpg21558727_1602420629779909_8017033965267786739_nTituba from Taboao da Serra © Ivan Monteiro, 2017. Image Courtesy of CUNTemporary.https://curatingthecontemporary.org/wp-content/uploads/2017/09/robert-montgomery-portrait-by-cindy-sasha-1.jpgROBERT-MONTGOMERY-PORTRAIT-BY-CINDY-SASHA-1https://curatingthecontemporary.org/wp-content/uploads/2017/09/2-kesh-angels-photograph-by-c2a9hassan-hajjaj-courtesy-of-the-artist-1.jpg2. Kesh Angels, photograph by ©Hassan Hajjaj, courtesy of the Artist (1)Kesh Angels photograph © Hassan Hajjaj. Courtesy of the artist.https://curatingthecontemporary.org/wp-content/uploads/2017/09/mirz170003_1_s.jpgMIRZ170003_1_s© ​Haroon Mirza; Courtesy of Lisson Gallery. Photography: ​Jack Hems.https://curatingthecontemporary.org/wp-content/uploads/2017/09/poolside-conversations.jpgpoolside-conversationsLungiswa Gqunta, Lawn 1, 2016 (Detail). Wood, broken bottles, and petrol. 242 x 122 x 28 cm. Image Courtesy of KELDER.2017-09-29T15:36:25+00:00monthlyhttps://curatingthecontemporary.org/2017/09/18/please-no-laughing-at-the-art/https://curatingthecontemporary.org/wp-content/uploads/2017/09/elliott-burns_please-no-laughing-at-the-art_image-02.jpgElliott Burns_Please No Laughing At The Art_image 02Are There Any Women Here Today? (2017), Elizabeth Langton Image credit: Elizabeth Langton https://curatingthecontemporary.org/wp-content/uploads/2017/09/elliott-burns_please-no-laughing-at-the-art_image-03.jpgElliott Burns_Please No Laughing At The Art_image 03Monty Python’s Flying Circus, Life of Brian (1979), Cinema International Corporation (UK); Orion Pictures/Warner Bros (US)https://curatingthecontemporary.org/wp-content/uploads/2017/09/elliott-burns_please-no-laughing-at-the-art_image-04.pngElliott Burns_Please No Laughing At The Art_image 04John Cleese, Malcom Muggeridge and a Bishop walk into a Bar (2017), Elizabeth Langton, Image credit: Elizabeth Langton2017-09-17T17:10:48+00:00monthlyhttps://curatingthecontemporary.org/2017/09/11/cafe-la-habana-sessions-by-patti-smith/2017-09-13T21:02:15+00:00monthlyhttps://curatingthecontemporary.org/2017/09/14/10facts-what-happened-in-the-art-world-in-august-2/https://curatingthecontemporary.org/wp-content/uploads/2017/09/yayoi-kusamas-i-who-have-arrived-in-heaven-exhibition-press-preview-at-david-zwirner-art-gallery-on-november-7-2013-in-new-york-city-photo-by-andrew-toth-getty-images.jpgYayoi Kusama "I Who Have Arrived In Heaven" Exhibition - Press PreviewYayoi Kusama's I Who Have Arrived In Heaven Exhibition Press Preview at David Zwirner Art Gallery on November 7, 2013 in New York City. Photo by Andrew Toth:Getty Images2017-09-13T20:58:29+00:00monthlyhttps://curatingthecontemporary.org/2017/09/04/beyond-bearable-hokusai-at-the-british-museum/https://curatingthecontemporary.org/wp-content/uploads/2017/09/elliott-burns_beyond-bearable-hokusai-at-the-british-museum_image-1.jpgJP1847JP1847https://curatingthecontemporary.org/wp-content/uploads/2017/09/elliott-burns_beyond-bearable-hokusai-at-the-british-museum_image-2.jpgElliott Burns_Beyond Bearable- Hokusai at the British Museum_image 2Old View of the Eight-part Bridge at Yatsuhashi in Mikawa Province, from the series: Remarkable Views of Bridges in Various Provinces (c.1834), Katsushika Hokusai. Courtesy of the Museum of Fine Arts Boston https://curatingthecontemporary.org/wp-content/uploads/2017/09/elliott-burns_beyond-bearable-hokusai-at-the-british-museum_image-3.jpgElliott Burns_Beyond Bearable- Hokusai at the British Museum_image 3Red Shōki, the Demon Queller (1847), Katsushika Hokusai. Courtesy of The Metropolitan Museum of Art 2017-09-03T15:50:55+00:00monthlyhttps://curatingthecontemporary.org/2017/09/03/artist-of-the-month-september-with-ruth-ewan/https://curatingthecontemporary.org/wp-content/uploads/2017/09/esel-8105_result-1024x683.jpgeSeL-8105_result-1024x683A Bottle and Some Honest Friends (2014), Ruth Ewan, Oak table, Glasses and Schnappshttps://curatingthecontemporary.org/wp-content/uploads/2017/09/4-thedifference_result-1024x683.jpg4.TheDifference_result-1024x683The Difference (2015), Ruth Ewan, 20” Plaster globe on steel base https://curatingthecontemporary.org/wp-content/uploads/2017/09/4_antibell-1024x681.jpg4_AntiBell-1024x681Anti-Bell (2010), Ruth Ewan, event, pamphlet and object. Image courtesy of the artist.https://curatingthecontemporary.org/wp-content/uploads/2017/09/camden_install-02.jpgCamden_install-02Back to the Fields (2015), Ruth Ewan Camden Arts Centre. Photograph: Hydar Dewachi, courtesy the artist and Camden Arts Centre2017-09-02T16:47:38+00:00monthlyhttps://curatingthecontemporary.org/2017/08/04/artist-of-the-month-august-with-grayson-perry/https://curatingthecontemporary.org/wp-content/uploads/2017/08/screen-shot-2017-08-04-at-15-19-28.pngScreen Shot 2017-08-04 at 15.19.28https://curatingthecontemporary.org/wp-content/uploads/2017/08/walthamstow-tapestry1.jpgwalthamstow-tapestry1https://curatingthecontemporary.org/wp-content/uploads/2017/08/matching-pair.jpgmatching pairhttps://curatingthecontemporary.org/wp-content/uploads/2017/08/animal-spirit.jpganimal spirithttps://curatingthecontemporary.org/wp-content/uploads/2017/08/screen-shot-2017-08-02-at-19-51-31.pngScreen Shot 2017-08-02 at 19.51.312017-09-02T16:43:32+00:00monthlyhttps://curatingthecontemporary.org/2017/08/31/openings-exhibitions-september-2017/https://curatingthecontemporary.org/wp-content/uploads/2017/08/596d18cf10d6e96acd908944_a-dissapointment_large-p-1080.jpeg596d18cf10d6e96acd908944_A dissapointment_large-p-1080https://curatingthecontemporary.org/wp-content/uploads/2017/08/170719_wthsab_visis_rz_druck_02-font.jpg170719_WTHSAB_Visis_RZ_DRUCK_02-fonthttps://curatingthecontemporary.org/wp-content/uploads/2017/08/thetvblowupeditvittorio-lbox-920x600-ffffff-2.jpgTheTVBlowUpEditVittorio-lbox-920x600-FFFFFF 2Image Courtesy of Studio Voltairehttps://curatingthecontemporary.org/wp-content/uploads/2017/08/christian-nyampeta-waw-03_800_449_c1.jpgChristian-Nyampeta-WaW-03_800_449_c1https://curatingthecontemporary.org/wp-content/uploads/2017/08/gianfrancobaruchello_5.jpggianfrancobaruchello_5Gianfranco Baruchello. Diego Kid al servizio di sua maestà [Diego Kid on His Majesty’s service], 1974. Private collection, Italy. Image Courtesy of Raven Rowhttps://curatingthecontemporary.org/wp-content/uploads/2017/08/showroom.jpgShowroomImage Courtesy of The Showroomhttps://curatingthecontemporary.org/wp-content/uploads/2017/08/hannah-black_some-context.pngHannah-Black_Some-ContextHannah Black, Some Context (2017). Commissioned and produced by Chisenhale Gallery.https://curatingthecontemporary.org/wp-content/uploads/2017/08/09-04-after-the-live-v1_orig.jpg09-04-after-the-live-v1_orighttps://curatingthecontemporary.org/wp-content/uploads/2017/08/calvert-22.jpgCalvert 22https://curatingthecontemporary.org/wp-content/uploads/2017/08/chalton-gallery.jpgChalton gallery2017-08-30T17:22:24+00:00monthlyhttps://curatingthecontemporary.org/2017/08/24/flora-plastica/https://curatingthecontemporary.org/wp-content/uploads/2017/08/img_9332-2.jpgIMG_9332 2https://curatingthecontemporary.org/wp-content/uploads/2017/08/img_9342.jpgIMG_9342https://curatingthecontemporary.org/wp-content/uploads/2017/08/img_9322.jpgIMG_9322https://curatingthecontemporary.org/wp-content/uploads/2017/08/img_9324-3.jpgIMG_9324 3https://curatingthecontemporary.org/wp-content/uploads/2017/08/img_9326.jpgIMG_9326https://curatingthecontemporary.org/wp-content/uploads/2017/08/img_9331.jpgIMG_9331https://curatingthecontemporary.org/wp-content/uploads/2017/08/img_9336-6.jpgIMG_9336 62017-08-29T10:25:42+00:00monthlyhttps://curatingthecontemporary.org/2017/07/24/stories-can-set-with-time-just-like-rock/https://curatingthecontemporary.org/wp-content/uploads/2017/07/p1040108.jpgP1040108https://curatingthecontemporary.org/wp-content/uploads/2017/07/img_9215.jpgIMG_9215https://curatingthecontemporary.org/wp-content/uploads/2017/07/img_9216.jpgIMG_9216https://curatingthecontemporary.org/wp-content/uploads/2017/07/img_9217.jpgIMG_9217https://curatingthecontemporary.org/wp-content/uploads/2017/07/img_9270.jpgIMG_9270https://curatingthecontemporary.org/wp-content/uploads/2017/07/img_9271.jpgIMG_92712017-08-29T10:08:41+00:00monthlyhttps://curatingthecontemporary.org/2017/08/30/time-out-locating-the-dialogue-between-contemporary-art-and-competitive-sport/https://curatingthecontemporary.org/wp-content/uploads/2017/08/timeout4.jpgTimeOut4Whilst the publicized action appears bustling and hectic, the athletic and artistic acts are essentially quiet and remote – to deliver a constant and daily faith that is empirically alone. Photo: Oliver Morris Joneshttps://curatingthecontemporary.org/wp-content/uploads/2017/08/timeout3.jpgTimeOut3The streets are lined four-persons deep. The less obvious question here seems to be: why? Is it closeness to something? The athletes? And if so, what is it about this group of individuals that distinguishes them from someone who commutes on the same road? Photo: Oliver Morris Jones https://curatingthecontemporary.org/wp-content/uploads/2017/08/timeout2.jpgTimeOut2The closeness of amateurs to the professionals in cycling is unique – one can ride the same bikes and same courses. Here, a spent Tao Geoghehan Hart, 22, meets a young fan after the finish in Geraardsbergen, Belgium. Photo: Oliver Morris Joneshttps://curatingthecontemporary.org/wp-content/uploads/2017/08/timeout1.jpgTimeOut1The smallness and repetitiveness of the athletic pursuit is its essence. Jesse Yates, son of former professional cyclist Sean Yates prepares his bike before a local town circuit race in Roeselare, Belgium. Photo: Oliver Morris Joneshttps://curatingthecontemporary.org/wp-content/uploads/2017/08/bannerimage.jpgBannerImage2017-08-28T12:28:32+00:00monthlyhttps://curatingthecontemporary.org/2017/08/01/openings-exhibitions-august-2017/https://curatingthecontemporary.org/wp-content/uploads/2017/08/20424078_1583078311737033_2814884905434144093_o.jpg20424078_1583078311737033_2814884905434144093_oCourtesy of Peter Hutton and CLOSE-UP.https://curatingthecontemporary.org/wp-content/uploads/2017/08/17807351_10154529987692947_1476356596479017468_o.jpg17807351_10154529987692947_1476356596479017468_oCourtesy of the Royal Academy of Arthttps://curatingthecontemporary.org/wp-content/uploads/2017/08/19944546_2067405589951820_946404289562721759_o.jpg19944546_2067405589951820_946404289562721759_oImage courtesy of Dye House 451.https://curatingthecontemporary.org/wp-content/uploads/2017/08/pf2-e1501527029752.jpgPF2https://curatingthecontemporary.org/wp-content/uploads/2017/08/zadie-xa-the-conch-sea-urchin-and-the-brass-bell-2017-courtesy-the-artist003.jpgZadie-Xa-The-Conch-Sea-Urchin-and-The-Brass-Bell-2017.-Courtesy-the-artist003Zadie Xa, The Conch, Sea Urchin and Brass Bell, 2017. Courtesy the artisthttps://curatingthecontemporary.org/wp-content/uploads/2017/07/tah_itinerantassembly_workshop_documentation_polaroid1_highres-1200x0-c-default.jpgTAH_ItinerantAssembly_workshop_documentation_polaroid1_highres-1200x0-c-defaultImage courtesy of Studio Voltaire.https://curatingthecontemporary.org/wp-content/uploads/2017/07/19420370_10155153606634193_6845072168452291851_n.jpg19420370_10155153606634193_6845072168452291851_n'Wallace Wallace Wallace'. Courtesy of Mister Eric Wallace https://curatingthecontemporary.org/wp-content/uploads/2017/07/75a8295-1.jpg_75a8295-1From the Coachie series by Ibrahim Kamara and Kristin-Lee Moolmanhttps://curatingthecontemporary.org/wp-content/uploads/2017/07/brisley-1170x655.jpgBrisley-1170x655Drawn (2016), Stuart Brisley . Four-day performance in David Roberts Art Foundation studio, London. Courtesy the artist and Hales Gallery, London. Photo Maya Balcioglu.2017-07-31T19:43:28+00:00monthlyhttps://curatingthecontemporary.org/2017/06/30/openings-exhibtions-july-2017/https://curatingthecontemporary.org/wp-content/uploads/2017/06/10-the-nunnery-gallery.jpg10. The Nunnery GalleryThe Nunnery Gallery.https://curatingthecontemporary.org/wp-content/uploads/2017/06/9-joy-gerrard-protest-crowd-blm-oakland-july-08-2016-2017-courtesy-of-the-artist.jpg9. Joy Gerrard, Protest Crowd, (BLM, Oakland, July 08, 2016), 2017. Courtesy of the artist.Joy Gerrard, Protest Crowd, (BLM, Oakland, July 08, 2016), 2017. Courtesy of the artist.https://curatingthecontemporary.org/wp-content/uploads/2017/06/8-anne-krinsky-women-artists-news-book-review-1-2015.jpg8. Anne Krinsky, Women Artists News Book Review 1, 2015Anne Krinsky, Women Artists News Book Review 1, 2015.https://curatingthecontemporary.org/wp-content/uploads/2017/06/7-image-credit-simon-pomery.jpg7. Image credit Simon PomeryImage credit Simon Pomery.https://curatingthecontemporary.org/wp-content/uploads/2017/06/6.jpg6https://curatingthecontemporary.org/wp-content/uploads/2017/06/5.png5https://curatingthecontemporary.org/wp-content/uploads/2017/06/4-junfeng-hu.jpg4 Junfeng HuJunfeng Huhttps://curatingthecontemporary.org/wp-content/uploads/2017/06/3-ian-butcher.jpg3. Ian ButcherIan Butcherhttps://curatingthecontemporary.org/wp-content/uploads/2017/06/2.jpg2Arnold Circle https://curatingthecontemporary.org/wp-content/uploads/2017/06/1-linder-e28098destination-moon-you-must-not-look-at-her_-2016-at-the-duke-of-york-steps-ica-london-as-part-of-art-night-2016.jpg1. Linder, ‘Destination Moon. You must not look at her!_ (2016), at the Duke of York Steps, ICA, London, as part of Art Night 2016Linder, ‘Destination Moon. You must not look at her!’ (2016), at the Duke of York Steps, ICA, London, as part of Art Night 2016.2017-07-31T18:09:54+00:00monthlyhttps://curatingthecontemporary.org/2017/07/26/corrupt-blood-incident-virtual-toxicology/2017-07-26T10:00:33+00:00monthlyhttps://curatingthecontemporary.org/2017/07/13/10facts-what-happened-in-the-art-world-in-june-2/https://curatingthecontemporary.org/wp-content/uploads/2017/07/preview-of-tadao-andos-project-for-pinaults-museum-in-paris-courtesy-artefactory-lab.jpgPreview of Tadao Andos project for Pinaults museum in Paris. Courtesy Artefactory Lab.Preview of Tadao Andos project for Pinaults museum in Paris. Courtesy Artefactory Lab.2017-07-13T11:41:25+00:00monthlyhttps://curatingthecontemporary.org/2017/07/10/the-crying-game-2-a-conversation-with-tito-tita/2017-07-09T11:29:42+00:00monthlyhttps://curatingthecontemporary.org/2017/07/06/becoming-a-line/https://curatingthecontemporary.org/wp-content/uploads/2017/07/img_2.jpgimg_2Empathy Drawing (https://www.flickr.com/photos/katarina-rankovic/albums/with/72157665976029993)https://curatingthecontemporary.org/wp-content/uploads/2017/07/img_3-1.jpgimg_3 (1)Vernacular Spectacular (https://vimeo.com/channels/vernacular)https://curatingthecontemporary.org/wp-content/uploads/2017/07/img_1.jpegimg_1Empathy Drawing (https://www.flickr.com/photos/katarina-rankovic/albums/with/72157665976029993)https://curatingthecontemporary.org/wp-content/uploads/2017/07/feature_img-1.jpgfeature_img (1)Anomaline (video: https://www.kickstarter.com/projects/1879534845/anomaline)2017-07-05T16:19:08+00:00monthlyhttps://curatingthecontemporary.org/2017/07/03/in-conversation-with-joana-chicau/2022-10-05T23:10:52+00:00monthlyhttps://curatingthecontemporary.org/2017/07/01/artist-of-the-month-july-with-john-akomfrah/https://curatingthecontemporary.org/wp-content/uploads/2017/07/vertigo-sea-2015_2.jpgVertigo Sea 2015_2Vertigo Sea, 2015 Three channel HD colour video installation, 7.1 sound. 48 minutes 30 seconds © Smoking Dogs Films; Courtesy Lisson Gallery.https://curatingthecontemporary.org/wp-content/uploads/2017/07/the-airport-2016.jpgThe Airport 2016The Airport, 2016 Three channel HD colour video installation, 7.1 sound (installation view). 53 minutes © Smoking Dogs Films; Courtesy Lisson Gallery.https://curatingthecontemporary.org/wp-content/uploads/2017/07/untitled-2016.jpgUntitled 2016Untitled, 2016 C-type print mounted on Dibond. Framed: 101.6 x 152.4 cm / 40 x 60 in. © Smoking Dogs Films; Courtesy Lisson Gallery.https://curatingthecontemporary.org/wp-content/uploads/2017/07/peripeteia-2012.jpgPeripeteia 2012Peripeteia, 2012 Single channel HD colour video, 5.1 sound. 17 minutes 28 seconds © Smoking Dogs Films; Courtesy Lisson Gallery.https://curatingthecontemporary.org/wp-content/uploads/2017/07/vertigo-sea-2015.jpgVertigo Sea 2015Vertigo Sea, 2015 Three channel HD colour video installation, 7.1 sound (installation view). 48 minutes 30 seconds. © Smoking Dogs Films; Courtesy Lisson Gallery. Photo: Stuart Whipps.2017-07-01T09:13:07+00:00monthlyhttps://curatingthecontemporary.org/2017/06/26/in-conversation-with-desearch-repartment/https://curatingthecontemporary.org/wp-content/uploads/2017/06/yaga-soe-still-2.jpgyaga SOE still 2Neo-Lived Realism's Torture Compassion: A way of Life, Desearch Repartment, AKW, 2015. Image credit: Gabrielle Bradyhttps://curatingthecontemporary.org/wp-content/uploads/2017/06/trump-inauguration.jpgtrump inaugurationEin Rand - One Border / Möbius Fence / Grab em by the Trump, Desearch Repartment, 2016.https://curatingthecontemporary.org/wp-content/uploads/2017/06/screen-shot-2017-03-31-at-3-16-41-pm.pngScreen Shot 2017-03-31 at 3.16.41 PMState Of Exceptional Webnation, Desearch Repartment, 2017https://curatingthecontemporary.org/wp-content/uploads/2017/06/fake-id-wf-13.jpgID 1 drivers license neutral gileadState Of Exceptional Webnation, Desearch Repartment, 2017https://curatingthecontemporary.org/wp-content/uploads/2017/06/fake-id-wf-7.jpgID 1 drivers license neutral gileadState Of Exceptional Webnation, Desearch Repartment, 2017https://curatingthecontemporary.org/wp-content/uploads/2017/06/fake-id-wf-3.jpgID 1 drivers license neutral gileadState Of Exceptional Webnation, Desearch Repartment, 2017https://curatingthecontemporary.org/wp-content/uploads/2017/06/censorship-0156.jpgcensorSHIP-0156UK iParty for Human Rights aboard the CensorSHIP, Desearch Repartment 2017, arebyte. Image credit: Luka Radek)https://curatingthecontemporary.org/wp-content/uploads/2017/06/censorship-0076.jpgcensorSHIP-0076Yaga, UK iParty for Human Rights aboard the CensorSHIP, Desearch Repartment 2017, arebyte, Image credit: Luka Radek. https://curatingthecontemporary.org/wp-content/uploads/2017/06/censorship-0032.jpgcensorSHIP-0032UK iParty for Human Rights aboard the CensorSHIP, Desearch Repartment 2017, arebyte, Image credit: Luka Radek.https://curatingthecontemporary.org/wp-content/uploads/2017/06/censorship-0009-1.jpgcensorSHIP-0009 (1)UK iParty for Human Rights aboard the CensorSHIP, Desearch Repartment 2017, arebyte, Image credit: Luka Radek. 2017-06-26T11:50:16+00:00monthlyhttps://curatingthecontemporary.org/2017/06/19/sonora-128-speaking-to-21-million/2017-06-22T07:40:57+00:00monthlyhttps://curatingthecontemporary.org/2017/06/12/representing-re-presenting-the-paper-series-interview-with-laverack-by-matthew-harrison-lord/2017-06-12T12:43:48+00:00monthlyhttps://curatingthecontemporary.org/2017/06/08/lucia-leuci-materia-prima/2017-06-06T20:38:18+00:00monthlyhttps://curatingthecontemporary.org/2017/06/06/10facts-what-happened-in-the-art-world-in-may-2/https://curatingthecontemporary.org/wp-content/uploads/2017/06/renzo-piano-pavilion-of-photography-in-chacc82teau-la-coste-copyright-stecc81phane-aboudaram-we-are-contents.jpgRenzo Piano, Pavilion of Photography in Château La Coste. Copyright Stéphane Aboudaram WE ARE CONTENTSRenzo Piano, Pavilion of Photography in Château La Coste. Copyright Stéphane Aboudaram WE ARE CONTENTS.2017-06-06T09:50:50+00:00monthlyhttps://curatingthecontemporary.org/2017/06/02/artist-of-the-month-june-with-emilie-brout-maxime-marion/https://curatingthecontemporary.org/wp-content/uploads/2017/06/derives-1.jpgderives-11. Dérives (2011 – 2014), Algorithmic cinema installation. Arte Laguna Virtual Art Prize 2014; Contemporary talent Prize 2011 François Schneider Foundation. https://curatingthecontemporary.org/wp-content/uploads/2017/06/nakamoto-the-proof-4.jpgnakamoto-the-proof-41. Nakamoto (The Proof) (2014), Passport scan, .jpg file, 2506 x 3430 px, 2014 With the support of DRAC Île-de-France - Aide individuelle à la creation. https://curatingthecontemporary.org/wp-content/uploads/2017/06/gold-and-glitter-3.jpggold-and-glitter-31. Gold and Glitter (2015), Installation, website, found GIF and objects. Link: http://www.goldandglitter.net/ https://curatingthecontemporary.org/wp-content/uploads/2017/06/cliches-2.jpgcliches-2Cliché (2014), Generative movie, website. Link: http://www.c-l-i-c-h-e-s.net/ 2017-06-02T13:15:20+00:00monthlyhttps://curatingthecontemporary.org/2017/05/31/openings-exhibitions-june-2017/https://curatingthecontemporary.org/wp-content/uploads/2017/05/9-diccca7bccca7do-francis-kccca7rccca7-serpentine-pavilion-2017-project-courtesy-serpentine-gallery.jpg9 DiÇbÇdo Francis KÇrÇ, Serpentine Pavilion 2017 (project), Courtesy Serpentine GalleryDiÇbÇdo Francis KÇrÇ, Serpentine Pavilion 2017 (project), Courtesy Serpentine Gallery.https://curatingthecontemporary.org/wp-content/uploads/2017/05/8-donald-rodney-the-house-that-jack-built-1987.jpg8 Donald Rodney, The House That Jack Built, 1987Donald Rodney, The House That Jack Built, 1987.https://curatingthecontemporary.org/wp-content/uploads/2017/05/7-copyright-kim-keever-courtesy-waterhouse-dodd.jpg7 Copyright Kim Keever, Courtesy Waterhouse DoddCopyright Kim Keever, Courtesy Waterhouse Dodd.https://curatingthecontemporary.org/wp-content/uploads/2017/05/6-leslie-macdonald-gill-wonderground-map-of-london-1914.jpg6 Leslie MacDonald Gill, Wonderground Map of London, 1914Leslie MacDonald Gill, Wonderground Map of London, 1914.https://curatingthecontemporary.org/wp-content/uploads/2017/05/5-charles-harrop-griffiths-clearly-no-sense-of-gravity.jpg5 Charles Harrop-Griffiths, Clearly No Sense of GravityCharles Harrop-Griffiths, Clearly No Sense of Gravity.https://curatingthecontemporary.org/wp-content/uploads/2017/05/4-performing-objects.jpg4 Performing ObjectsPerforming Objects.https://curatingthecontemporary.org/wp-content/uploads/2017/05/3-nicole-bachmann-i-dont-want-your-whispers.jpg3 Nicole Bachmann, I dont want your whispersNicole Bachmann, I dont want your whispers.https://curatingthecontemporary.org/wp-content/uploads/2017/05/2-zadie-xa-crash-boom-hisssssss-legend-of-the-liquid-sword.jpg2 Zadie Xa, Crash, Boom, Hisssssss. Legend of the Liquid SwordZadie Xa, Crash, Boom, Hisssssss. Legend of the Liquid Sword.https://curatingthecontemporary.org/wp-content/uploads/2017/05/1-unit9-growth-detail.jpg1 Unit9, Growth (detail)1 Unit9, Growth (detail).2017-05-30T11:13:57+00:00monthlyhttps://curatingthecontemporary.org/2017/05/18/curating-queerness-as-an-activist-practice/2017-05-17T18:53:08+00:00monthlyhttps://curatingthecontemporary.org/2017/02/09/10facts-what-happened-in-the-art-world-in-january/https://curatingthecontemporary.org/wp-content/uploads/2017/02/credits-lallie-peralejo.jpgcredits-lallie-peralejo2017-05-15T13:09:21+00:00monthlyhttps://curatingthecontemporary.org/2017/05/15/10facts-what-happened-in-the-art-world-in-april-2/https://curatingthecontemporary.org/wp-content/uploads/2017/05/cards-distributed-at-the-april-1-opening-of-the-carl-andre-retrospective-at-moca-geffen-photo-courtesy-joy-silverman.jpgCards distributed at the April 1 opening of the Carl Andre retrospective at MOCA Geffen (photo courtesy Joy Silverman)Cards distributed at the April 1 opening of the Carl Andre retrospective at MOCA Geffen (photo courtesy Joy Silverman)2017-05-15T13:00:31+00:00monthlyhttps://curatingthecontemporary.org/2017/05/11/11-booths-at-frieze-ny-that-stopped-me-in-my-tracks/https://curatingthecontemporary.org/wp-content/uploads/2017/05/dreamjournal-1.jpgDREAMJOURNAL-1Dream Journal (2017), Jon Rafman Courtesy of the artist. 2017-05-10T20:47:54+00:00monthlyhttps://curatingthecontemporary.org/2017/05/07/curating-the-border-between-aesthetics-and-action/https://curatingthecontemporary.org/wp-content/uploads/2017/05/2-3.jpg2-3https://curatingthecontemporary.org/wp-content/uploads/2017/05/6.jpg6https://curatingthecontemporary.org/wp-content/uploads/2017/05/1.jpg1The untitled Images, Khaled Barakeh, 2014, a part of the group exhibition “We shout and shout, but no one listens: Art from conflict zones” https://curatingthecontemporary.org/wp-content/uploads/2017/05/4.jpg4To the Day, Sandra Johnston, 2017, Performance commissioned by CAMP / Center for Art on Migrations Politics as part of the group exhibition “We shout and shout, but no one listens.” Photo by Britta My Thomsen 2017-05-10T08:12:49+00:00monthlyhttps://curatingthecontemporary.org/2017/05/01/artist-of-the-month-may-with-julian-charriere/https://curatingthecontemporary.org/wp-content/uploads/2017/05/4-jc.jpg4 -jcClockwork (2013), Julian Charrière and Julius von Bismarck. Courtesy of the Artist.https://curatingthecontemporary.org/wp-content/uploads/2017/05/3-jc.jpg3 -jchttps://curatingthecontemporary.org/wp-content/uploads/2017/05/1-jc.jpg1-jcWe Are All Astronauts (2013), Julian Charrière. Courtesy of the Artist.https://curatingthecontemporary.org/wp-content/uploads/2017/05/2-jc.jpgReproduction d'oeuvreTropisme (2014), Julian Charrière. Courtesy of the Artist.2017-05-01T13:28:48+00:00monthlyhttps://curatingthecontemporary.org/2017/04/30/openings-exhibitions-may-2017/https://curatingthecontemporary.org/wp-content/uploads/2017/04/sophie-rogers-x0-y0-z0.jpg-Sophie Rogers, x=0 y=0 z=0Sophie Rogers, x=0 y=0 z=0, courtesy of the artist.https://curatingthecontemporary.org/wp-content/uploads/2017/04/9.jpg9https://curatingthecontemporary.org/wp-content/uploads/2017/04/8.jpg8https://curatingthecontemporary.org/wp-content/uploads/2017/04/7-bona-park-repeat-rehearse-image-by-tim-bowditch-courtesy-of-delfina-foundation-2015.jpg7 Bona Park, Repeat-Rehearse, image by Tim Bowditch, courtesy of Delfina Foundation, 2015Bona Park, Repeat-Rehearse, image by Tim Bowditch, courtesy of Delfina Foundation, 2015.https://curatingthecontemporary.org/wp-content/uploads/2017/04/6-rirkrit-tiravanija-untitled-2007-demonstration-drawing-78-2007-courtesy-the-artist-and-neugerriemschneider-berlin.jpg6 Rirkrit Tiravanija, untitled 2007 (demonstration drawing 78), 2007. Courtesy the artist and neugerriemschneider, BerlinRirkrit Tiravanija, untitled 2007 (demonstration drawing 78), 2007. Courtesy the artist and neugerriemschneider, Berlin.https://curatingthecontemporary.org/wp-content/uploads/2017/04/5-ben-russell-the-catus-house.jpg5 Ben Russell, The Catus Househttps://curatingthecontemporary.org/wp-content/uploads/2017/04/4-liz-whiteman-smith.jpg4 Liz Whiteman Smithhttps://curatingthecontemporary.org/wp-content/uploads/2017/04/3-london-original-print-fair.jpg3 London Original Print Fairhttps://curatingthecontemporary.org/wp-content/uploads/2017/04/2.jpg2https://curatingthecontemporary.org/wp-content/uploads/2017/04/1-bask.jpg1 BASK2017-04-29T15:12:18+00:00monthlyhttps://curatingthecontemporary.org/2017/03/31/opening-exhibitions-april-2017/https://curatingthecontemporary.org/wp-content/uploads/2017/03/pavla-scerankovacc81-research-2015-print-on-photo-wallpaper.jpgPavla Sceranková, Research, 2015, print on photo wallpaperPavla Sceranková, Research, 2015. Photo: Hynek Alt. Courtesy the artist and Drdova Gallery, Prague.https://curatingthecontemporary.org/wp-content/uploads/2017/03/marysia-lewandowska-the-womens-audio-archive-1986-courtesy-the-women_s-audio-archive.jpgWomen's Audio ArchiveMarysia Lewandowska, The Women's Audio Archive, 1986, Courtesy the Women’s Audio Archive.https://curatingthecontemporary.org/wp-content/uploads/2017/03/the-lady-mmts-300.jpgTHE LADY MMTS-300Ana Vieira, THE LADY, MMTS, 1967/2009, Wood, mirror, and enamel paint, 100 x 80 x 22.5 cm, © The artist 2017. Courtesy Galeria Graça Brandão, Lisbon. https://curatingthecontemporary.org/wp-content/uploads/2017/03/paul-maheke-film-still-from-mutual-survival-lorde_s-manifesto-2015-cropped.jpegPaul Maheke, Film still from Mutual Survival, Lorde_s Manifesto, 2015 CRoppedPaul Maheke, Film still from Mutual Survival, Lorde’s Manifesto, 2015, Video 17:50 min, courtesy of Galerie Sultana, Paris.https://curatingthecontemporary.org/wp-content/uploads/2017/03/marymarygallery.jpgMaryMaryGalleryImage courtesy Claire de Rouen, London; Mary Mary, Glasgowhttps://curatingthecontemporary.org/wp-content/uploads/2017/03/11.jpg11https://curatingthecontemporary.org/wp-content/uploads/2017/03/10-lawrence-weiner_s-books-vinyls-posters-and-works-courtesy-moraes-barbosa-collection.jpg10 Lawrence Weiner_s books, vinyls, posters and works. Courtesy Moraes Barbosa CollectionLawrence Weiner’s books, vinyls, posters and works. Courtesy Moraes Barbosa Collection.https://curatingthecontemporary.org/wp-content/uploads/2017/03/9-sonia-boyce-we-move-in-her-way-photo-george-torode.jpg9 Sonia Boyce, We move in her way. Photo George TorodeSonia Boyce, We move in her way. Photo George Torode.https://curatingthecontemporary.org/wp-content/uploads/2017/03/8-claire-de-rouen-in-charing-cross-road-soho-london.jpg8 Claire de Rouen in Charing Cross Road, Soho, LondonClaire de Rouen in Charing Cross Road, Soho, London.https://curatingthecontemporary.org/wp-content/uploads/2017/03/7-pavla-scerankovacc81-research-2015-photo-hynek-alt-courtesy-the-artist-and-drdova-gallery-prague.jpg7 Pavla Sceranková, Research, 2015. Photo Hynek Alt. Courtesy the artist and Drdova Gallery, PraguePavla Sceranková, Research, 2015. Photo Hynek Alt. Courtesy the artist and Drdova Gallery, Prague.2017-04-29T14:29:09+00:00monthlyhttps://curatingthecontemporary.org/2017/04/20/carly-whitaker-new-phone-who-dis/2017-04-24T20:50:47+00:00monthlyhttps://curatingthecontemporary.org/2017/04/27/robots/2017-04-21T21:56:15+00:00monthlyhttps://curatingthecontemporary.org/2017/04/24/6109/https://curatingthecontemporary.org/wp-content/uploads/2017/04/iocose_screenshot.jpgIOCOSE_screenshotInstant Protest (from #exstrange auction) (2017), IOCOSEhttps://curatingthecontemporary.org/wp-content/uploads/2017/04/jodi_screenshot_end.jpgJODI_screenshot_endhttps://curatingthecontemporary.org/wp-content/uploads/2017/04/shah_email_from_ebay_banning.jpgshah_email_from_ebay_banningAn Apology for Sale (2017), Ajit Bhadoriya, Chinar Shah, Surabhi Vayahttps://curatingthecontemporary.org/wp-content/uploads/2017/04/beck_image.jpgBeck_imagehttps://curatingthecontemporary.org/wp-content/uploads/2017/04/exstrange_archive_books.jpg#exstrange_archive_books#exstrange archive (2017)https://curatingthecontemporary.org/wp-content/uploads/2017/04/feinberg_zhang_image.jpgFeinberg_Zhang_imageiPhone EarthX – 4.7″ smartphone (Latest model) (2017), Fred Feinberg, Lu Zhanghttps://curatingthecontemporary.org/wp-content/uploads/2017/04/jodi_image.jpgJodi_imageBESTBUY JODI ON EBAY (from #exstrange auction) (2017)https://curatingthecontemporary.org/wp-content/uploads/2017/04/shah_image.jpgShah_imagehttps://curatingthecontemporary.org/wp-content/uploads/2017/04/zanni_video.jpgZanni_videoLife Is A Delicate negotiation (2017), Carlo Zannihttps://curatingthecontemporary.org/wp-content/uploads/2017/04/iocose_image.jpgIOCOSE_imageInstant Protest (2017), IOCOSE 2017-04-21T21:29:48+00:00monthlyhttps://curatingthecontemporary.org/2017/04/17/haegue-yang-ornament-and-abstraction/2017-04-17T11:07:40+00:00monthlyhttps://curatingthecontemporary.org/2017/04/10/where-can-we-find-our-contemporary-heterotopias-iv/2017-04-10T11:46:44+00:00monthlyhttps://curatingthecontemporary.org/2017/04/13/pointless-protest-a-sculpture/https://curatingthecontemporary.org/wp-content/uploads/2017/04/i-am-cuming-cum-with-me-im-not-gonna-cum.jpgI am cuming, Cum with me, I'm not gonna cumI’m cuming, Cum with me, I’m not gonna cum (2017), Roxman Gatt, Courtesy of Roxman Gatt, Photo credit: Roxman Gatt https://curatingthecontemporary.org/wp-content/uploads/2017/04/a-sculpture.jpgA Sculpture
A Sculpture (2017), Roxman Gatt, Courtesy of Roxman Gatt, Photo credit: Yusoo Park https://curatingthecontemporary.org/wp-content/uploads/2017/04/a-sculpture-silent-sequence.jpgA Sculpture, silent sequenceA Sculpture, silent sequence (2017), Roxman Gatt, Courtesy of Roxman Gatt, Photo credit: Yusoo Park https://curatingthecontemporary.org/wp-content/uploads/2017/04/a-sculpture-sensual-sequence.jpgA Sculpture, sensual sequenceA Sculpture, sensual sequence (2017), Roxman Gatt, Courtesy of Roxman Gatt, Photo credit: Yusoo Park2017-04-13T23:04:17+00:00monthlyhttps://curatingthecontemporary.org/2017/04/08/fernando-ortega-nota-rosa-pink-note/2017-04-07T19:58:49+00:00monthlyhttps://curatingthecontemporary.org/2017/04/06/10facts-what-happened-in-the-art-world-in-march/https://curatingthecontemporary.org/wp-content/uploads/2017/04/michael-rakowitz-the-invisible-enemy-should-not-exist-2016-photo-james-o-jenkins-courtesy-the-artist.jpgMichael Rakowitz, The Invisible Enemy Should Not Exist, 2016. Photo James O. Jenkins, courtesy the artist.Michael Rakowitz, The Invisible Enemy Should Not Exist, 2016. Photo James O. Jenkins, courtesy the artist.2017-04-06T08:53:19+00:00monthlyhttps://curatingthecontemporary.org/2017/04/03/dadaclub-online-when-original-and-copy-overlap-along-history-and-contemporaneity/https://curatingthecontemporary.org/wp-content/uploads/2017/04/cadioli-i-am-not-really-confident-011.jpgcadioli-i-am-not-really-confident-01I am not really confident (2017), Microsoft captionbot.ai Test. Based on: Paul Citroen, Alannah, 1931, Marco Cadiolihttps://curatingthecontemporary.org/wp-content/uploads/2017/04/bitnik_dada_state_800.pngbitnik_dada_state_800https://curatingthecontemporary.org/wp-content/uploads/2017/04/cadioli-i-am-not-really-confident-01.jpgcadioli-i-am-not-really-confident-01https://curatingthecontemporary.org/wp-content/uploads/2017/04/raquelmeyers_dadarchy_450.gifraquelmeyers_dadarchy_450dadarchy (2017), Animated Gif. Based on: Man Ray, Long Distance, 1926, Raquel Meyers2017-04-02T17:31:19+00:00monthlyhttps://curatingthecontemporary.org/2017/04/01/artist-of-the-month-april-with-latifa-echakhch/https://curatingthecontemporary.org/wp-content/uploads/2017/04/4-2013-laps-mac-lyon-photo-fabrice-seixas.png4---2013-Laps-MAC-Lyon---Photo-Fabrice-SeixasLatifa Echakhch, 2013, Eivissa (Ibiza), 201. View of the exhibition "Laps", Musée d'art contemporain de Lyon, 2013. © Latifa Echakhch. Photo. Fabrice Seixas & archives kamel mennour. Courtesy the artist and kamel mennour, Paris/London.https://curatingthecontemporary.org/wp-content/uploads/2017/04/3-lechakhch-view-fabrice-seixas.png3-lechakhch-view-Fabrice-SeixasLatifa Echakhch, Tkaf, 2011, In situ installation : Bricks and pigment, Variable dimensions View of the exhibition "Tkaf", kamel mennour, Paris, 2012. © Latifa Echakhch. Photo. Fabrice Seixas & archives kamel mennour, Courtesy the artist and kamel mennour, Paris/London.https://curatingthecontemporary.org/wp-content/uploads/2017/04/2-la-deposession.png2---La-deposessionLatifa Echakhch: - La dépossession, 2014, Theatre canvas, painting, steel tubes, straps, Variable dimensions, Canvas: 1000 x 1000 cm. - Les Géants, 2015, 5 parts. Wood, polystyrene, paint, rope, fixations, 2 parts: 400 x 125 x 125 cm, 2 parts: 350 x 100 x 100 cm, 1 part: 300 x 75 x 75 cm, View of the exhibition "Screen Shot", Museum Haus Konstruktiv, Zürich, 2015. © Latifa Echakhch, Photo. Stefan Altenburger, Courtesy the artist and kamel mennour, Paris/London.https://curatingthecontemporary.org/wp-content/uploads/2017/04/1-vue-exposition-le-1.png1---vue-exposition-LE-1View of the exhibition « Latifa Echahkch, L’air du temps – Prix Marcel Duchamp 2013 », Centre Pompidou, Paris, 2014. © Latifa Echakhch, Photo. Fabrice Seixas & archives kamel mennour, Paris. Courtesy of the artist and the Galleries : Dvir, Tel Aviv ; kaufmann repetto, Milan ; kamel mennour, Paris/London ; Eva Presenhuber, Zurich.2017-03-31T18:43:20+00:00monthlyhttps://curatingthecontemporary.org/2017/02/28/openings-exhibitions-march-2017/https://curatingthecontemporary.org/wp-content/uploads/2017/02/image-credit-viktor-timofeev-2017.jpgimage-credit-viktor-timofeev-2017Image Viktor Timofeev, 2017.https://curatingthecontemporary.org/wp-content/uploads/2017/02/loretta-fahrenholz-implosion.jpgloretta-fahrenholz-implosionLoretta Fahrenholz, Implosion, courtesy of Cell Project Spacehttps://curatingthecontemporary.org/wp-content/uploads/2017/02/anne-collier-positive-california-2016.jpganne-collier-positive-california-2016Anne Collier, Positive (California), 2016https://curatingthecontemporary.org/wp-content/uploads/2017/02/still-from-margaret-taits-on-the-mountain-courtesy-of-lux-london-e1480339330984-848x400.jpgstill-from-margaret-taits-on-the-mountain-courtesy-of-lux-london-e1480339330984-848x400still from margaret taits on the mountain, courtesy of lux london.https://curatingthecontemporary.org/wp-content/uploads/2017/02/16804385_440362209628839_4080443954662748753_o-e1490030705812.jpg16804385_440362209628839_4080443954662748753_ohttps://curatingthecontemporary.org/wp-content/uploads/2017/02/sara-cwynar-listing-image-photography-2017.jpgsara-cwynar-listing-image-photography-2017Sara Cwynar, Women, 2015. Courtesy the artist, Zabludowicz Collection, and Foxy Production, New Yorkhttps://curatingthecontemporary.org/wp-content/uploads/2017/02/screen-shot-2017-02-28-at-10-42-36.pngscreen-shot-2017-02-28-at-10-42-36https://curatingthecontemporary.org/wp-content/uploads/2017/02/screen-shot-2017-02-28-at-10-41-24.pngscreen-shot-2017-02-28-at-10-41-24https://curatingthecontemporary.org/wp-content/uploads/2017/02/ctcmar2.jpgctcmar2https://curatingthecontemporary.org/wp-content/uploads/2017/02/doublespace-art-gallery-of-ontario-renovation-in-toronto.jpgdoublespace-art-gallery-of-ontario-renovation-in-torontoDoublespace, Art Gallery of Ontario Renovation in Toronto2017-03-31T10:41:52+00:00monthlyhttps://curatingthecontemporary.org/2017/03/30/the-crying-game-1-a-conversation-with-crewimburnny/2017-03-28T20:36:44+00:00monthlyhttps://curatingthecontemporary.org/2017/03/27/art-basel-hong-kong/https://curatingthecontemporary.org/wp-content/uploads/2017/03/e6_shen_shaomin_image_2.jpgE6_Shen_Shaomin_Image_2Summit (2017), Shen Shaomin, Osage Gallery, Art Basel Hong Kong 2017. Courtesy of the artist and Osage Galleryhttps://curatingthecontemporary.org/wp-content/uploads/2017/03/abhk17-galleries-arario-gallery-pr_jh__eh_1684-1024x683.jpgABHK17-Galleries-Arario-Gallery-PR_JH__EH_1684-1024x683Arario Gallery at Art Basel Hong Kong 2017. Photo Jessica Hromas for Art Basel.https://curatingthecontemporary.org/wp-content/uploads/2017/03/3-4.jpg3-4Eko Nugroho’s The Dance Corps series (Arario Gallery), Art Basel Hong Kong. Photo: Tom Milneshttps://curatingthecontemporary.org/wp-content/uploads/2017/03/4-3.jpg4-32017-03-26T13:32:52+00:00monthlyhttps://curatingthecontemporary.org/2017/03/23/alien-matter-welcome-to-the-future/2017-03-22T20:23:24+00:00monthlyhttps://curatingthecontemporary.org/2017/03/20/where-can-we-find-our-contemporary-heterotopias-iii/2017-03-21T08:15:32+00:00monthlyhttps://curatingthecontemporary.org/2016/02/11/where-can-we-find-our-contemporary-heterotopias-ii/https://curatingthecontemporary.org/wp-content/uploads/2016/02/1.jpg1Photo: Jose Iglesias Gª-Arenalhttps://curatingthecontemporary.org/wp-content/uploads/2016/02/7.jpg7Photo: Jose Iglesias Gª-Arenalhttps://curatingthecontemporary.org/wp-content/uploads/2016/02/5.jpg5Photo: Jose Iglesias Gª-Arenalhttps://curatingthecontemporary.org/wp-content/uploads/2016/02/3.jpg3Photo: Jose Iglesias Gª-Arenalhttps://curatingthecontemporary.org/wp-content/uploads/2016/02/4.jpg4Photo: Jose Iglesias Gª-Arenalhttps://curatingthecontemporary.org/wp-content/uploads/2016/02/8.jpg8Photo: Jose Iglesias Gª-Arenalhttps://curatingthecontemporary.org/wp-content/uploads/2016/02/6.jpg6Photo: Jose Iglesias Gª-Arenalhttps://curatingthecontemporary.org/wp-content/uploads/2016/02/2.jpg2Photo: Jose Iglesias Gª-Arenal2017-03-19T22:38:39+00:00monthlyhttps://curatingthecontemporary.org/2017/01/12/10facts-what-happened-in-the-art-world-in-december/https://curatingthecontemporary.org/wp-content/uploads/2017/01/helen-marten-limpet-apology-traffic-tenses-2015-c2a9-the-artist-courtesy-sadie-coles-h.jpghelen-marten-limpet-apology-traffic-tenses-2015-the-artist-courtesy-sadie-coles-h2017-03-19T17:59:18+00:00monthlyhttps://curatingthecontemporary.org/2016/12/08/10facts-what-happened-in-the-art-world-in-november/https://curatingthecontemporary.org/wp-content/uploads/2016/12/pink.jpgpink2017-03-19T17:58:54+00:00monthlyhttps://curatingthecontemporary.org/2016/11/07/10facts-what-happened-in-the-art-world-in-october/https://curatingthecontemporary.org/wp-content/uploads/2016/11/dali-2.jpgdali-22017-03-19T17:58:26+00:00monthlyhttps://curatingthecontemporary.org/2016/09/08/10facts-what-happened-in-the-art-world-in-august/2017-03-19T17:57:53+00:00monthlyhttps://curatingthecontemporary.org/2016/08/08/10facts-what-happened-to-the-art-world-in-july/https://curatingthecontemporary.org/wp-content/uploads/2016/08/01.jpg012017-03-19T17:57:35+00:00monthlyhttps://curatingthecontemporary.org/2016/07/07/10facts-what-happened-in-the-art-world-in-june/https://curatingthecontemporary.org/wp-content/uploads/2016/07/4942332_6_3976_2016-06-06-f8b993f-11903-yl93vo_a6076114d4603a9d97113718e585aec5.jpg4942332_6_3976_2016-06-06-f8b993f-11903-yl93vo_a6076114d4603a9d97113718e585aec52017-03-19T17:57:11+00:00monthlyhttps://curatingthecontemporary.org/2016/06/09/10facts-what-happened-in-the-art-world-in-may/https://curatingthecontemporary.org/wp-content/uploads/2016/06/screen-shot-2016-06-09-at-13-05-10.pngScreen Shot 2016-06-09 at 13.05.10https://curatingthecontemporary.org/wp-content/uploads/2016/06/him-l-hitler-di-maurizio-cattelan-4-795606.jpghim-l-hitler-di-maurizio-cattelan-4-795606Him (2001), Maurizio Cattelan2017-03-19T17:56:48+00:00monthlyhttps://curatingthecontemporary.org/2016/05/05/10facts-what-happened-in-the-art-world-in-april/https://curatingthecontemporary.org/wp-content/uploads/2016/05/leon-neal-afp-getty-images.jpgLEON NEAL-AFP-Getty ImagesLEON NEAL/AFP/Getty Images2017-03-19T17:56:18+00:00monthlyhttps://curatingthecontemporary.org/2016/04/14/10-facts-news-in-the-artworld/https://curatingthecontemporary.org/wp-content/uploads/2016/04/vantablack.pngvantablack2017-03-19T17:55:58+00:00monthlyhttps://curatingthecontemporary.org/2017/03/16/revolution-russian-art-1917-1932/https://curatingthecontemporary.org/wp-content/uploads/2017/03/vmayakovsky.jpgvmayakovskyPortrait of Vladimir Mayakovsky (1924), Alexander Rodchenko https://curatingthecontemporary.org/wp-content/uploads/2017/03/movementinspace.jpgmovementinspaceMovement in Space (1917-18), Mikhail Matiushinhttps://curatingthecontemporary.org/wp-content/uploads/2017/03/bluecrestkandinsky.jpgbluecrestkandinskyBlue Crest (1917), Vassily Kandinsky2017-03-16T15:50:32+00:00monthlyhttps://curatingthecontemporary.org/2017/03/14/comfortably-numb-an-interview-with-angela-washko-ben-grosser-and-man-bartlett/https://curatingthecontemporary.org/wp-content/uploads/2017/03/image-01.jpgImage 01https://curatingthecontemporary.org/wp-content/uploads/2017/03/image-02.jpgImage 02Angela Washko, Installation view of Survival Rates In Captivity (Free Will Mode #5) (2017), Photo by Graham Martinhttps://curatingthecontemporary.org/wp-content/uploads/2017/03/image-03.jpgImage 03Angela Washko, Installation view of Survival Rates In Captivity (Free Will Mode #5) (2017), Photo by Graham Martinhttps://curatingthecontemporary.org/wp-content/uploads/2017/03/image-04.jpgImage 04Ben Grosser, Installation view of Go Rando (2017), Photo by Graham Martinhttps://curatingthecontemporary.org/wp-content/uploads/2017/03/image-05.jpgImage 05Ben Grosser, Installation view of Go Rando (2017), Photo by Graham Martinhttps://curatingthecontemporary.org/wp-content/uploads/2017/03/image-06.jpgImage 06Man Bartlett, Installation view of Browsing the Blues (2017), Photo by Graham Martin https://curatingthecontemporary.org/wp-content/uploads/2017/03/image-07.jpgImage 07Man Bartlett, Installation view of Browsing the Blues (2017), Photo by Graham Martin 2017-03-12T11:51:12+00:00monthlyhttps://curatingthecontemporary.org/2017/03/13/gabriel-orozco-oroxxo/2017-03-12T11:25:51+00:00monthlyhttps://curatingthecontemporary.org/2017/03/09/in-conversation-with-simos-banos/https://curatingthecontemporary.org/wp-content/uploads/2017/03/roses-are-pink02.jpgroses are pink02Roses are Pink (video still) (2016), Simos Banoshttps://curatingthecontemporary.org/wp-content/uploads/2017/03/roses-are-pink03.jpgroses are pink03Roses are Pink (video still) (2016), Simos Banoshttps://curatingthecontemporary.org/wp-content/uploads/2017/03/pixelating.jpgpixelatingPixelating (video still) (2016), Simos Banoshttps://curatingthecontemporary.org/wp-content/uploads/2017/03/img_1.jpgIMG_1Simos Banos, shot from the performance, 02.02.172017-03-07T19:59:18+00:00monthlyhttps://curatingthecontemporary.org/2017/03/06/the-real-housewives-a-humorous-violent-and-slippery-abnormality/https://curatingthecontemporary.org/wp-content/uploads/2017/03/ian1.jpgian1Real Housewives of Isis. A sketch part of the BBC comedy show, Revolting (2017). Photograph: BBChttps://curatingthecontemporary.org/wp-content/uploads/2017/03/ian2.jpgian2Alec Baldwin impersonating Donald Trump on SNL (2017). Photograph: NBChttps://curatingthecontemporary.org/wp-content/uploads/2017/03/ian3.jpgian3The Real Housewives of Beverly Hills Reunion Show (2015). Photograph:Bravo.2017-03-04T00:47:38+00:00monthlyhttps://curatingthecontemporary.org/2017/03/02/the-queen-falls-omr-gallery/https://curatingthecontemporary.org/wp-content/uploads/2017/02/elliott-burns_the-queen-falls-review_header-image.jpgelliott-burns_the-queen-falls-review_header-imageWe are poems (2011), Ugo Rondinone https://curatingthecontemporary.org/wp-content/uploads/2017/02/elliott-burns_the-queen-falls-review_image-01.jpgelliott-burns_the-queen-falls-review_image-01Sin título (Acto V, Escena II) (2017), Jorge Méndez Blake https://curatingthecontemporary.org/wp-content/uploads/2017/02/elliott-burns_the-queen-falls-review_image-03.jpgelliott-burns_the-queen-falls-review_image-03Sin título (Acto V, Escena II) (2017), Jorge Méndez Blake https://curatingthecontemporary.org/wp-content/uploads/2017/02/elliott-burns_the-queen-falls-review_image-04.jpgelliott-burns_the-queen-falls-review_image-04I Was Told, But i Didn’t Listen (2016),Jose Dávila, Can you smell maths? (2017), Gabriel Rico https://curatingthecontemporary.org/wp-content/uploads/2017/02/elliott-burns_the-queen-falls-review_image-02.jpgelliott-burns_the-queen-falls-review_image-02from left to right: elfternovemberweitausendundvierzehn (2014), Ugo Rondinone, Floating Spaces (2014), Tatiana Truvé, zweiternovemberzweitausendundvierzehn (2014), Ugo Rondinone, einundzwanzigsterjulizweitausendundsechzehn (2016), Ugo Rondinone Trans-Formation (2016), Alicja Kwade, elfternovemberzweitausendundvierzehn (2014), Ugo Rondinone, vierundzwanzipsterjulizweitausendundsechzehn (2014), Ugo Rondinonehttps://curatingthecontemporary.org/wp-content/uploads/2017/02/elliott-burns_the-queen-falls-review_image-06.jpgelliott-burns_the-queen-falls-review_image-06We are poems (2011), Ugo Rondinone https://curatingthecontemporary.org/wp-content/uploads/2017/02/elliott-burns_the-queen-falls-review_image-05.jpgelliott-burns_the-queen-falls-review_image-05Small Glass Series: Land, Edwin (2016) James Turrell2017-03-02T16:29:43+00:00monthlyhttps://curatingthecontemporary.org/2017/03/01/artist-of-the-month-march-with-david-batchelor/https://curatingthecontemporary.org/wp-content/uploads/2017/03/db-festival-remix1.jpgdb-festival-remix<i>Festival Remix</i><br>2006<br>Wheelie bin, lights, steel, flex<br>200 x 240 x 115 cmhttps://curatingthecontemporary.org/wp-content/uploads/2017/03/db-flex-balls.jpgdb-flex-balls"Series of Electrical Flex Balls", 2010. © the artist Courtesy Blain Southern, London and Berlin. Photo: Peter Mallet https://curatingthecontemporary.org/wp-content/uploads/2017/03/db-brick-lane.jpgdb-brick-laneDavid Batchelor, "Brick Lane Remix", 2010. © and Courtesy the artist.https://curatingthecontemporary.org/wp-content/uploads/2017/03/db-reef.jpgdb-reefDavid Batchelor, "Reef", 2016. © and Courtesy the artist.https://curatingthecontemporary.org/wp-content/uploads/2017/03/db-festival-remix.jpgdb-festival-remixDavid Batchelor, "Festival Remix", 2006. © and Courtesy the artisthttps://curatingthecontemporary.org/wp-content/uploads/2017/03/db-magic-hour.pngdb-magic-hourDavid Batchelor, Magic Hour, Courtesy of artist.https://curatingthecontemporary.org/wp-content/uploads/2017/03/db-blob-08-yellow.jpgdb-blob-08-yellowDavid Batchelor, Blob 08 yellow, Courtesy of artist.https://curatingthecontemporary.org/wp-content/uploads/2017/03/db-islington-london-01-05-99.pngdb-islington-london-01-05-99David Batchelor, Islington, London 01.05.99, Courtesy of artist.2017-03-01T13:26:19+00:00monthlyhttps://curatingthecontemporary.org/2017/02/23/mexico-city-2017-art-fair/2017-02-23T09:10:09+00:00monthlyhttps://curatingthecontemporary.org/2017/02/20/on-curating-dissensus-notes-on-democracy/https://curatingthecontemporary.org/wp-content/uploads/2017/02/the-yes-men-pix1.jpgthe-yes-men-pix12017-02-19T17:57:27+00:00monthlyhttps://curatingthecontemporary.org/2017/02/16/dada-zurich-estancia-femsa-casa-luis-barragan/https://curatingthecontemporary.org/wp-content/uploads/2017/02/elliott-burns_dada-zc3barich-review_image-01.jpgelliott-burns_dada-zurich-review_image-012017-02-14T19:53:19+00:00monthlyhttps://curatingthecontemporary.org/2017/02/13/exhibition-tactics-of-a-contemporary-artist/2017-02-13T11:00:52+00:00monthlyhttps://curatingthecontemporary.org/2017/01/31/openings-exhibitions-february-2017/https://curatingthecontemporary.org/wp-content/uploads/2017/01/gl-poster-2017_poster_plain_1.jpeggl-poster-2017_poster_plain_1https://curatingthecontemporary.org/wp-content/uploads/2017/01/heather-phillipson_a-is-to-d-what-e-is-to-h_still_1.jpegheather-phillipson_a-is-to-d-what-e-is-to-h_still_1Heather Phillipson, A is to D what E is to H, 2011 (still). Courtesy of Zabludowicz Collection.https://curatingthecontemporary.org/wp-content/uploads/2017/01/js1.jpegjs1Photo credit ('Victory over the Sun'): Tytus Szabelski.https://curatingthecontemporary.org/wp-content/uploads/2017/01/lumen-logo-ugly-duck.jpeglumen-logo-ugly-duckhttps://curatingthecontemporary.org/wp-content/uploads/2017/01/gallery_house_websiteimage.jpeggallery_house_websiteimageGallery House, Exhibition Road, London, August 1973. Photograph by Reza Modjabi.https://curatingthecontemporary.org/wp-content/uploads/2017/01/16179648_10155223915519123_2302906160496473127_o.jpeg16179648_10155223915519123_2302906160496473127_oPerforations, Forty Seven LDN.https://curatingthecontemporary.org/wp-content/uploads/2017/01/hugh-look-untitled.jpghugh-look-untitledHugh Look, Untitled.https://curatingthecontemporary.org/wp-content/uploads/2017/01/salvatore-arancio-and-these-crystals-are-just-like-globes-of-light-2016-video-still-e28088tenderpixel.jpegsalvatore-arancio-and-these-crystals-are-just-like-globes-of-light-2016-video-still-%e2%80%88tenderpixelSalvatore Arancio, And These Crystals Are Just Like Globes of Light, 2016, video still. Tenderpixel.https://curatingthecontemporary.org/wp-content/uploads/2017/01/brion-gysin-untitled-ink-on-paper-108-x-102-cm.jpgbrion-gysin-untitled-ink-on-paper-108-x-102-cmBrion Gysin, Untitled, Ink on paper, 108 x 102 cm.https://curatingthecontemporary.org/wp-content/uploads/2017/01/3-run-container-hackney-road-with-mustafa-hulusi-e280a6without-him-to-knowing-jan-12.jpg3-run-container-hackney-road-with-mustafa-hulusi-without-him-to-knowing-jan-12RUN, Container, Hackney road with Mustafa Hulusi (…without him to knowing) Jan '12.2017-02-08T09:25:15+00:00monthlyhttps://curatingthecontemporary.org/2017/02/06/instagram-and-the-art-world-a-love-affair/https://curatingthecontemporary.org/wp-content/uploads/2017/02/instagramartworld_1.jpeginstagramartworld_1Anna Uddenberg, Journey of Self Discovery, 2016, mixed media, installation view Akademie der Künste, Berlin, 9th Berlin Biennale, 2016. Photograph: Timo Ohler. / Photo credit: The Guardianhttps://curatingthecontemporary.org/wp-content/uploads/2017/02/instagramartworld_2.pnginstagramartworld_2Ai Wei Wei’s Instagram feed, a fascinating (and often captionless) combination of personal, professional and political posts. / Photo credit: @aiww 2017-02-05T14:31:12+00:00monthlyhttps://curatingthecontemporary.org/2017/02/01/artist-of-the-month-february-with-alicja-kwade/https://curatingthecontemporary.org/wp-content/uploads/2017/02/1_alicja-kwade_nach-osten_trafo_-roman-maerz-17675e4b7fd28bdaaec84d407d689ebd.jpeg1_alicja-kwade_nach-osten_trafo_-roman-maerz-17675e4b7fd28bdaaec84d407d689ebdAlicja Kwade, Nach Osten TRAFO, Szczecin, Poland, 2015. PLEASE CLICK IMAGE FOR VIDEOhttps://curatingthecontemporary.org/wp-content/uploads/2017/02/against-the-run-public-art-fund-new-york-2015.jpgagainst-the-run-public-art-fund-new-york-2015AGAINST THE RUN, Public Art Fund, new York, 2015https://curatingthecontemporary.org/wp-content/uploads/2017/02/hypothetisches-gebilde-iii-in-monolog-aus-dem-11ten-stock-haus-am-waldsee-berlin-2015.jpghypothetisches-gebilde-iii-in-monolog-aus-dem-11ten-stock-haus-am-waldsee-berlin-2015HYPOTHETISCHES GEBILDE I+II, in MONOLOG AUS DEM 11TEN STOCK, Haus am Waldsee, Berlin, 2015https://curatingthecontemporary.org/wp-content/uploads/2017/02/in-circle-art-basel-unlimited-2012.jpgin-circle-art-basel-unlimited-2012IN CIRCLE, Art Basel Unlimited, 2012https://curatingthecontemporary.org/wp-content/uploads/2017/02/medium-median-whitechapel-gallery-2016.jpgmedium-median-whitechapel-gallery-2016MEDIUM MEDIAN, Whitechapel Gallery, 20162017-01-30T18:39:52+00:00monthlyhttps://curatingthecontemporary.org/2015/12/03/when-walls-speak/https://curatingthecontemporary.org/wp-content/uploads/2015/12/image1.jpgimage1Graffitti artists anonymous, photographs courtesy of Alessia Santambrogiohttps://curatingthecontemporary.org/wp-content/uploads/2015/12/image6-1.jpgimage6 (1)Graffitti artists anonymous, photographs courtesy of Alessia Santambrogiohttps://curatingthecontemporary.org/wp-content/uploads/2015/12/image2-1.jpgimage2 (1)Graffitti artists anonymous, photographs courtesy of Alessia Santambrogiohttps://curatingthecontemporary.org/wp-content/uploads/2015/12/image2.jpgimage2Graffitti artists anonymous, photographs courtesy of Alessia Santambrogiohttps://curatingthecontemporary.org/wp-content/uploads/2015/12/image7.jpgimage7Graffitti artists anonymous, photographs courtesy of Alessia Santambrogiohttps://curatingthecontemporary.org/wp-content/uploads/2015/12/image6.jpgimage6Graffitti artists anonymous, photographs courtesy of Alessia Santambrogio2017-01-24T20:53:15+00:00monthlyhttps://curatingthecontemporary.org/2017/01/26/the-mother-of-anxiety-sophie-calle-as-the-precursor-to-supermodernitys-individual-crisis-of-meaning/https://curatingthecontemporary.org/wp-content/uploads/2017/01/s-calle_suitevenitienne6-copy.jpgs-calle_suitevenitienne6-copySophie Calle ‘Suite Vénitienne”(Detail) (1980) © Sophie Calle / Adagp, Paris, 2017 Courtesy Galerie Perrotinhttps://curatingthecontemporary.org/wp-content/uploads/2017/01/thumbnail-2.jpgthumbnail-2Sophie Calle "The shadow"(Detail) (1981) © Sophie Calle / Adagp, Paris, 2017 Courtesy Galerie Perrotin2017-01-24T20:37:25+00:00monthlyhttps://curatingthecontemporary.org/2017/01/23/in-conversation-with-elena-kendall-aranda/https://curatingthecontemporary.org/wp-content/uploads/2017/01/2.jpg2Still from ‘El Alamin’, Google street view interactive artwork (2016), Elena Kendall-Arandahttps://curatingthecontemporary.org/wp-content/uploads/2017/01/1.jpg1Still from ‘Oreja’, Google street view interactive artwork (2016), Elena Kendall-Arandahttps://curatingthecontemporary.org/wp-content/uploads/2017/01/1-2.jpg1-2Still from ‘Oreja’, Google street view interactive artwork (2016), Elena Kendall-Arandahttps://curatingthecontemporary.org/wp-content/uploads/2017/01/3-3.jpg3-3Still from ‘Tobes’, Google street view interactive artwork (2016), Elena Kendall-Arandahttps://curatingthecontemporary.org/wp-content/uploads/2017/01/2-2.jpg2-2Still from ‘El Alamin’, Google street view interactive artwork (2016), Elena Kendall-Aranda2017-01-21T23:39:59+00:00monthlyhttps://curatingthecontemporary.org/2016/10/13/workout-in-the-limbo-on-michele-gabrieles-and-alessandro-di-pietros-tiziano-e-giorgione/https://curatingthecontemporary.org/wp-content/uploads/2016/10/1-2.jpg1-2Tiziano e Giorgione, installation view, Treti Galaxie, 2016, photo: Marco Cappellettihttps://curatingthecontemporary.org/wp-content/uploads/2016/10/111.jpg11https://curatingthecontemporary.org/wp-content/uploads/2016/10/13.jpg13Tiziano e Giorgione, Alessandro Di Pietro, Treti Galaxie, 2016, photo: Marco Cappelletti https://curatingthecontemporary.org/wp-content/uploads/2016/10/2-2.jpg2-2Tiziano e Giorgione, installation view, Treti Galaxie, 2016, photo: Marco Cappelletti https://curatingthecontemporary.org/wp-content/uploads/2016/10/5-2.jpg5-2https://curatingthecontemporary.org/wp-content/uploads/2016/10/7.jpg7Tiziano e Giorgione, Michele Gabriele, detail, Treti Galaxie, 2016, photo: Marco Cappelletti https://curatingthecontemporary.org/wp-content/uploads/2016/10/10.jpg10Tiziano e Giorgione, Michele Gabriele, Treti Galaxie, 2016, photo: Marco Cappelletti https://curatingthecontemporary.org/wp-content/uploads/2016/10/11.jpg112017-01-21T12:20:37+00:00monthlyhttps://curatingthecontemporary.org/2017/01/19/x-temporary-org/https://curatingthecontemporary.org/wp-content/uploads/2017/01/x-temporary-org_image2.pngx-temporary-org_image2Balz Isler, daily gestures (2016) via Marenka Krasomil/ x-temporary.org https://curatingthecontemporary.org/wp-content/uploads/2017/01/x-temporary-org_image-1.jpgx-temporary-org_image-1Lucia Graf, logo for x-temporary.org (2016) https://curatingthecontemporary.org/wp-content/uploads/2017/01/x-temporary_image_3.pngx-temporary_image_3Verena Issel, get real (2016) via Marenka Krasomil/ x-temporary.org 2017-01-19T11:20:28+00:00monthlyhttps://curatingthecontemporary.org/2017/01/16/the-perfect-mat-for-the-perfect-table-an-interview-by-elliott-burns/2017-01-16T16:02:43+00:00monthlyhttps://curatingthecontemporary.org/2016/12/12/5476/https://curatingthecontemporary.org/wp-content/uploads/2016/12/mothership-install-long-gallery-5.jpgmothership-install-long-gallery-5Installation View, Mothership (2016), Image courtesy of Jamie Lauhttps://curatingthecontemporary.org/wp-content/uploads/2016/12/mothership-janet-currier-3.jpgmothership-janet-currier-3Janet Currier, Mothership (2016), Image courtesy of Jamie Lauhttps://curatingthecontemporary.org/wp-content/uploads/2016/12/mothership-elizabeth-byrne-3.jpgmothership-elizabeth-byrne-3Elizabeth Byrne, Mothership (2016), Image courtesy of Elizabeth Byrnehttps://curatingthecontemporary.org/wp-content/uploads/2016/12/mothership-helen-knowles.jpgmothership-helen-knowlesHelen Knowles, Mothership (2016), Image courtesy of Jamie Lauhttps://curatingthecontemporary.org/wp-content/uploads/2016/12/mothership-hester-finch-2.jpgmothership-hester-finch-2Hester Finch, Mothership (2016), Image courtesy of Jamie Lauhttps://curatingthecontemporary.org/wp-content/uploads/2016/12/mothership-laura-mccafferty-2.jpgmothership-laura-mccafferty-2Laura McCafferty, Mothership (2016), Image courtesy of Elizabeth Byrnehttps://curatingthecontemporary.org/wp-content/uploads/2016/12/mothership-nadine-mahoney-3.jpgmothership-nadine-mahoney-3Nadine Mahoney, Mothership (2016), Image courtesy of Jamie Lauhttps://curatingthecontemporary.org/wp-content/uploads/2016/12/mothership-hester-finch-1.jpgmothership-hester-finch-1Hester Finch, Mothership (2016), Image courtesy of Jamie Lauhttps://curatingthecontemporary.org/wp-content/uploads/2016/12/mothership-karen-mclean-3.jpgmothership-karen-mclean-3Karen McLean, Mothership (2016), Image courtesy of Elizabeth Byrnehttps://curatingthecontemporary.org/wp-content/uploads/2016/12/mothership-julia-miranda-1.jpgmothership-julia-miranda-1Julia Miranda, Mothership (2016), Image courtesy of Jamie Lau2017-01-16T15:54:31+00:00monthlyhttps://curatingthecontemporary.org/2017/01/13/beyond-caravaggio/https://curatingthecontemporary.org/wp-content/uploads/2017/01/taking-of-christ-1602large1.jpgtaking-of-christ-1602-jpglargeThe Taking of Christ (1602), Caravaggiohttps://curatingthecontemporary.org/wp-content/uploads/2017/01/thumbnail-7.jpgthumbnail-7The Cheat with the Ace of Clubs (c. 1630-34), Georges de La Tourhttps://curatingthecontemporary.org/wp-content/uploads/2017/01/boy-bitten-by-a-lizard1large.jpgboy-bitten-by-a-lizard1-jpglargeBoy Bitten by a Lizard (c. 1594-1596), Caravaggio2017-01-13T11:50:27+00:00monthlyhttps://curatingthecontemporary.org/2017/01/09/amalia-ulman-reputation/https://curatingthecontemporary.org/wp-content/uploads/2017/01/article_ulman_2.jpgarticle_ulman_2Detail of the third room “Bob’s temple” / Photo credit: Audrey Kadjarhttps://curatingthecontemporary.org/wp-content/uploads/2017/01/2939.jpg2939View of the installation “Bob’s office” / Photo credit: New Galeriehttps://curatingthecontemporary.org/wp-content/uploads/2017/01/2899.jpg2899View of the installation “Temple of Bob” / Photo credit: New Galeriehttps://curatingthecontemporary.org/wp-content/uploads/2017/01/2914.jpg2914View of the installation “The Park” / Photo credit: New Galeriehttps://curatingthecontemporary.org/wp-content/uploads/2017/01/picture1.jpgpicture12017-01-08T20:31:22+00:00monthlyhttps://curatingthecontemporary.org/2016/05/09/it-is-probably-better-to-start-from-zero/https://curatingthecontemporary.org/wp-content/uploads/2016/05/5.jpg5It is Probably Better to Start from Zero, #1.2 Georgia Spickett-Jones, Photo Credit Ines Costahttps://curatingthecontemporary.org/wp-content/uploads/2016/05/4.jpg4It is Probably Better to Start from Zero, #4.1 Lauren Goldie, Photo Credit Ines Costahttps://curatingthecontemporary.org/wp-content/uploads/2016/05/3.jpg3It is Probably Better to Start from Zero, #3.1 Ines Marques, Photo Credit Ines Costahttps://curatingthecontemporary.org/wp-content/uploads/2016/05/2.jpg2It is Probably Better to Start from Zero, #2.1 Juan Crespo, Photo Credit Ines Costahttps://curatingthecontemporary.org/wp-content/uploads/2016/05/1.jpg1It is Probably Better to Start from Zero, # 1.1 Georgia Spickett-Jones, Photo Credit Ines Costa2017-01-06T12:35:48+00:00monthlyhttps://curatingthecontemporary.org/2017/01/06/artist-of-the-month-january-with-e-jane/https://curatingthecontemporary.org/wp-content/uploads/2017/01/12.gif1https://curatingthecontemporary.org/wp-content/uploads/2017/01/11.gif1https://curatingthecontemporary.org/wp-content/uploads/2017/01/1.gif1https://curatingthecontemporary.org/wp-content/uploads/2017/01/3-2.png3-2E. Jane, E. The Avatar, 2015, Image screen shot courtesy of Alejandro Ball.https://curatingthecontemporary.org/wp-content/uploads/2017/01/2.jpeg2E. Jane, Lavendra/Recovery (Iteration No.1), 2015, Installation, Image courtesy of artist.https://curatingthecontemporary.org/wp-content/uploads/2017/01/4.jpeg4E. Jane, That time I sold my dreads online or thousands of dollars, 2015, image courtesy of artist.2017-01-05T23:30:19+00:00monthlyhttps://curatingthecontemporary.org/2017/01/05/openings-exhibitions-january-2017/https://curatingthecontemporary.org/wp-content/uploads/2017/01/1-janine-hall-window-shadow-pencil-on-paper.jpg1-janine-hall-window-shadow-pencil-on-paperJanine Hall, Window Shadow, pencil on paperhttps://curatingthecontemporary.org/wp-content/uploads/2017/01/3-ana-ccc8cvoroviccc81-closeness-the-koppel-project-2016.jpg3-ana-cvorovic-closeness-the-koppel-project-2016Ana Čvorović, Closeness, The Koppel Project, 2016https://curatingthecontemporary.org/wp-content/uploads/2017/01/2-luca-bertolo-signs.jpg2-luca-bertolo-signsLuca Bertolo, Signshttps://curatingthecontemporary.org/wp-content/uploads/2017/01/4-alicja-kwade-scenographia-systematis-mundani-ptolemaici-scenography-of-the-ptolemaic-cosmography-2016-courtesy-the-artist.jpg4-alicja-kwade-scenographia-systematis-mundani-ptolemaici-scenography-of-the-ptolemaic-cosmography-2016-courtesy-the-artistAlicja Kwade, Scenographia Systematis Mundani Ptolemaici (Scenography of the Ptolemaic cosmography) 2016. Courtesy the artist.https://curatingthecontemporary.org/wp-content/uploads/2017/01/5-johnny-hocc88glund-loss-of-self-oil-on-canvas-2016.jpg5-johnny-ho%cc%88glund-loss-of-self-oil-on-canvas-2016Johnny Höglund, Loss of self, oil on canvas, 2016https://curatingthecontemporary.org/wp-content/uploads/2017/01/6-onby-andy-warhol-by-gilda-williams-mit-whitechapel-press-2016.jpg6-onby-andy-warhol-by-gilda-williams-mit-whitechapel-press-2016ON&BY Andy Warhol by Gilda Williams, MIT - Whitechapel Press, 2016https://curatingthecontemporary.org/wp-content/uploads/2017/01/8-kit-poulson-still-from-mutter-2016-image-by-ben-owen.jpg8-kit-poulson-still-from-mutter-2016-image-by-ben-owenKit Poulson, still from Mutter, 2016. Image by Ben Owenhttps://curatingthecontemporary.org/wp-content/uploads/2017/01/7.jpg7https://curatingthecontemporary.org/wp-content/uploads/2017/01/9-jamie-crewe-cover-design-for-monsieur-venus-drawn-with-a-knife-2016.jpg9-jamie-crewe-cover-design-for-monsieur-venus-drawn-with-a-knife-2016Jamie Crewe, Cover design for Monsieur Venus, drawn with a knife, 20162017-01-04T21:54:54+00:00monthlyhttps://curatingthecontemporary.org/2016/12/19/alvaro-urbano-i-mole-antonelliana/https://curatingthecontemporary.org/wp-content/uploads/2016/12/thumbnail-2.jpgthumbnail-2I (2016), Alvaro Urbano, Mole Antonelliana, Courtesy the artisthttps://curatingthecontemporary.org/wp-content/uploads/2016/12/thumbnail-3.jpgthumbnail-3I (Installation View) (2016), Alvaro Urbano, Mole Antonelliana, Courtesy the artisthttps://curatingthecontemporary.org/wp-content/uploads/2016/12/thumbnail-4.jpgthumbnail-4I (Installation View) (2016), Alvaro Urbano, Mole Antonelliana, Courtesy the artisthttps://curatingthecontemporary.org/wp-content/uploads/2016/12/thumbnail-5.jpgthumbnail-5I (Installation View) (2016), Alvaro Urbano, Mole Antonelliana, Courtesy the artisthttps://curatingthecontemporary.org/wp-content/uploads/2016/12/thumbnail-6.jpgthumbnail-6I (Installation View) (2016), Alvaro Urbano, Mole Antonelliana, Courtesy the artist 2016-12-19T16:55:53+00:00monthlyhttps://curatingthecontemporary.org/2016/12/01/artist-of-the-month-december-with-helen-marten-2/2016-12-18T17:46:53+00:00monthlyhttps://curatingthecontemporary.org/2016/12/22/isabel-farchys-test-cups-design-qa-with-e-portas-bea-addis/2016-12-18T17:31:17+00:00monthlyhttps://curatingthecontemporary.org/2016/12/15/the-digital-obsession-the-emperors-new-clothes-revisited/https://curatingthecontemporary.org/wp-content/uploads/2016/12/chrisdaly_thedigitalobsession_untitledomotesandc58d.jpgchrisdaly_thedigitalobsession_untitledomotesandoUntitled (Omotesandō) https://curatingthecontemporary.org/wp-content/uploads/2016/12/chrisdaly_thedigitalobsession_roxannegabriel-e1481829362261.jpgchrisdaly_thedigitalobsession_roxannegabrielRoxanne & Gabrielhttps://curatingthecontemporary.org/wp-content/uploads/2016/12/chrisdaly_thedigitalobsession_steve3.jpgchrisdaly_thedigitalobsession_steve3Steve 3 https://curatingthecontemporary.org/wp-content/uploads/2016/12/chrisdaly_thedigitalobsession_spiritualsyria.jpgchrisdaly_thedigitalobsession_spiritualsyriaSpiritual Syria2016-12-15T19:18:24+00:00monthlyhttps://curatingthecontemporary.org/2016/11/01/artist-of-the-month-december-with-helen-marten/2016-12-06T22:33:43+00:00monthlyhttps://curatingthecontemporary.org/2016/12/05/out-of-sight/https://curatingthecontemporary.org/wp-content/uploads/2016/12/2016-12-04-photo-00000063.jpg2016-12-04-photo-00000063Closing event for Out of Sight (2016), Five Years, London2016-12-05T17:42:09+00:00monthlyhttps://curatingthecontemporary.org/2016/11/28/openings-exhibitions-december-2016/https://curatingthecontemporary.org/wp-content/uploads/2016/11/9-krzysztof-kiescc81lowski-three-colours-blue-1993.jpg9-krzysztof-kieslowski-three-colours-blue-1993Krzysztof Kieślowski, Three Colours- Blue, 1993https://curatingthecontemporary.org/wp-content/uploads/2016/11/tumblr_njcv7hg9os1u9dsaxo1_1280.jpegtumblr_njcv7hg9os1u9dsaxo1_1280Metra Saberova, Is this not a womanhttps://curatingthecontemporary.org/wp-content/uploads/2016/11/7-christina-evans-boxes-of-oranges.jpg7-christina-evans-boxes-of-orangesChristina Evans, Boxes Of Orangeshttps://curatingthecontemporary.org/wp-content/uploads/2016/11/6-jasmijn-visser-mannheim-2005.jpg6-jasmijn-visser-mannheim-20056. Jasmijn Visser, Mannheim, 2005https://curatingthecontemporary.org/wp-content/uploads/2016/11/5-lina-hermsdorf-the-best-answer-you-can-give-is-symmetry-2016-episode-vi-performance-20min-performer-andrew-hardwidge-c2a9-stefanie-sprinz-courtesy-of-the-artist.jpg5-lina-hermsdorf-the-best-answer-you-can-give-is-symmetry-2016-episode-vi-performance-20min-performer-andrew-hardwidge-stefanie-sprinz-courtesy-of-the-artistLina Hermsdorf, The Best Answer You Can Give Is Symmetry, 2016. Episode VI. Performance, 20min. Performer Andrew Hardwidge © Stefanie Sprinz. Courtesy of the Artisthttps://curatingthecontemporary.org/wp-content/uploads/2016/11/4-zaha-hadid-cardiff-opera-house-concept-painting-1994.jpg4-zaha-hadid-cardiff-opera-house-concept-painting-1994Zaha Hadid, Cardiff Opera House, Concept painting, 1994https://curatingthecontemporary.org/wp-content/uploads/2016/11/3-geraldine-juarez-artist-statement-2016.gif3-geraldine-juarez-artist-statement-2016Geraldine Juarez, Artist Statement, 2016https://curatingthecontemporary.org/wp-content/uploads/2016/11/2-slawa-harasymowicz-lady-sing-mulholland-drive.jpg2-slawa-harasymowicz-lady-sing-mulholland-driveSlawa Harasymowicz, Lady Sing (Mulholland Drive)https://curatingthecontemporary.org/wp-content/uploads/2016/11/1-karen-ay-were-all-in-this-together-2010.jpgKaren AyKaren Ay, We're all in this together, 2010https://curatingthecontemporary.org/wp-content/uploads/2016/11/mothership-printready.jpgmothership-printready2016-12-05T17:38:44+00:00monthlyhttps://curatingthecontemporary.org/2016/11/24/in-conversation-with-gretchen-andrews/2016-12-05T17:38:11+00:00monthlyhttps://curatingthecontemporary.org/2016/11/21/como-se-nao-existisse-nada-as-if-there-was-nothing-else/https://curatingthecontemporary.org/wp-content/uploads/2016/11/14902909_10154160503484891_6588176381573344381_o.jpg14902909_10154160503484891_6588176381573344381_o2016-12-05T17:36:25+00:00monthlyhttps://curatingthecontemporary.org/2016/11/17/pilproject-the-meme-the-roskomnadzor-and-memetics/https://curatingthecontemporary.org/wp-content/uploads/2016/11/exhibition-3-exhibition-view.jpgexhibition-3-exhibition-viewPILproject 2.0: Russia. Be blinded by an inner light. (2016) (Installation view)https://curatingthecontemporary.org/wp-content/uploads/2016/11/exhibition-9-rostan-tavasiev-its-complicated-2014-to-current.jpgexhibition-9-rostan-tavasiev-its-complicated-2014-to-currentPILproject 2.0: Russia. Be blinded by an inner light. (2016) (Installation view)https://curatingthecontemporary.org/wp-content/uploads/2016/11/exhibition-1-ksenia-pilsova-untitled-2016-installation.jpgexhibition-1-ksenia-pilsova-untitled-2016-installationPILproject 2.0: Russia. Be blinded by an inner light. (2016) (Installation view)https://curatingthecontemporary.org/wp-content/uploads/2016/11/exhibition-5-ksenia-pilsova-untitled-2016-installation.jpgexhibition-5-ksenia-pilsova-untitled-2016-installationPILproject 2.0: Russia. Be blinded by an inner light. (2016) (Installation view)https://curatingthecontemporary.org/wp-content/uploads/2016/11/exhibition-6-rostan-tavasiev-its-complicated-2014-current.jpgexhibition-6-rostan-tavasiev-its-complicated-2014-currentPILproject 2.0: Russia. Be blinded by an inner light. (2016) (Installation view)https://curatingthecontemporary.org/wp-content/uploads/2016/11/exhibition-7-pil-research-table.jpgexhibition-7-pil-research-tablePILproject 2.0: Russia. Be blinded by an inner light. (2016) (Installation view)https://curatingthecontemporary.org/wp-content/uploads/2016/11/exhibition-4-exhibition-view.jpgexhibition-4-exhibition-viewPILproject 2.0: Russia. Be blinded by an inner light. (2016) (Installation view)https://curatingthecontemporary.org/wp-content/uploads/2016/11/illma-gore-make-america-great-again-2016.jpgillma-gore-make-america-great-again-2016Illma Gore, Make America Great Again, 2016https://curatingthecontemporary.org/wp-content/uploads/2016/11/meme-234.jpgmeme-234Provided by the PILproject collection. Images fall under creative commons copyright. https://curatingthecontemporary.org/wp-content/uploads/2016/11/meme-142.jpgmeme-142Provided by the PILproject collection. Images fall under creative commons copyright. 2016-12-05T17:35:12+00:00monthlyhttps://curatingthecontemporary.org/2016/11/01/artist-of-the-month-november-with-aurelien-froment/https://curatingthecontemporary.org/wp-content/uploads/2016/11/aureliecc81n-froment-aurecc81lien-froment-debuilding-kodak-color-control-patches-2009-painted-wooden-cubes-of-25-cm-each-view-of-the-exhibition-moon-star-love-2009-photo-aurecc81lien.jpgaurelien-froment-aurelien-froment-debuilding-kodak-color-control-patches-2009-painted-wooden-cubes-of-25-cm-each-view-of-the-exhibition-moon-star-love-2009-photo-aurelien-mAurelién Froment, Aurélien Froment Debuilding (Kodak Color Control Patches), 2009, painted wooden cubes of 2,5 cm each. View of the exhibition Moon star love, 2009 - Photo Aurélien Molehttps://curatingthecontemporary.org/wp-content/uploads/2016/11/aurecc81lien-froment-les-articles-indecc81finis-galerie-marcelle-alix-2011-view-of-the-exhibtion.jpgaurelien-froment-les-articles-indefinis-galerie-marcelle-alix-2011-view-of-the-exhibtionAurélien Froment, Les articles indéfinis, Galerie Marcelle Alix, 2011, view of the exhibtion.https://curatingthecontemporary.org/wp-content/uploads/2016/11/aurecc81lien-froment-montage-des-attractions-frac-icc82le-de-france-2014-view-of-the-exhibition.jpgaurelien-froment-montage-des-attractions-frac-i%cc%82le-de-france-2014-view-of-the-exhibitionAurélien Froment, Montage des attractions, frac île-de-france, 2014, view of the exhibition.https://curatingthecontemporary.org/wp-content/uploads/2016/11/aurecc81lien-froment-pulmo-marina-2010-filstill.jpgaurelien-froment-pulmo-marina-2010-filstillAurélien Froment, Pulmo Marina, 2010, filstill.2016-12-05T17:31:10+00:00monthlyhttps://curatingthecontemporary.org/2016/10/31/openings-exhibitions-november-2016/https://curatingthecontemporary.org/wp-content/uploads/2016/10/57f2339a6c13a46d7eeeb5b3_57e4e7693a397c54420e87d8_andrea-1tensegrity.jpg57f2339a6c13a46d7eeeb5b3_57e4e7693a397c54420e87d8_andrea-1tensegrityTensegrity – and Other Contradictory Complicities, Courtesy of Tenderpixel.https://curatingthecontemporary.org/wp-content/uploads/2016/10/112.jpg11https://curatingthecontemporary.org/wp-content/uploads/2016/10/10-byzantia-harlow-contra-faux-off-site-project-at-bus-stop-bc-e28093-cheyne-walk-beaufort-street-stop-sw3.jpg10-byzantia-harlow-contra-faux-off-site-project-at-bus-stop-bc-cheyne-walk-beaufort-street-stop-sw3Byzantia Harlow, Contra-Faux, off site project at Bus Stop BC – Cheyne Walk Beaufort Street stop, SW3.https://curatingthecontemporary.org/wp-content/uploads/2016/10/9.jpg9Courtesy of the Photographers Galleryhttps://curatingthecontemporary.org/wp-content/uploads/2016/10/8-normality-status-map-heath-bunting-cornerhouse-projects-2010.jpg8-normality-status-map-heath-bunting-cornerhouse-projects-2010Normality Status Map, Heath Bunting, Cornerhouse Projects, 2010https://curatingthecontemporary.org/wp-content/uploads/2016/10/7-robert-mapplethorpe-michael-reed-1987-1990-copyright-robert-mapplethorpe-foundation-new-york.jpg7-robert-mapplethorpe-michael-reed-1987-1990-copyright-robert-mapplethorpe-foundation-new-yorkRobert Mapplethorpe, Michael Reed, 1987-1990, Copyright Robert Mapplethorpe Foundation, New York. https://curatingthecontemporary.org/wp-content/uploads/2016/10/6-monica-ross-like-gold-in-the-furnace-tape-slide-work-1987-1988-photo-credit-bernard-g-mills.jpg6-monica-ross-like-gold-in-the-furnace-tape-slide-work-1987-1988-photo-credit-bernard-g-millsMonica Ross, Like Gold in the Furnace, Tape-slide work, 1987-1988. Photo credit Bernard G. Millshttps://curatingthecontemporary.org/wp-content/uploads/2016/10/5-peter-wacc88chtler-untitled-2016-commissioned-and-produced-by-chisenhale-gallery-courtesy-of-the-artist.jpg5-peter-wa%cc%88chtler-untitled-2016-commissioned-and-produced-by-chisenhale-gallery-courtesy-of-the-artistPeter Wächtler, Untitled, 2016. Commissioned and produced by Chisenhale Gallery. Courtesy of the artist.https://curatingthecontemporary.org/wp-content/uploads/2016/10/14559996_1867409826820104_1499345325084719111_o.jpg14559996_1867409826820104_1499345325084719111_o‘WWTBTS’, João Retorta X CommaCollective https://curatingthecontemporary.org/wp-content/uploads/2016/10/4-pedro-barateiro-the-current-situation-hd-video-2015-screenshot-tenderpixel.jpeg4-pedro-barateiro-the-current-situation-hd-video-2015-screenshot-tenderpixelPedro Barateiro, The Current Situation, HD video, 2015, screenshot. Tenderpixel.2016-12-05T17:28:31+00:00monthlyhttps://curatingthecontemporary.org/2016/10/20/daydreaming-with-stanley-kubrick/https://curatingthecontemporary.org/wp-content/uploads/2016/10/356462.jpg356462Scene from The Shining (1980), Stanley Kubrickhttps://curatingthecontemporary.org/wp-content/uploads/2016/10/tempest-in-a-glass-seamus-farrell1.jpgtempest-in-a-glass-seamus-farrellTempest in (a) glass\ a diaphanous arrangement (2016), Seamus Farrell2016-12-05T17:27:42+00:00monthlyhttps://curatingthecontemporary.org/2016/10/10/in-conversation-with-rosana-antoli/https://curatingthecontemporary.org/wp-content/uploads/2016/10/virtual-choreography-3b.jpgvirtual-choreography-3bRosana Antolí. Virtual Choreography. Extract from Video. Hackney Wick, London. 2016https://curatingthecontemporary.org/wp-content/uploads/2016/10/virtual-choreography-1a.jpgvirtual-choreography-1aRosana Antolí. Virtual Choreography. Extract from Video. Hackney Wick, London. 20162016-12-05T17:26:47+00:00monthlyhttps://curatingthecontemporary.org/2016/10/06/10facts-what-happened-in-the-art-world-in-september/https://curatingthecontemporary.org/wp-content/uploads/2016/10/u-vs-a.jpgu-vs-a2016-12-05T17:26:21+00:00monthlyhttps://curatingthecontemporary.org/2016/10/02/artist-of-the-month-october-with-wael-shawky/https://curatingthecontemporary.org/wp-content/uploads/2016/10/wsha150001_15.jpgwsha150001_15Wael Shawky, Cabaret Crusades III: The Secrets of Karbala, 2015,HD Film, colour, sound, English subtitles, 2 hours. © the artist Courtesy Lisson Galleryhttps://curatingthecontemporary.org/wp-content/uploads/2016/10/wsha120001_2.jpgwsha120001_2Wael Shawky, Cabaret Crusades II: The Path to Cairo, 2012, HD video, colour, sound, English Subtitles, 60 mins. © the artist Courtesy Lisson Gallery https://curatingthecontemporary.org/wp-content/uploads/2016/10/wsha100001-5_b.jpgwsha100001-5_bWael Shawky Cabaret Crusades I: The Horror Show File, 2010. HD video, colour, sound, English Subtitles 31mins 49 seconds. © the artist Courtesy Lisson Galleryhttps://curatingthecontemporary.org/wp-content/uploads/2016/10/screen-shot-2016-10-01-at-17-25-47.pngscreen-shot-2016-10-01-at-17-25-47Wael Shawky, AAsphalt Quarter, 2003, 4-screen video projection without sound, 14 min 59 sec © Stills: Wael Shawky, Courtesy of Sharjah Art Foundation https://curatingthecontemporary.org/wp-content/uploads/2016/10/wsha140054_1.jpgwsha140054_1Wael Shawky, Cabaret Crusades III: The Secrets of Karbalaa (Marionette), 2014, Murano glass , 55 x 10 x 17 cm / 21 5/8 x 4 x 6 5/8 in. © the artist Courtesy Lisson Galleryhttps://curatingthecontemporary.org/wp-content/uploads/2016/10/wsha150001_5.jpgwsha150001_5Wael Shawky, Cabaret Crusades III: The Secrets of Karbala, 2015, HD Film, colour, sound, English subtitles, 2 hours2016-12-05T17:25:47+00:00monthlyhttps://curatingthecontemporary.org/2016/09/30/openings-exhibitions-october-2016/https://curatingthecontemporary.org/wp-content/uploads/2016/09/2-guerrilla-girls1.jpg2-guerrilla-girlshttps://curatingthecontemporary.org/wp-content/uploads/2016/09/rostan-press-release-2.jpgrostan-press-release-2https://curatingthecontemporary.org/wp-content/uploads/2016/09/14-james-ensor-masks-mocking-death-1888.jpg14-james-ensor-masks-mocking-death-1888James Ensor, Masks Mocking Death (1888).https://curatingthecontemporary.org/wp-content/uploads/2016/09/13-gibson-martelli-in-search-of-abandoned-2013-installation-cave-interactive-virtual-environment-christie-mirage-hd6-stereoscopic-dpl-projectors-procedurally-generated-sound-ro.jpg13-gibson-martelli-in-search-of-abandoned-2013-installation-cave-interactive-virtual-environment-christie-mirage-hd6-stereoscopic-dpl-projectors-procedurally-generated-sound-rope-yacht-wheeGibson-Martelli, In search of Abandoned (2013), installation, CAVE - Interactive Virtual Environment, Christie Mirage HD6 stereoscopic DPL projectors, procedurally generated sound, rope, yacht wheel, custom interface.https://curatingthecontemporary.org/wp-content/uploads/2016/09/12-alice-theobald-ive-said-yes-now-thats-it-2014-performed-at-chisenhale-gallery-london-photo-mark-blower.jpg12-alice-theobald-ive-said-yes-now-thats-it-2014-performed-at-chisenhale-gallery-london-photo-mark-blowerAlice Theobald, I've said yes now, that's it (2014), Performed at Chisenhale Gallery, London, Photo Mark Blower.https://curatingthecontemporary.org/wp-content/uploads/2016/09/11-rosana-antoli-endless-dance-performance-video-sculpture-london-2015.jpg11-rosana-antoli-endless-dance-performance-video-sculpture-london-201511. Rosana Antoli, Endless Dance, Performance-Video-Sculpture, London (2015).https://curatingthecontemporary.org/wp-content/uploads/2016/09/10-jonessmithjohnson-hashtag-2016-end-user1-collected-internet-images-c-type-print-overlaid-with-redacted-end-user-agreement-stencilled-into-board.jpg10-jonessmithjohnson-hashtag-2016-end-user1-collected-internet-images-c-type-print-overlaid-with-redacted-end-user-agreement-stencilled-into-boardhttps://curatingthecontemporary.org/wp-content/uploads/2016/09/9-precision-balance-student-gerda-mucc88ller-krauspe-instructors-hans-gugelot-walter-zeischegg-and-georg-leowald-1959-60-industrial-design-photo-by-wolfgang-siol-courtesy-hfg-archi1.jpg9-precision-balance-student-gerda-mu%cc%88ller-krauspe-instructors-hans-gugelot-walter-zeischegg-and-georg-leowald-1959-60-industrial-design-photo-by-wolfgang-siol-courtesy-hfg-archiv-ulmerhttps://curatingthecontemporary.org/wp-content/uploads/2016/09/9-precision-balance-student-gerda-mucc88ller-krauspe-instructors-hans-gugelot-walter-zeischegg-and-georg-leowald-1959-60-industrial-design-photo-by-wolfgang-siol-courtesy-hfg-archi.jpg9-precision-balance-student-gerda-mu%cc%88ller-krauspe-instructors-hans-gugelot-walter-zeischegg-and-georg-leowald-1959-60-industrial-design-photo-by-wolfgang-siol-courtesy-hfg-archiv-ulmerhttps://curatingthecontemporary.org/wp-content/uploads/2016/09/8-ulla-von-brandenburg-7-ribbons-blue-yellow-pink-rosa-green-lilac-brown-2014-coloured-ribbons-nails-and-ink-courtesy-of-pilar-corrias.jpg8-ulla-von-brandenburg-7-ribbons-blue-yellow-pink-rosa-green-lilac-brown-2014-coloured-ribbons-nails-and-ink-courtesy-of-pilar-corriasUlla von Brandenburg, 7 Ribbons- Blue, Yellow, Pink, Rosa, Green, Lilac, Brown, 2014, Coloured ribbons, nails and ink. Courtesy of Pilar Corrias.2016-12-05T17:25:23+00:00monthlyhttps://curatingthecontemporary.org/2016/09/01/artist-of-the-month-september-with-stefan-bruggemann/https://curatingthecontemporary.org/wp-content/uploads/2016/08/1.jpg1Stefan Brüggemann Installation view, Hauser & Wirth, New York (29 June - 29 July 2016), © Stefan Brüggemann - Photo: Matthew Kroening, Image Courtesy of Hauser & Wirthhttps://curatingthecontemporary.org/wp-content/uploads/2016/08/3.jpg31997-2014 TEXT PIECES The Wall South Kensington, Queens Gate and Harrington Road, London UK (Solo) (2014), Installation View, Image Courtesy of Stefan Brüggemann https://curatingthecontemporary.org/wp-content/uploads/2016/08/2.jpg2TRASH Mirror Boxes (AFTER M.V.) (SET OF 6) (2015), Mirror, Dimensions variable, Image Courtesy of Stefan Brüggemann https://curatingthecontemporary.org/wp-content/uploads/2016/08/4.jpg4Conceptual Decoration (Black on Silver) (2009), Silver wallpaper black print 10pts Arial Black, Dimension variable, Image Courtesy of Stefan Brüggemannhttps://curatingthecontemporary.org/wp-content/uploads/2016/08/5.jpg5Monument for the Ceiling 1-10 (2010), White fluorescent light, fixtures Image Courtesy of Stefan Brüggemann https://curatingthecontemporary.org/wp-content/uploads/2016/08/6.jpg6Offer & Exchange Commission No3 Shift (2009), Image Courtesy of Stefan Brüggemann 2016-12-05T17:24:26+00:00monthlyhttps://curatingthecontemporary.org/2016/08/31/openings-exhibitions-september-2016/https://curatingthecontemporary.org/wp-content/uploads/2016/08/turnerprize2016banner960x540.jpgturnerprize2016banner960x540https://curatingthecontemporary.org/wp-content/uploads/2016/08/7.jpg7https://curatingthecontemporary.org/wp-content/uploads/2016/08/1-jang-oh-hong-embassy-2016-courtesy-of-the-artist-and-17-717-seoul-kr.jpg1 Jang-Oh Hong, Embassy, 2016. Courtesy of the artist and 17-717, Seoul KR.Jang-Oh Hong, Embassy, 2016. Courtesy of the artist and 17-717, Seoul KR.https://curatingthecontemporary.org/wp-content/uploads/2016/08/2-nicola-frimpong-untitled-digital-a5-2016.jpg2 Nicola Frimpong, Untitled Digital A5, 2016Nicola Frimpong, Untitled Digital A5, 2016https://curatingthecontemporary.org/wp-content/uploads/2016/08/3-jeremy-hutchison-monster-documentation-2016.jpg3 Jeremy Hutchison, Monster (documentation), 2016Jeremy Hutchison, Monster (documentation), 2016https://curatingthecontemporary.org/wp-content/uploads/2016/08/4-eugene-macki-kind-of-blue-2016.jpg4 Eugene Macki, Kind of Blue, 2016Eugene Macki, Kind of Blue, 2016https://curatingthecontemporary.org/wp-content/uploads/2016/08/5-john-wood-and-paul-harrison-argument.jpg5 John Wood and Paul Harrison, ArgumentJohn Wood and Paul Harrison, Argumenthttps://curatingthecontemporary.org/wp-content/uploads/2016/08/6-queenie-clarke-escalator-0-2-2015.jpg6 Queenie Clarke, Escalator 0.2, 2015Queenie Clarke, Escalator 0.2, 2015https://curatingthecontemporary.org/wp-content/uploads/2016/08/8-richard-serra-compressed-below-2001.jpg8 Richard Serra, Compressed below, 2001Richard Serra, Compressed below, 2001https://curatingthecontemporary.org/wp-content/uploads/2016/08/9-kelly-akashi-downtime-machine-2015.jpg9 Kelly Akashi, Downtime Machine, 2015Kelly Akashi, Downtime Machine, 20152016-12-05T17:24:05+00:00monthlyhttps://curatingthecontemporary.org/2016/08/22/samara-scott-developer/https://curatingthecontemporary.org/wp-content/uploads/2016/08/samara-scott-developer.jpgSamara-Scott-DeveloperSamara Scott, Developer, 2016. Mixed media site-specific installation at the Pleasure Garden Fountains in Battersea Park, London.https://curatingthecontemporary.org/wp-content/uploads/2016/08/samara-scott_developer_2016_photo-eoin-carey_l-1000x667.jpgSamara-Scott_Developer_2016_Photo-Eoin-Carey_l-1000x667Samara Scott, Developer, 2016. Mixed media site-specific installation at the Pleasure Garden Fountains in Battersea Park, London.https://curatingthecontemporary.org/wp-content/uploads/2016/08/samara-scott_developer_2016_photo-eoin-carey-1000x667.jpgSamara-Scott_Developer_2016_Photo-Eoin-Carey-1000x667Samara Scott, Developer, 2016. Mixed media site-specific installation at the Pleasure Garden Fountains in Battersea Park, London.https://curatingthecontemporary.org/wp-content/uploads/2016/08/samara-scott_developer_2016_photo-eoin-carey_l2-1000x667.jpgSamara-Scott_Developer_2016_Photo-Eoin-Carey_l2-1000x667Samara Scott, Developer, 2016. Mixed media site-specific installation at the Pleasure Garden Fountains in Battersea Park, London.2016-12-05T17:23:34+00:00monthlyhttps://curatingthecontemporary.org/2016/08/03/artist-of-the-month-august-with-olia-lialina/https://curatingthecontemporary.org/wp-content/uploads/2016/08/2-summer-2013-screenshot.png2.Summer (2013), ScreenshotSummer (2013), Screenshot, Olia Lialina https://curatingthecontemporary.org/wp-content/uploads/2016/08/1-agatha-appears-1997-restored-2008-screenshot.png1.Agatha Appears (1997, Restored 2008), ScreenshotAgatha Appears (1997, Restored 2008), Screenshot, Olia Lialina https://curatingthecontemporary.org/wp-content/uploads/2016/08/4-my-boyfriend-came-back-from-the-war-1996-screenshot.png4.My boyfriend came back from the war (1996), ScreenshotMy boyfriend came back from the war (1996), Screenshot, Olia Lialinahttps://curatingthecontemporary.org/wp-content/uploads/2016/08/5-clear-gif-2013-screenshot-feature.png5.Clear.gif (2013), Screenshot [FEATURE]Clear.gif (2013), Screenshot, Olia Lialina https://curatingthecontemporary.org/wp-content/uploads/2016/08/3-once-upon-2011-e28093-2012-screenshot.png3.Once Upon (2011 – 2012), ScreenshotOnce Upon (2011 – 2012), Screenshot, Olia Lialina2016-12-05T17:21:58+00:00monthlyhttps://curatingthecontemporary.org/2016/08/01/openings-exhibitions-august-2016/https://curatingthecontemporary.org/wp-content/uploads/2016/08/13871719_10202359051374052_1613706097_n.jpg13871719_10202359051374052_1613706097_nMark Borgions, Game & Watchhttps://curatingthecontemporary.org/wp-content/uploads/2016/08/1-mark-borgions-game-watch.jpg1 Mark Borgions, Game & WatchMark Borgions, Game & Watchhttps://curatingthecontemporary.org/wp-content/uploads/2016/08/10-dorothy-caldwell-how-do-we-know-when-its-right-305-x-290-cm.jpg10 Dorothy Caldwell, How do we know when it's right, 305 x 290 cmDorothy Caldwell, How do we know when it's right, 305 x 290 cmhttps://curatingthecontemporary.org/wp-content/uploads/2016/08/9-haroon-mirza-birds-of-pray-2010.jpg9 Haroon Mirza, Birds of Pray, 2010Haroon Mirza, Birds of Pray (2010)https://curatingthecontemporary.org/wp-content/uploads/2016/08/8-huber-huber-300-palle-di-neve-2007-not-vital-bronze-w-white-patina-65-x-65-cm.jpg8 huber.huber, 300 palle di neve, 2007 Not Vital Bronze w-white patina 6,5 x 6,5 cm8 huber.huber, 300 palle di never, 2007 Not Vital Bronze w-white patina 6,5 x 6,5 cmhttps://curatingthecontemporary.org/wp-content/uploads/2016/08/7-forager-collectiveform-2-from-form-1-new-delhi-india-2015.jpg7 Forager Collective,Form 2 from Form 1, New Delhi, India, 20157 Forager Collective,Form 2 from Form 1, New Delhi, India (2015)https://curatingthecontemporary.org/wp-content/uploads/2016/08/6-etel-adnan-champs-de-petrol-petrol-fields-2013-image-courtesy-of-sfeir-semler-gallery-barjeel-art-foundation.jpg6 Etel Adnan, Champs de Petrol (Petrol Fields), 2013, Image courtesy of Sfeir-Semler Gallery, Barjeel Art Foundation6 Etel Adnan, Champs de Petrol (Petrol Fields), 2013, Image courtesy of Sfeir-Semler Gallery, Barjeel Art Foundationhttps://curatingthecontemporary.org/wp-content/uploads/2016/08/4-nye-thompson-backdoored-2016.jpg4 Nye Thompson, Backdoored, 20164 Nye Thompson, Backdoored (2016)https://curatingthecontemporary.org/wp-content/uploads/2016/08/3-nick-js-thompson-hotel-rooms-2016.jpg3 Nick JS Thompson, Hotel Rooms, 2016Nick JS Thompson, Hotel Rooms (2016)https://curatingthecontemporary.org/wp-content/uploads/2016/08/2-daniel-j-norie-untitled-2016.png2 Daniel J. Norie, Untitled, 2016Daniel J. Norie, Untitled (2016)2016-12-05T17:21:29+00:00monthlyhttps://curatingthecontemporary.org/2016/07/28/live-work-reynir-hutber-part-2-3/https://curatingthecontemporary.org/wp-content/uploads/2016/07/reynir2.jpgreynir22016-12-05T17:21:05+00:00monthlyhttps://curatingthecontemporary.org/2016/07/21/double-act-territorial-disputes-between-british-comedy-conceptual-art-1965-2015/https://curatingthecontemporary.org/wp-content/uploads/2016/07/elliott-burns_double-act_2016_image-01.jpgElliott Burns_Double Act_2016_image 01At the Art Gallery (1965), Cook, P. and Moore, M. https://curatingthecontemporary.org/wp-content/uploads/2016/07/elliott-burns_double-act_2016_image-02.jpgSelf-Burial (Television Interference Project) 1969 by Keith Arnatt 1930-2008Self Burial (Television Interference Project) (1969), Arnatt, K., Courtesy of the artist https://curatingthecontemporary.org/wp-content/uploads/2016/07/elliott-burns_double-act_2016_image-04.jpgA Sculpture Left by the Tide 1970 by Richard Long born 1945A Sculpture Left by the Tide (1970), Long, R., Courtesy of the artisthttps://curatingthecontemporary.org/wp-content/uploads/2016/07/elliott-burns_double-act_2016_image-03.pngElliott Burns_Double Act_2016_image 03Picasso/Cycling Race (1969), Chapman, G., Cleese, C., Gilliam, T., Idle, E., Jones, T. and Palin, M. https://curatingthecontemporary.org/wp-content/uploads/2016/07/elliott-burns_double-act_2016_image-05.jpgElliott Burns_Double Act_2016_Image 05The Ministry of Silly Walks (1970), Chapman, G., Cleese, C., Gilliam, T., Idle, E., Jones, T. and Palin, M. https://curatingthecontemporary.org/wp-content/uploads/2016/07/elliott-burns_double-act_2016_image-06.jpgPose Work for Plinths 3 1971 by Bruce McLean born 1944Pose Work for Plinth 3 (1971), McLean, B., Courtesy of the artisthttps://curatingthecontemporary.org/wp-content/uploads/2016/07/elliott-burns_double-act_2016_image-07.jpgSelf Portrait with Fried Eggs 1996 by Sarah Lucas born 1962Self Portrait with Fried Eggs (2006) , Sarah Lucas, Courtesy of the artisthttps://curatingthecontemporary.org/wp-content/uploads/2016/07/elliott-burns_double-act_2016_image-08.jpgElliott Burns_Double Act_2016_Image 08Dating Agency Video, Allen, F., Mackichan, D. and Phillips, S. https://curatingthecontemporary.org/wp-content/uploads/2016/07/elliott-burns_double-act_2016_image-09.jpgElliott Burns_Double Act_2016_Image 09Folk Archive (2008) , Exhibition view, Palais de Tokyo, Paris, Deller, J., Courtesy of the artisthttps://curatingthecontemporary.org/wp-content/uploads/2016/07/elliott-burns_double-act_2016_image-10.jpegElliott Burns_Double Act_2016_Image 10Lou and Andy (2003-07), Lucas, M. and Walliams 2016-12-05T17:20:41+00:00monthlyhttps://curatingthecontemporary.org/2016/07/02/artist-of-the-month-july-with-katie-paterson/https://curatingthecontemporary.org/wp-content/uploads/2016/07/katie_paterson_map_4.jpgKatie_Paterson_Map_4All the Dead Stars (detail) (2009), Katie Paterson, Image courtesy of the artisthttps://curatingthecontemporary.org/wp-content/uploads/2016/07/katie_paterson_fossil_necklace_2013_mjc_0158_web.jpgKatie_Paterson_Fossil_Necklace_2013_MJC_0158_WEBFossil Necklace (2012), Katie Paterson Image courtesy of the artisthttps://curatingthecontemporary.org/wp-content/uploads/2016/07/25763341066_dc2603dc2e_h.jpg25763341066_dc2603dc2e_hTotality (detail) (2016), Katie Paterson, Image courtesy of the artisthttps://curatingthecontemporary.org/wp-content/uploads/2016/07/katie_paterson_score_received.jpgKatie_Paterson_Score_receivedEarth–Moon–Earth (Moonlight Sonata Reflected from the Surface of the Moon) (2007), score received from the moon, Katie Paterson, Image courtesy of the artist. 2016-12-05T17:18:19+00:00monthlyhttps://curatingthecontemporary.org/2016/06/20/deep-trash-greek-trash/https://curatingthecontemporary.org/wp-content/uploads/2016/06/pic1-kassiani-kappelos.jpgPic1- Kassiani KappelosKassiani Kappelos, #Κασσήτρης νο.1 [#Kassitris no.1], 2016. At Deep Trash: Greek Trash. Photo by Orlando Myxx.https://curatingthecontemporary.org/wp-content/uploads/2016/06/pic2-myrto-makridou_1.jpgPic2- Myrto Makridou_1Myrto Makridou, Cunt-pillows, 2016. At Deep Trash: Greek Trash. Photo by Orlando Myxx.https://curatingthecontemporary.org/wp-content/uploads/2016/06/pic3-myrto-makridou_2.jpgPic3- Myrto Makridou_2Myrto Makridou, Cunt-pillow, 2016. At Deep Trash: Greek Trash. Photo by Orlando Myxx.https://curatingthecontemporary.org/wp-content/uploads/2016/06/pic4-studio-prokopiou.jpgPic4- Studio ProkopiouStudio Prokopiou, Moirai, 2016. Copyright the Artist.https://curatingthecontemporary.org/wp-content/uploads/2016/06/pic5-tal-navon.jpgWrinkled glassTal Navon, Untitled, 2015. Copyright the Artist.https://curatingthecontemporary.org/wp-content/uploads/2016/06/pic6-thalia-galanopoulou.jpgPic6- Thalia GalanopoulouThalia Galanopoulou, from the series ‘Begotten’, 2014. Copyright the Artist.https://curatingthecontemporary.org/wp-content/uploads/2016/06/feature_cover.jpg(Feature)_coverAnna Goula, The Greatest Tour, 2016. At Deep Trash: Greek Trash. Photo by Thomas Hensher.https://curatingthecontemporary.org/wp-content/uploads/2016/06/pic7-a-man-to-pet.jpgPic7- A Man To PetA Man to Pet, 2016. At Deep Trash: Greek Trash. Photo by Thomas Hensher.https://curatingthecontemporary.org/wp-content/uploads/2016/06/pic8-anna-goula_1.jpgPic8- Anna Goula_1Anna Goula feat. PanicLab, The Greatest Tour, 2016. At Deep Trash: Greek Trash. Photo by Thomas Hensher.https://curatingthecontemporary.org/wp-content/uploads/2016/06/pic9-anna-goula_2.jpgPic9- Anna Goula_2Anna Goula, The Greatest Tour, 2016. At Deep Trash: Greek Trash. Photo by Orlando Myxx.2016-12-05T17:17:32+00:00monthlyhttps://curatingthecontemporary.org/2016/06/16/curating-in-the-dark/https://curatingthecontemporary.org/wp-content/uploads/2016/06/image-1-2.jpgImage 1-22016-12-05T17:16:58+00:00monthlyhttps://curatingthecontemporary.org/2016/06/06/mindfulness-for-creativity/https://curatingthecontemporary.org/wp-content/uploads/2016/06/mindfulness-for-creativity-wellness-east-day.jpgMindfulness for Creativity Wellness East dayMindfulness for Creativity Wellness East day, courtesy of Elizabeth Cackett2016-12-05T17:15:36+00:00monthlyhttps://curatingthecontemporary.org/2016/06/01/artist-of-the-month-june-with-hicham-berrada/https://curatingthecontemporary.org/wp-content/uploads/2016/05/02-hicham-berrada-precc81sage-tranche-2015-paysages-chimiques-en-ecc81volution-ralentie-dans-cuve-en-verre-37-x-28-x-5-cm1.jpg02 Hicham Berrada, Présage, tranche, 2015, Paysages chimiques en évolution ralentie dans cuve en verre, 37 x 28 x 5 cmhttps://curatingthecontemporary.org/wp-content/uploads/2016/05/04-hicham-berrada-bloom-2012-super16-scan-2k-video-236_-black-white-5-min-installation-version.jpg04 Hicham Berrada, Bloom, 2012, Super16 scan 2k, Video, 2'36_, Black & White, 5 min, Installation versionHicham Berrada, Bloom, 2012, Super16 scan 2k, Video, 2'36", Black & White, 5 min, Installation version. Image courtesy of Hichal Berrada and Kamel Mennour.https://curatingthecontemporary.org/wp-content/uploads/2016/05/03-hicham-berrada-un-serpent-dans-le-ciel-2008-balloon-1-mc2b3-of-helium-brass-pendulum-system-artisanal-smoke-fuse-video-hd-black-white-1_40__.jpg03 Hicham Berrada, Un serpent dans le ciel, 2008, Balloon, 1 m³ of helium, brass pendulum system, artisanal smoke, fuse Video HD Black & White, 1’40’’Hicham Berrada, Un serpent dans le ciel, 2008, Balloon, 1 m³ of helium, brass pendulum system, artisanal smoke, fuse Video HD Black & White, 1’40’’. Image courtesy of Hichal Berrada and Kamel Mennour.https://curatingthecontemporary.org/wp-content/uploads/2016/05/02-hicham-berrada-precc81sage-tranche-2015-paysages-chimiques-en-ecc81volution-ralentie-dans-cuve-en-verre-37-x-28-x-5-cm.jpg02 Hicham Berrada, Présage, tranche, 2015, Paysages chimiques en évolution ralentie dans cuve en verre, 37 x 28 x 5 cmHicham Berrada, Présage, tranche, 2015, Paysages chimiques en évolution ralentie dans cuve en verre, 37 x 28 x 5 cm. Image courtesy of Hichal Berrada and Kamel Mennour.https://curatingthecontemporary.org/wp-content/uploads/2016/05/01-hicham-berrada-rapport-de-lois-universelles-2012-performance-3_40e2809d-beaker-chemicals-iron-nano-particules-camera-and-live-screening.jpg01 Hicham Berrada, Rapport de lois universelles, 2012, Performance, 3’40”, Beaker, chemicals, iron nano-particules, camera and live screeningHicham Berrada, Rapport de lois universelles, 2012, Performance, 3’40”, Beaker, chemicals, iron nano-particules, camera and live screening. Image courtesy of Hichal Berrada and Kamel Mennour.2016-12-05T17:15:11+00:00monthlyhttps://curatingthecontemporary.org/2016/05/31/openings-exhibitions-june-2016/https://curatingthecontemporary.org/wp-content/uploads/2016/05/13334298_1369027779779807_1921668357_o.jpg13334298_1369027779779807_1921668357_ohttps://curatingthecontemporary.org/wp-content/uploads/2016/05/15-nicole-vinokur-great-piece-of-turf-10-5kn-2014-1000kg-compressed-soil-topsoil-harvested-weeds.jpg15 Nicole Vinokur, Great Piece of Turf- 10.5kN, 2014, 1000kg compressed soil, topsoil, harvested weedshttps://curatingthecontemporary.org/wp-content/uploads/2016/05/14-the-sum-of-all-evil-north-detail-2012-2013-fibreglass-plastic-and-mixed-media-84-1-4-x-98-1-16-x-50-3-8-in-photo-white-cube-todd-white-art-photography1.jpg14 The Sum of all Evil (North) (detail), 2012-2013, Fibreglass, plastic and mixed media, 84 1-4 x 98 1-16 x 50 3-8 in, Photo- White Cube (Todd-White Art Photography)(1)https://curatingthecontemporary.org/wp-content/uploads/2016/05/13-emma-smith-_ew-art14-2014.jpg13 Emma Smith, _E=W, Art14, 2014https://curatingthecontemporary.org/wp-content/uploads/2016/05/12-richard-wentworth-havana-2015-archival-inkjet-print-steel-nails-wooden-frame-58-8-x-48-x-7-cm-23-x-19-x-3-in.jpg12 Richard Wentworth, Havana, 2015, Archival Inkjet print, steel nails, wooden frame, 58.8 x 48 x 7 cm - 23 x 19 x 3 inhttps://curatingthecontemporary.org/wp-content/uploads/2016/05/11-gabriel-orozco-pincc83anona-1-2013.jpg11 Gabriel Orozco, Piñanona 1, 2013.https://curatingthecontemporary.org/wp-content/uploads/2016/05/10-mary-heilman-san-gregorio-2012-oil-on-canvas-38-1-x-30-5-cm-15-x-12-in-photo-thomas-mucc88ller.jpg10 Mary Heilman, San Gregorio, 2012, Oil on canvas, 38.1 x 30.5 cm - 15 x 12 in, Photo- Thomas Müllerhttps://curatingthecontemporary.org/wp-content/uploads/2016/05/9.jpg9https://curatingthecontemporary.org/wp-content/uploads/2016/05/8-e28098tiffin_-12-2pm-for-reclining-drunk-by-gilbert-george-at-nigel-greenwood-inc-ltd-july-17-1973-photograph-courtesy-of-c2a9-the-nigel-greenwood-gallery-archive-tate-archive-lon.jpg8 ‘Tiffin’ 12-2pm for Reclining Drunk by Gilbert & George at Nigel Greenwood Inc Ltd, July 17, 1973. Photograph courtesy of © The Nigel Greenwood Gallery Archive, Tate Archive, London.https://curatingthecontemporary.org/wp-content/uploads/2016/05/7-mark-power-dome-1997-20001.png7 Mark Power, Dome, 1997-2000(1)2016-12-05T17:14:39+00:00monthlyhttps://curatingthecontemporary.org/2016/05/30/francesco-de-manincor-in-conversation-with-lucia-vazquez-bonome/https://curatingthecontemporary.org/wp-content/uploads/2016/05/redscape.pngRedscapeRedscape, courtesy of Francesco de Manincorhttps://curatingthecontemporary.org/wp-content/uploads/2016/05/cool-as-wool.jpgfunky sheepFunky Sheep, courtesy of Francesco de Manincorhttps://curatingthecontemporary.org/wp-content/uploads/2016/05/spoonfyysh.jpgrecord playersRecord Players courtesy of Francesco de Manincor2016-12-05T17:14:13+00:00monthlyhttps://curatingthecontemporary.org/2016/05/19/an-art-essay-written-by-a-parrot-valerio-nicolai-at-treti-galaxie/https://curatingthecontemporary.org/wp-content/uploads/2016/05/img_1444.jpgimg_1444https://curatingthecontemporary.org/wp-content/uploads/2016/05/img_1439.jpgimg_1439https://curatingthecontemporary.org/wp-content/uploads/2016/05/img_1521.jpgimg_1521https://curatingthecontemporary.org/wp-content/uploads/2016/05/img_1535-1.jpgimg_1535 (1)https://curatingthecontemporary.org/wp-content/uploads/2016/05/img_1625.jpgimg_1625https://curatingthecontemporary.org/wp-content/uploads/2016/05/img_1629.jpgimg_1629https://curatingthecontemporary.org/wp-content/uploads/2016/05/img_1648.jpgimg_1648Valerio Nicolai, Permanent Transformation Of A Magician In Ant, 2016, set up of the show, courtesy of the artist and Treti Galaxie, photo: Matteo Mottin and Ramona Ponzinihttps://curatingthecontemporary.org/wp-content/uploads/2016/05/img_1653.jpgimg_1653Valerio Nicolai, Permanent Transformation Of A Magician In Ant, 2016, set up of the show, courtesy of the artist and Treti Galaxie, photo: Matteo Mottin and Ramona Ponzinihttps://curatingthecontemporary.org/wp-content/uploads/2016/05/img_3795.jpgIMG_3795Valerio Nicolai, Permanent Transformation Of A Magician In Ant, 2016, set up of the show, courtesy of the artist and Treti Galaxie, photo: Matteo Mottin and Ramona Ponzinihttps://curatingthecontemporary.org/wp-content/uploads/2016/05/img_3820.jpgIMG_3820Valerio Nicolai, Permanent Transformation Of A Magician In Ant, 2016, set up of the show, courtesy of the artist and Treti Galaxie, photo: Matteo Mottin and Ramona Ponzini2016-12-05T17:13:28+00:00monthlyhttps://curatingthecontemporary.org/2016/04/30/openings-exhibitions-may-2016/https://curatingthecontemporary.org/wp-content/uploads/2016/04/12-felix-gonzale-torres-_untitled_-wawannaisa-1991-c-print-jigsaw-puzzle-in-plastic-bag-7-1-2-x-9-1-2-in-c2a9-the-felix-gonzalez-torres-foundation-courtesy-of-andrea-rosen-gallery.jpg12 Felix Gonzale-Torres, _Untitled_ (Wawannaisa), 1991, C-print jigsaw puzzle in plastic bag, 7 1-2 x 9 1-2 in © The Felix Gonzalez-Torres Foundation, Courtesy of Andrea Rosen Gallery, New YorkFelix Gonzale-Torres, _Untitled_ (Wawannaisa), 1991, C-print jigsaw puzzle in plastic bag, 7 1-2 x 9 1-2 in © The Felix Gonzalez-Torres Foundation, Courtesy of Andrea Rosen Gallery, New Yorkhttps://curatingthecontemporary.org/wp-content/uploads/2016/04/11.jpg11https://curatingthecontemporary.org/wp-content/uploads/2016/04/10-recc81ka-bucsi-symphony-no-42.jpg10 Réka Bucsi, Symphony No. 42Réka Bucsi, Symphony No. 42.https://curatingthecontemporary.org/wp-content/uploads/2016/04/9-credits-londonewcastle-project-space.jpg9 Credits Londonewcastle Project Spacehttps://curatingthecontemporary.org/wp-content/uploads/2016/04/8-credits-the-british-library.jpg8 Credits The British LibraryCourtesy of the British Library.https://curatingthecontemporary.org/wp-content/uploads/2016/04/6-laure-prouvost-egg-branch-2015-mixed-media-200-x-55-x-50-cm.jpg6 Laure Prouvost Egg Branch, 2015, mixed media, 200 x 55 x 50 cmLaure Prouvost Egg Branch, 2015, mixed media, 200 x 55 x 50 cm.https://curatingthecontemporary.org/wp-content/uploads/2016/04/5-luke-m-walke-metastructure-v-ch-changes-painting-29-9-h-x-39-8-w-x-2-4-in.jpg5 Luke M Walke, Metastructure V (Ch, Changes) Painting, 29.9 H x 39.8 W x 2.4 inLuke M Walke, Metastructure V (Ch, Changes) Painting, 29.9 H x 39.8 W x 2.4 inhttps://curatingthecontemporary.org/wp-content/uploads/2016/04/4-natalia-janula-the-sea-was-as-wet-as-the-sea-could-be-2015-sculpture-photography-a1.jpg4 Natalia Janula, The sea was as wet as the sea could be, 2015, sculpture - photography, A1Natalia Janula, The sea was as wet as the sea could be, 2015, sculpture - photography, A1https://curatingthecontemporary.org/wp-content/uploads/2016/04/2-olafur-eliasson-the-weather-project-2003.jpg2 Olafur Eliasson, The weather project, 2003Olafur Eliasson, The weather project, 2003.https://curatingthecontemporary.org/wp-content/uploads/2016/04/1-credits-parasol-unit.jpg1 Credits Parasol UnitCourtesy of Parasol Unit2016-12-05T17:11:01+00:00monthlyhttps://curatingthecontemporary.org/2016/04/11/painting-the-modern-garden-monet-to-matisse/https://curatingthecontemporary.org/wp-content/uploads/2016/04/water-lilies-and-weeping-willow-branches-monet.jpgWater lilies and weeping willow branches - MonetWater lilies and weeping willow branches - Claude Monethttps://curatingthecontemporary.org/wp-content/uploads/2016/04/wassily-kandinsky1.jpgWassily-KandinskyMurnau Garden II - Wassily Kandinskyhttps://curatingthecontemporary.org/wp-content/uploads/2016/04/jardines-de-aranjuez-ruisic3b1ol.jpgJardines de Aranjuez - RuisiñolJardines de Aranjuez -Santiago Rusiñolhttps://curatingthecontemporary.org/wp-content/uploads/2016/04/monet-painting-in-his-garden-at-argenteuil-renoir.jpgMonet painting in his garden at Argenteuil - RenoirMonet painting in his garden at Argenteuil - Pierre-Auguste Renoirhttps://curatingthecontemporary.org/wp-content/uploads/2016/04/paradise-maurice-denis.jpgParadise - Maurice DenisParadise - Maurice Denishttps://curatingthecontemporary.org/wp-content/uploads/2016/04/view-of-a-garden-johan-krouthc3a9n.jpgView of a garden- Johan KrouthénView of a Garden- Johan Krouthénhttps://curatingthecontemporary.org/wp-content/uploads/2016/04/daubignys-garden-van-gogh.jpgDaubigny's garden - Van GoghDaubigny's garden - Van Gogh2016-12-05T17:09:02+00:00monthlyhttps://curatingthecontemporary.org/2016/04/01/artist-of-the-month-april-with-camille-henrot/https://curatingthecontemporary.org/wp-content/uploads/2016/04/1.jpg1Camille Henrot The Restless Earth 2014. Exhibition view New Museum. Photo Benoit Pailey.https://curatingthecontemporary.org/wp-content/uploads/2016/04/2.jpg2Installation view, New Orleans Museum of Art © Camille Henrot, Courtesy the artist and kamel mennour, Paris. https://curatingthecontemporary.org/wp-content/uploads/2016/04/3.jpg3Camille Henrot. Still from Grosse Fatigue. 2013. © ADAGP Camille Henrot. Courtesy the artist and kamel mennour, Paris. https://curatingthecontemporary.org/wp-content/uploads/2016/04/4.jpg4Camille Henrot, The Pale Fox, 2014, installation view, Chisenhale Gallery. Commissioned and produced by Chisenhale Gallery in partnership with Kunsthal Charlottenborg, Copenhagen; Bétonsalon – Centre for art and research, Paris and Westfälischer Kunstverein, Münster. Courtesy kamel mennour, Paris and Johann König, Berlin. Photo: Andy Keate. © ADAGP.2016-12-05T17:06:54+00:00monthlyhttps://curatingthecontemporary.org/2016/03/31/openings-exhibitions-april-2016/https://curatingthecontemporary.org/wp-content/uploads/2016/03/ipbtsz-5.jpgIPBTSZ-5Georgia Spickett-Jones, It Is Probably Better to Start from Zero, 2016.https://curatingthecontemporary.org/wp-content/uploads/2016/03/der-brucc88ckechor-the-brucc88cke-chorus-1983-oil-on-canvas-courtesy-of-saatchi-gallery.jpgDer Brückechor [The Brücke Chorus] 1983 Oil on canvas, Courtesy of Saatchi Gallery.Der Brückechor [The Brücke Chorus] 1983 Oil on canvas, Courtesy of Saatchi Gallery.https://curatingthecontemporary.org/wp-content/uploads/2016/03/maria-eichhorn-e2809efilmlexikon-sexueller-praktikene2809c-1999-2005-2008-2014-kunsthaus-bregenz-exhibition-view.jpgMaria Eichhorn, „Filmlexikon sexueller Praktiken“, 1999-2005-2008-2014, Kunsthaus Bregenz, exhibition viewMaria Eichhorn, „Filmlexikon sexueller Praktiken“, 1999-2005-2008-2014, Kunsthaus Bregenz, exhibition view.https://curatingthecontemporary.org/wp-content/uploads/2016/03/walter-benjamin.jpgWalter BenjaminWalter Benjamin https://curatingthecontemporary.org/wp-content/uploads/2016/03/no-caption.jpg-no caption-https://curatingthecontemporary.org/wp-content/uploads/2016/03/stephen-shore-u-s-97-south-of-klamath-falls-oregon-july-21-1973-detail-1973-printed-2002-courtesy-of-the-artist-and-303-gallery-new-york.jpgStephen Shore, 'U.S. 97, South of Klamath Falls, Oregon, July 21, 1973' (detail), 1973 (printed 2002). Courtesy of the artist and 303 Gallery, New York.Stephen Shore, 'U.S. 97, South of Klamath Falls, Oregon, July 21, 1973' (detail), 1973 (printed 2002). Courtesy of the artist and 303 Gallery, New York.https://curatingthecontemporary.org/wp-content/uploads/2016/03/untitled-innocent-x-detail-grease-pencil-and-graphite-drawing-fabriano-paper-dry-stamp.jpgUntitled (Innocent X), detail, grease pencil and graphite drawing, Fabriano paper (dry stamp)Untitled (Innocent X), detail, grease pencil and graphite drawing, Fabriano paper (dry stamp) .https://curatingthecontemporary.org/wp-content/uploads/2016/03/nunnery-gallery-bow-church-london.jpgNunnery Gallery, Bow Church, LondonNunnery Gallery, Bow Church, Londonhttps://curatingthecontemporary.org/wp-content/uploads/2016/03/rob-crosse-film-still-from-mall-walking-2015.jpgRob Crosse, Film still from 'Mall Walking', 2015Rob Crosse, Film still from 'Mall Walking', 2015.https://curatingthecontemporary.org/wp-content/uploads/2016/03/spencer-finch-paths-through-the-studio-2011-oil-pastel-on-paper.jpgSpencer Finch, Paths through the Studio, 2011 Oil pastel on paperSpencer Finch, Paths through the Studio, 2011. © Spencer Finch. Courtesy of Lisson Gallery2016-12-05T17:06:30+00:00monthlyhttps://curatingthecontemporary.org/2016/03/21/josephkosuth-notes-on-the-second-lives-of-artworks/https://curatingthecontemporary.org/wp-content/uploads/2016/03/elliott-burns_josephkosuth_2016-image-02.jpegElliott Burns_#josephkosuth_2016 - Image 02@zabludowicz_collection, Following last night's fascinating lecture by Joseph Kosuth we can hardly wait for tonight's #MasterClass with Adam Chodzko, still some tickets on the door from 7pm 🎟 #josephkosuth #adamchodzko #regram 📷 @hidden_shine, 2016 Photo credit: The Zabludowicz Collection https://www.instagram.com/p/BBX0PfQlaZh/ (accessed 22nd January 2016)https://curatingthecontemporary.org/wp-content/uploads/2016/03/elliott-burns_josephkosuth_2016-image-05.jpegElliott Burns_#josephkosuth_2016 - Image 05Elliott Burns, Instagram Relational Diagram, 2016 Photo credit: Elliott Burnshttps://curatingthecontemporary.org/wp-content/uploads/2016/03/elliott-burns_josephkosuth_2016-image-04.jpegElliott Burns_#josephkosuth_2016 - Image 04@yrene__, Merry Christmas 🎅🏼 #seankellygallery #josephkosuth #neonlights #hiddengemofnyc #igdaily #photooftheday #art #galleryroom #model #blogger #nyc_explorers #neonlights #neonwall #nycprimeshot #nyclife #nyclive #newyork #igdaily #nyclive #made_in_ny ##newyork_instagram #instadaily #instagood #iloveit #insta_nyc #nycprime_ladies #insta_nyc #iloveit #instafollow #hiddengemofnyc #todayshotlook #happy #positivevibes #photooftheday#nyc 📷 by @laj13, 2015 https://www.instagram.com/p/_rr-uYl__w/?taken-by=yrene__ (accessed 22nd January 2016) https://curatingthecontemporary.org/wp-content/uploads/2016/03/elliott-burns_josephkosuth_2016-image-03.jpegElliott Burns_#josephkosuth_2016 - Image 03@slearner, My eyes are still vibrating with the after image of these #JosephKosuth #neon works @seankellyny ❌⭕️💢♨️ "Agnosia" thru 12/19, 2015 Photo credit: Steven Learner https://www.instagram.com/p/_SC9RgTCUW/?tagged=josephkosuth (accessed 22nd January 2016)https://curatingthecontemporary.org/wp-content/uploads/2016/03/elliott-burns_josephkosuth_2016-image-01.jpegElliott Burns_#josephkosuth_2016 - Image 01@caradelevingne, Oh Mona, why did you say no? #imculturedme, 2016 Photo credit: Cara Delevinge https://www.instagram.com/p/BAP2_kvjKEj/ (accessed 22nd January 2016) https://curatingthecontemporary.org/wp-content/uploads/2016/03/21.jpg2https://curatingthecontemporary.org/wp-content/uploads/2016/03/1-21.jpg1-22016-12-05T17:05:23+00:00monthlyhttps://curatingthecontemporary.org/2016/03/17/pierre-huyghe-generating-antagonism-through-appropriation-of-public-space/https://curatingthecontemporary.org/wp-content/uploads/2016/03/2.jpg2Pierre Huyghe, Untilled (detail), 2011 – 2012, Commissioned and produced by dOCUMENTA (13) with the support of Colección CIAC AC, Mexico; Fondation Louis Vuitton pour la création, Paris; Ishikawa Collection, Okayama, Japan.  (c) Pierre Huyghe Courtesy Hauser & Wirth Photo: Pierre Huyghe https://curatingthecontemporary.org/wp-content/uploads/2016/03/1-2.jpg1-2Pierre Huyghe, Untilled (detail), 2011 – 2012, Commissioned and produced by dOCUMENTA (13) with the support of Colección CIAC AC, Mexico; Fondation Louis Vuitton pour la création, Paris; Ishikawa Collection, Okayama, Japan.  (c) Pierre Huyghe Courtesy Hauser & Wirth Photo: Pierre Huyghe 2023-06-14T14:20:03+00:00monthlyhttps://curatingthecontemporary.org/2016/03/14/this-must-be-the-place-chp-3-spotted-barbican-walkways/https://curatingthecontemporary.org/wp-content/uploads/2016/03/walkways_video-still_babican-urban-poetry_joe-gilbert.pngWalkways_Video Still_Babican Urban Poetry_Joe GilbertUrban Poetry (2015) (Video still), Joe Gilberthttps://curatingthecontemporary.org/wp-content/uploads/2016/03/walkways_photograph-by-anna-hardy.jpgWalkways_photograph by Anna HardyWalkways, Barbican Centre Photo: Anna Hardyhttps://curatingthecontemporary.org/wp-content/uploads/2016/03/london-barbican-2072-pete-carr.jpglondon-barbican-2072-pete-carrBarbican. Photo: Pete Carrhttps://curatingthecontemporary.org/wp-content/uploads/2016/03/walkways_gallery-archive_-barican-centre.jpgWalkways_gallery archive_ Barican CentreWalkways, Barbican Centrehttps://curatingthecontemporary.org/wp-content/uploads/2016/03/video-still_babican-urban-poetry_joe-gilbert.pngVideo Still_Babican Urban Poetry_Joe GilbertUrban Poetry (2015) (Video still), Joe Gilbert, Barbican 2016-12-05T17:04:29+00:00monthlyhttps://curatingthecontemporary.org/2016/03/02/openings-exhibitions-march-2016/https://curatingthecontemporary.org/wp-content/uploads/2016/03/bank-space-macc-year-1.jpgBank space MACC year 1https://curatingthecontemporary.org/wp-content/uploads/2016/03/windowspace.jpgWindowSpacehttps://curatingthecontemporary.org/wp-content/uploads/2016/03/windowspace-2.jpgWindowSpace-2https://curatingthecontemporary.org/wp-content/uploads/2016/03/art-cp.jpgART-CPhttps://curatingthecontemporary.org/wp-content/uploads/2016/03/serpentinesackler.jpgSerpentineSacklerhttps://curatingthecontemporary.org/wp-content/uploads/2016/03/camberwellspaceprojects.jpegCamberwellSpaceProjectshttps://curatingthecontemporary.org/wp-content/uploads/2016/03/the_ryder.jpgThe_Ryderhttps://curatingthecontemporary.org/wp-content/uploads/2016/03/whitechapel-_-heatherphillipson.jpgWhitechapel _ HeatherPhillipsonhttps://curatingthecontemporary.org/wp-content/uploads/2016/03/zabludowicz.jpgZabludowiczhttps://curatingthecontemporary.org/wp-content/uploads/2016/03/delfina_foundation.jpgDelfina_Foundation2016-12-05T17:03:09+00:00monthlyhttps://curatingthecontemporary.org/2016/02/29/artist-of-the-month-march-with-mediengruppe-bitnik/2016-12-05T17:02:21+00:00monthlyhttps://curatingthecontemporary.org/2016/02/18/this-must-be-the-place-chp-2-rinascimento-adrian-villar-rojas/https://curatingthecontemporary.org/wp-content/uploads/2016/02/9_detail_adrian-villar-rojas-rinascimento-fondazione-sandretto-re-rebaudengo_pic-by-sabrina-moller.jpg9_detail_Adrian Villar Rojas, Rinascimento, Fondazione Sandretto Re Rebaudengo_pic by Sabrina Moller.jpgAdrian Villar Rojas, Rinascimento (2015), Fondazione Sandretto Re Rebaudengo, Photo: Sabrina Mollerhttps://curatingthecontemporary.org/wp-content/uploads/2016/02/7_adric3a1n-villar-rojas-rinascimento-2015-installation-view-fondazione-sandretto-re-rebaudengo-torino.jpg7_Adrián Villar Rojas. Rinascimento, 2015, installation view, Fondazione Sandretto Re Rebaudengo, TorinoAdrián Villar Rojas. Rinascimento (2015), Installation view, Fondazione Sandretto Re Rebaudengo, Torinohttps://curatingthecontemporary.org/wp-content/uploads/2016/02/5_walkways_adric3a1n-villar-rojas-rinascimento-2015-installation-view-fondazione-sandretto-re-rebaudengo-torino.jpg5_walkways_Adrián Villar Rojas. Rinascimento, 2015, installation view, Fondazione Sandretto Re Rebaudengo, TorinoAdrián Villar Rojas. Rinascimento (2015), Installation view, Fondazione Sandretto Re Rebaudengo, Torinohttps://curatingthecontemporary.org/wp-content/uploads/2016/02/8_detail_adrian-villar-rojas-rinascimento-fondazione-sandretto-re-rebaudengo_pic-by-sabrina-moller.jpg8_detail_Adrian Villar Rojas, Rinascimento, Fondazione Sandretto Re Rebaudengo_pic by Sabrina MollerAdrián Villar Rojas, Rinascimento (2015), Fondazione Sandretto Re Rebaudengo, Photo: Sabrina Mollerhttps://curatingthecontemporary.org/wp-content/uploads/2016/02/2_installation-view_adric3a1n-villar-rojas-rinascimento-2015-installation-view-fondazione-sandretto-re-rebaudengo-torino.jpg2_installation view_Adrián Villar Rojas. Rinascimento, 2015, installation view, Fondazione Sandretto Re Rebaudengo, TorinoAdrián Villar Rojas. Rinascimento (2015), Installation view, Fondazione Sandretto Re Rebaudengo, Torinohttps://curatingthecontemporary.org/wp-content/uploads/2016/02/6_installation-view_adric3a1n-villar-rojas-rinascimento-2015-installation-view-fondazione-sandretto-re-rebaudengo-torino.jpg6_Installation view_Adrián Villar Rojas. Rinascimento, 2015, installation view, Fondazione Sandretto Re Rebaudengo, TorinoAdrián Villar Rojas. Rinascimento (2015), Installation view, Fondazione Sandretto Re Rebaudengo, Torinohttps://curatingthecontemporary.org/wp-content/uploads/2016/02/3_adric3a1n-villar-rojas-rinascimento-2015-installation-view-fondazione-sandretto-re-rebaudengo-torino.jpg3_Adrián Villar Rojas. Rinascimento, 2015, installation view, Fondazione Sandretto Re Rebaudengo, TorinoAdrián Villar Rojas. Rinascimento (2015), Installation view, Fondazione Sandretto Re Rebaudengo, Torinohttps://curatingthecontemporary.org/wp-content/uploads/2016/02/1_facade_from-claudio-silvestrin-book_wallpaper-com.jpg1_facade_From Claudio Silvestrin Book_wallpaper.comFondazione Sandretto Re Rebaudengo, Claudio Silvestri, Photo: wallpaper.com2016-12-05T17:01:12+00:00monthlyhttps://curatingthecontemporary.org/2016/02/08/youtube-red-and-free-communication-online/https://curatingthecontemporary.org/wp-content/uploads/2016/02/yt-red.jpgyt redYouTube Red2016-12-05T16:59:43+00:00monthlyhttps://curatingthecontemporary.org/2016/02/04/scroll-down-and-keep-scrolling-fiona-banner/https://curatingthecontemporary.org/wp-content/uploads/2016/02/ikon_fionabanner_bastardword11.jpgIkon_FionaBanner_BastardWord[1]https://curatingthecontemporary.org/wp-content/uploads/2016/02/ikon_fionabanner_bastardword1.jpgIkon_FionaBanner_BastardWord[1]The Bastard Word (2007), Fiona Banner, Courtesy the artist and IKON gallery2016-12-05T16:59:14+00:00monthlyhttps://curatingthecontemporary.org/2016/02/02/artist-of-the-month-february-with-pierre-hughe/https://curatingthecontemporary.org/wp-content/uploads/2016/02/pierre-huyghe-a-forest-of-lines-2008-concert-hall-at-sydney-opera-house-16th-biennale-of-sydney-1.jpgA Forest of LinesA Forest of Lines (2008), Pierre Huyghe, Concert Hall at Sydney Opera House, 16th Biennale of Sydney https://curatingthecontemporary.org/wp-content/uploads/2016/02/human-pierre-huyghe-liegender-frauenakt-untilled-2011-2012-photo-linda-nylind-1280x852.jpgThe Human Factor at Hayward Gallery, London. Photo by Linda Nylind. 14/6/2014.Liegender Frauenakt (Untilled 2011-2012), Pierre Huyghe, Installation view, The Human Factor, Hayward Gallery 2014, Photo Linda Nylind https://curatingthecontemporary.org/wp-content/uploads/2016/02/fantasy-world-a-still-f-012.jpgFantasy world … a still from a video by Pierre Huyghe in the show In. Border. Deep.https://curatingthecontemporary.org/wp-content/uploads/2016/02/cb34323f821e30c1d98daf73224acb0e.jpgcb34323f821e30c1d98daf73224acb0eZoodram 4 (2011),Pierre Huyghe, Living marine ecosystem, Courtesy of Pierre Huyghe; Marian Goodman Gallery, New York; Esther Schipper. 2016-12-05T16:58:33+00:00monthlyhttps://curatingthecontemporary.org/2016/02/01/openings-exhibitions-february-2016/https://curatingthecontemporary.org/wp-content/uploads/2016/01/pic10.jpgpic10Image courtesy of Somerset House.https://curatingthecontemporary.org/wp-content/uploads/2016/01/pic6.jpgpic6REWINDItalia Post, Image courtesy of REWINDItaliahttps://curatingthecontemporary.org/wp-content/uploads/2016/01/pic11.jpgpic11Oliver Laric, Versions (Missile Variations) (2010) Private Collection, London. Image courtesy the artist and Seventeen Gallery, London © Oliver Laric. https://curatingthecontemporary.org/wp-content/uploads/2016/01/pic8.jpgpic8Image courtesy of The Showroom.https://curatingthecontemporary.org/wp-content/uploads/2016/01/pic4.jpgpic4Felix Melia, MOVING SICKNESS, 2015 (still), Image courtesy of the Whitechapel Gallery.https://curatingthecontemporary.org/wp-content/uploads/2016/01/pic12.jpgpic12Robert Henke DOF, Image courtesy of The Lowry.https://curatingthecontemporary.org/wp-content/uploads/2016/01/pic3.jpgpic3Image courtesy of the Courtauld Institute of Arthttps://curatingthecontemporary.org/wp-content/uploads/2016/01/pic2.jpgpic2Inês Marques, Blend In (2016), IT IS PROBABLY BETTER TO START FROM ZERO #3.1, Image courtesy of the Artist.https://curatingthecontemporary.org/wp-content/uploads/2016/01/pic9.jpgpic9Eduardo Kac, Tesão (Horny) (1985), Courtesy the artist and England & Co. Gallery, London © Eduardo Kac.https://curatingthecontemporary.org/wp-content/uploads/2016/01/pic5.jpgpic5Manfred Mohr, Image courtesy of Carroll/Fletcher2016-12-05T16:58:04+00:00monthlyhttps://curatingthecontemporary.org/2016/01/28/post-fail-notes-from-a-residency-programme/https://curatingthecontemporary.org/wp-content/uploads/2016/01/image1-3.pngimage1-3IOCOSE, 2012, First-Viewer Television Installation of First-Viewer Television. A monitor displaying a live streaming of zero-views videos from YouTube, with a side of fresh popcorn.https://curatingthecontemporary.org/wp-content/uploads/2016/01/image1-1.jpgimage1-1IOCOSE, 2012, First-Viewer Television Installation of First-Viewer Television. A monitor displaying a live streaming of zero-views videos from YouTube, with a side of fresh popcorn.https://curatingthecontemporary.org/wp-content/uploads/2016/01/image1-2.pngimage1-2IOCOSE, 2012, First-Viewer Television Installation of First-Viewer Television. A monitor displaying a live streaming of zero-views videos from YouTube, with a side of fresh popcorn.https://curatingthecontemporary.org/wp-content/uploads/2016/01/eb2.gifeb2IOCOSE, 2015, Elevated Bangalore A collection of animated gifs where buildings of Bangalore, India, are elevated as advertised by the real estate agencies of the area. In Bangalore, people are constantly reminded that they should elevate themselves buying a flat in the E-city.https://curatingthecontemporary.org/wp-content/uploads/2016/01/eb4.gifeb4IOCOSE, 2015, Elevated Bangalore A collection of animated gifs where buildings of Bangalore, India, are elevated as advertised by the real estate agencies of the area. In Bangalore, people are constantly reminded that they should elevate themselves buying a flat in the E-city.https://curatingthecontemporary.org/wp-content/uploads/2016/01/eb3.gifeb3IOCOSE, 2015, Elevated Bangalore A collection of animated gifs where buildings of Bangalore, India, are elevated as advertised by the real estate agencies of the area. In Bangalore, people are constantly reminded that they should elevate themselves buying a flat in the E-city.2016-12-05T16:57:35+00:00monthlyhttps://curatingthecontemporary.org/2016/01/18/this-must-be-the-place-chp-1-alt-sul-progressoil-cambiamento-e-la-citta/https://curatingthecontemporary.org/wp-content/uploads/2016/01/6_jason-dodge_alt-a-cura-di-cripta747.jpg6_Jason Dodge_Alt, a cura di cripta747Jason Dodge, Alt (Installation View), Curated by Cripta747 https://curatingthecontemporary.org/wp-content/uploads/2016/01/8_patrick-tuttofuoco_alt-a-cura-di-cripta747.jpg8_Patrick Tuttofuoco_Alt, a cura di cripta747Patrick Tuttofuoco, Alt (Installation View), Curated by Cripta747 https://curatingthecontemporary.org/wp-content/uploads/2016/01/23__lawrence-weiner_alt-a-cura-di-cripta747.jpg23__Lawrence Weiner_Alt, a cura di cripta747Lawrence Weiner, Alt (Installation View), Curated by Cripta747 https://curatingthecontemporary.org/wp-content/uploads/2016/01/11_giulio-delvec3ace282ac_alt-a-cura-di-cripta747.jpg11_Giulio DelveÌ€_Alt, a cura di cripta747Giulio Delvè, Alt (Installation View), Curated by Cripta747https://curatingthecontemporary.org/wp-content/uploads/2016/01/5_giulio-delvec3ace282acugo-alessio_alt-a-cura-di-cripta747.jpg5_Giulio DelveÌ€,Ugo Alessio_Alt, a cura di cripta747Giulio Delvè, Ugo Alessio, Alt (Installation View), Curated by Cripta747https://curatingthecontemporary.org/wp-content/uploads/2016/01/3_birgit-megerle_alt-a-cura-di-cripta747.jpg3_Birgit Megerle_Alt, a cura di cripta747Brigit Megerle, Alt (Installation View), Curated by Cripta747 https://curatingthecontemporary.org/wp-content/uploads/2016/01/2_italo-zuffi_alt-a-cura-di-cripta747.jpg2_Italo Zuffi_Alt, a cura di cripta747Italo Zuffi, Alt (Installation View), Curated by Cripta747https://curatingthecontemporary.org/wp-content/uploads/2016/01/13_daniel-faust_alt-a-cura-di-cripta747.jpg13_Daniel Faust_Alt, a cura di cripta747Daniel Faust, Alt (Installation View), Curated by Cripta747https://curatingthecontemporary.org/wp-content/uploads/2016/01/14_bruce-nauman_alt-a-cura-di-cripta747.jpg14_Bruce Nauman_Alt, a cura di cripta747Bruce Nauman, Alt (Installation View), Curated by Cripta747https://curatingthecontemporary.org/wp-content/uploads/2016/01/18a_kirsten-pieroth_alt-a-cura-di-cripta747.jpg18a_Kirsten Pieroth_Alt, a cura di cripta747Kirsten Pieroth, Alt (Installation View), Curated by Cripta7472016-12-05T16:53:08+00:00monthlyhttps://curatingthecontemporary.org/2016/01/13/it-is-probably-better-to-start-from-zero-at-the-window-space/https://curatingthecontemporary.org/wp-content/uploads/2016/01/40.jpg40Juan Crespo, The Diaspora of the Line (2013 till present). Part of It Is Probably Better to Start from Zero. Picture courtesy of the artist.https://curatingthecontemporary.org/wp-content/uploads/2016/01/12483198_1253852394630680_1796647249_o.jpg12483198_1253852394630680_1796647249_oIt's Probably Best to Start from Zero Banner. Courtesy of the Window Space team.https://curatingthecontemporary.org/wp-content/uploads/2016/01/30.jpg30Juan Crespo, The Diaspora of the Line (2013 till present). Part of It Is Probably Better to Start from Zero. Picture courtesy of the artist.https://curatingthecontemporary.org/wp-content/uploads/2016/01/45.jpg45Juan Crespo, The Diaspora of the Line (2013 till present). Part of It's Probably Best to Start from Zero. Picture courtesy of the artist. https://curatingthecontemporary.org/wp-content/uploads/2016/01/29.jpg29Juan Crespo, The Diaspora of the Line (2013 till present). Part of It Is Probably Better to Start from Zero. Picture courtesy of the artist.https://curatingthecontemporary.org/wp-content/uploads/2016/01/23.jpg23Juan Crespo, The Diaspora of the Line (2013 till present). Part of It Is Probably Better to Start from Zero. Picture courtesy of the artist.https://curatingthecontemporary.org/wp-content/uploads/2016/01/13.jpg13Juan Crespo, The Diaspora of the Line (2013 till present). Part of It Is Probably Better to Start from Zero. Picture courtesy of the artist.https://curatingthecontemporary.org/wp-content/uploads/2016/01/34.jpg34Juan Crespo, The Diaspora of the Line (2013 till present). Part of It Is Probably Better to Start from Zero. Picture courtesy of the artist.https://curatingthecontemporary.org/wp-content/uploads/2016/01/8.jpg8Juan Crespo, The Diaspora of the Line (2013 till present). Part of It Is Probably Better to Start from Zero. Picture courtesy of the artist.https://curatingthecontemporary.org/wp-content/uploads/2016/01/9.jpg9Juan Crespo, The Diaspora of the Line (2013 till present). Part of It Is Probably Better to Start from Zero. Picture courtesy of the artist.2016-12-05T16:52:35+00:00monthlyhttps://curatingthecontemporary.org/2016/01/11/cosmonauts-birth-of-the-space-age/https://curatingthecontemporary.org/wp-content/uploads/2016/01/elizabeth-pearson-and-chris-bramley.jpgElizabeth Pearson and Chris BramleyCourtesy: Elizabeth Pearson and Chris Bramleyhttps://curatingthecontemporary.org/wp-content/uploads/2016/01/main_picture_cosmo.pngCourtesy: Science Museumhttps://curatingthecontemporary.org/wp-content/uploads/2016/01/yahoo-valentina-tereshkova.jpgCourtesy: Valentina Tereshkovahttps://curatingthecontemporary.org/wp-content/uploads/2016/01/science-museum.jpgScience MuseumCourtesy: Science Museum2016-12-05T16:52:01+00:00monthlyhttps://curatingthecontemporary.org/2016/01/07/curating-identities-a-quasi-ethnographic-approach/https://curatingthecontemporary.org/wp-content/uploads/2016/01/sol-calero-la-escuela-del-sur-studio-voltaire-2015-installation-view.jpgSol Calero, La escuela del Sur, Studio Voltaire (2015), installation viewSol Calero, La escuela del Sur, Studio Voltaire (2015), installation viewhttps://curatingthecontemporary.org/wp-content/uploads/2016/01/kara-walker-norma-installation-view-at-victoria-miro-mayfair-2015.jpgKara Walker, Norma, installation view at Victoria Miro Mayfair (2015)Kara Walker, Norma, installation view at Victoria Miro Mayfair (2015)https://curatingthecontemporary.org/wp-content/uploads/2016/01/kara-walker-sketch-for-norma-at-teatro-la-fenice-venice-2015.jpgKara Walker, sketch for Norma at Teatro La Fenice, Venice, (2015)Kara Walker, sketch for Norma at Teatro La Fenice, Venice, (2015)https://curatingthecontemporary.org/wp-content/uploads/2016/01/smile-orange-installation-view-at-cubitt-2015-painting-by-ben-sanderson.jpgSmile Orange, installation view at Cubitt (2015) - painting by Ben SandersonSmile Orange, installation view at Cubitt (2015) - painting by Ben Sanderson2016-12-05T16:51:37+00:00monthlyhttps://curatingthecontemporary.org/2016/01/02/artist-of-the-month-january-with-nick-mangan/https://curatingthecontemporary.org/wp-content/uploads/2016/01/nicholas-mangan-dowiyogos-ancient-coral-coffee-table-2008-coral-limestone-from-the-island-of-nauru.jpgNicholas Mangan, Dowiyogo's Ancient Coral Coffee Table, 2008, coral limestone from the island of NauruNicholas Mangan, Dowiyogo's Ancient Coral Coffee Table, 2008, coral limestone from the island of Nauruhttps://curatingthecontemporary.org/wp-content/uploads/2016/01/nicholas-mangan-progress-in-action-2013-single-channel-video-silent-converted-diesel-generator-coconut-oil-refinery-coconut-oil-courtesy-of-the-artist-chisenhale-gallery-artsp.jpgNicholas Mangan, Progress in Action, 2013, single channel video (silent), converted diesel generator, coconut oil refinery, coconut oil. Courtesy of the artist, Chisenhale Gallery, Artspace Sidney.Nicholas Mangan, Progress in Action, 2013, single channel video (silent), converted diesel generator, coconut oil refinery, coconut oil. Courtesy of the artist, Chisenhale Gallery, Artspace Sidney.https://curatingthecontemporary.org/wp-content/uploads/2016/01/nicholas-mangan-ancient-lights-installation-view-of-off-grid-solar-power-supply-artspace-2015.jpgNicholas Mangan, Ancient Lights. Installation view of off-grid solar power supply, Artspace, 2015.Nicholas Mangan, Ancient Lights. Installation view of off-grid solar power supply, Artspace, 2015.https://curatingthecontemporary.org/wp-content/uploads/2016/01/nicholas-mangan-ancient-lights-2015-chisenhale-gallery-installation-view-courtesy-of-the-artist-and-chisenhale-gallery.jpgNicholas Mangan, Ancient Lights, 2015, Chisenhale Gallery, installation view. Courtesy of the artist and Chisenhale GalleryNicholas Mangan, Ancient Lights, 2015, Chisenhale Gallery, installation view. Courtesy of the artist and Chisenhale Gallery2016-12-05T16:50:48+00:00monthlyhttps://curatingthecontemporary.org/2015/12/31/openings-exhibitions-january-2016/https://curatingthecontemporary.org/wp-content/uploads/2015/12/171.jpg17Rafael Lozano-Hemmer, Surface Tension (1992) Courtesy the artist and Carroll/Fletcher, London. Installation photograph by Maxime Dufour  © Rafael Lozano-Hemmerhttps://curatingthecontemporary.org/wp-content/uploads/2015/12/16.jpg16Image courtesy of Chisenhale Gallery https://curatingthecontemporary.org/wp-content/uploads/2015/12/12.png12A Record of DCT Juniors First Syphon, PowerPoint Polemics, 2015 © Rosahttps://curatingthecontemporary.org/wp-content/uploads/2015/12/9.jpgCam 04 0006Image courtesy of Somerset Househttps://curatingthecontemporary.org/wp-content/uploads/2015/12/13.jpg13John Akomfrah, Tropikos 2016. Single channel video, colour, sound  Smoking Dogs Films; Courtesy Lisson Gallery.https://curatingthecontemporary.org/wp-content/uploads/2015/12/10.jpg10Chantal Joffe, Robert, Harriet and Elizabeth, 2015. Image courtesy of Victoria Mirohttps://curatingthecontemporary.org/wp-content/uploads/2015/12/8.png8Image courtesy Thomas Dane Gallery https://curatingthecontemporary.org/wp-content/uploads/2015/12/4-2.jpg4-2https://curatingthecontemporary.org/wp-content/uploads/2015/12/41.jpg4ZERO CHAT CHAT – Mark Trayle, John Bischoff, Tim Perkis, performing in 1987 at the Hatley-Martin Gallery in San Francisco on January 12thhttps://curatingthecontemporary.org/wp-content/uploads/2015/12/15.jpg15Image courtesy of Somerset House2016-12-05T16:50:13+00:00monthlyhttps://curatingthecontemporary.org/2015/12/01/artist-of-the-month-december-with-mika-rottenberg/https://curatingthecontemporary.org/wp-content/uploads/2015/12/mika-rottenberg-still-from-marys-cherries-2004.jpgMika Rottenberg, still from Marys Cherries, 2004Mika Rottenberg, still from Marys Cherries, 2004https://curatingthecontemporary.org/wp-content/uploads/2015/12/mika-rottenberg-still-from-no-nose-knows-2015_1.jpgMika Rottenberg, still from No Nose Knows, 2015_1Mika Rottenberg, still from No Nose Knows, 2015https://curatingthecontemporary.org/wp-content/uploads/2015/12/mika-rottenberg-still-from-squeeze-2010.jpgMika Rottenberg, still from Squeeze, 2010Mika Rottenberg, still from Squeeze, 2010https://curatingthecontemporary.org/wp-content/uploads/2015/12/mika-rottenberg-still-from-tropical-breeze.jpgMika Rottenberg, still from Tropical Breeze,Mika Rottenberg, still from Tropical Breeze, 20042016-12-05T16:46:24+00:00monthlyhttps://curatingthecontemporary.org/2015/11/30/openings-exhibitions-december-2015/https://curatingthecontemporary.org/wp-content/uploads/2015/11/hannahstarkey.jpghannahstarkeyHannah Starkey, Untitled - October 1998, 1998https://curatingthecontemporary.org/wp-content/uploads/2015/11/escher.pngescherM.C. Escher, Day and Night, 1938https://curatingthecontemporary.org/wp-content/uploads/2015/11/goya.jpggoyaFrancisco Goya, Portrait of Tio Panquete, 1820-23https://curatingthecontemporary.org/wp-content/uploads/2015/11/untitled1.pngUntitled1Zhang Kechun, A Man Standing on an Island in the Middle of the River Shaanxi, China, 2012https://curatingthecontemporary.org/wp-content/uploads/2015/11/jon-rafman.jpgjon rafmanJon Rafman, installation view, Zabludowicz Collection, 2015https://curatingthecontemporary.org/wp-content/uploads/2015/11/florianroithmayr.jpgflorianroithmayrFlorian Roithmayr installation view at Tenderpixel, 2015. Courtesy of the artist, Tenderpixel and MOT INTERNATIONALhttps://curatingthecontemporary.org/wp-content/uploads/2015/11/roseenglish.jpgroseenglishRose English, Ornamental Happiness (2006), Photo: Alastair Muirhttps://curatingthecontemporary.org/wp-content/uploads/2015/11/byob.jpgBYOBBYOB @ The Woodmill, curated by KERNEL, Feb 201, Photo: Luke Barcelona Canohttps://curatingthecontemporary.org/wp-content/uploads/2015/11/rogerackling.jpgrogeracklingVoewood, 2011, sunlight on wood with elastic band, 14 parts of varying dimensions, overall 15.5 × 32 × 1.5cm, Courtesy Annely Juda Fine Arthttps://curatingthecontemporary.org/wp-content/uploads/2015/11/shadowwithoutobject.jpgshadowwithoutobjectGiacomo Raffaelli, still from 'With a Relative Uncertainty' (2014), Courtesy of the artist.2016-12-05T16:45:53+00:00monthlyhttps://curatingthecontemporary.org/2015/11/23/puppies-puppies-frozen-at-vilma-gold/https://curatingthecontemporary.org/wp-content/uploads/2015/11/1.png11. Frozen, 2015, Vilma Gold, London, Installation Viewhttps://curatingthecontemporary.org/wp-content/uploads/2015/11/2.png22. High Fructose Corn Syrup Advertisements by the American Corn Refiners Association, 2015, video on iPad, yellow iPad cover, headphones, 24 x 16.5 x 1 cm, 9 1/2 x 6 1/2 x 3/8 inshttps://curatingthecontemporary.org/wp-content/uploads/2015/11/3.png33. High Fructose Corn Syrup Advertisements by the American Corn Refiners Association, 2015, video on iPad, yellow iPad cover, headphones, 24 x 16.5 x 1 cm, 9 1/2 x 6 1/2 x 3/8 inshttps://curatingthecontemporary.org/wp-content/uploads/2015/11/4.png44. Corn Stool 2015, Fiberglass, 28 x 39 cm, 11 1/8 x 15 3/8 inshttps://curatingthecontemporary.org/wp-content/uploads/2015/11/5.png55. Life is full of transitions 2014, blue iPhone 5c, video, 12 x 5.5 x 1 cm, 4 3/4 x 2 1/8 x 3/8 ins2016-12-05T16:45:08+00:00monthlyhttps://curatingthecontemporary.org/2015/11/19/its-just-some-dust/https://curatingthecontemporary.org/wp-content/uploads/2015/11/41.jpg4Robert Fillou, Dust of Dust of the Velasquez effect (Infanta Margarita), 1977 and Dust of Dust of the Tintoretto Effect (Man with Glove) (1977)https://curatingthecontemporary.org/wp-content/uploads/2015/11/5.jpg5'Dust / Histoires de poussière', Le Bal, Paris, installation viewhttps://curatingthecontemporary.org/wp-content/uploads/2015/11/31.jpg3Edward Ruscha in collaboration with Mason Williams and Patrick Blackwell, Royal Road Test, (1967)https://curatingthecontemporary.org/wp-content/uploads/2015/11/7.jpg7Gerard Richter, 128 Details from a Picture 1978 (1999)https://curatingthecontemporary.org/wp-content/uploads/2015/11/6.jpg6Gerard Richter, 128 Details from a Picture 1978 (1999)https://curatingthecontemporary.org/wp-content/uploads/2015/11/12.jpg1Photographers unknown, Dust storms, USA (1935-1937)https://curatingthecontemporary.org/wp-content/uploads/2015/11/22.jpg22016-12-05T16:44:29+00:00monthlyhttps://curatingthecontemporary.org/2015/11/16/chp-3-a-moment-in-olivandros-crooklyn/2016-12-05T16:43:38+00:00monthlyhttps://curatingthecontemporary.org/2015/11/05/falling-fictions-a-metafiction-exhibition/https://curatingthecontemporary.org/wp-content/uploads/2015/11/me_0026.jpgme Collectors Room BerlinFalling Fictions, installation view © me Collectors Room Berlin, Photo Bernd Borchardthttps://curatingthecontemporary.org/wp-content/uploads/2015/11/me_0007.jpgme Collectors Room BerlinFalling Fictions, installation view © me Collectors Room Berlin, Photo Bernd Borchardthttps://curatingthecontemporary.org/wp-content/uploads/2015/11/copy3.jpgcopy3Falling Fictions (2015), Installation View, Courtesy of Amy E. Brownhttps://curatingthecontemporary.org/wp-content/uploads/2015/11/me_0073.jpgme Collectors Room BerlinFalling Fictions, installation view © me Collectors Room Berlin, Photo Bernd Borchardthttps://curatingthecontemporary.org/wp-content/uploads/2015/11/me_0054.jpgme Collectors Room BerlinFalling Fictions, installation view © me Collectors Room Berlin, Photo Bernd Borchardthttps://curatingthecontemporary.org/wp-content/uploads/2015/11/copy2.jpgcopy2Falling Fictions (2015), Installation View, Courtesy of Amy E. Brownhttps://curatingthecontemporary.org/wp-content/uploads/2015/11/me_0096.jpgme Collectors Room BerlinFalling Fictions, installation view © me Collectors Room Berlin, Photo Bernd Borchardthttps://curatingthecontemporary.org/wp-content/uploads/2015/11/img_6626.jpgIMG_6626Falling Fictions (2015), Installation View, Courtesy of Amy E. Brownhttps://curatingthecontemporary.org/wp-content/uploads/2015/11/img_6636.jpgIMG_6636Falling Fictions (2015), Installation View, Courtesy of Amy E. Brownhttps://curatingthecontemporary.org/wp-content/uploads/2015/11/img_6631.jpgIMG_6631Falling Fictions (2015), Installation View, Courtesy of Amy E. Brown2016-12-05T16:42:55+00:00monthlyhttps://curatingthecontemporary.org/2015/10/29/youre-in-the-jungle-baby/https://curatingthecontemporary.org/wp-content/uploads/2015/10/img_6710.jpgIMG_6710The Park (2011), Ulu Braunhttps://curatingthecontemporary.org/wp-content/uploads/2015/10/img_6699.jpgIMG_6699Welcome to the Jungle (Installation view) Left to right: Dilemma 6 (2015), Tobias Madison, Satellite City (detail) (2014), Roman Schramm https://curatingthecontemporary.org/wp-content/uploads/2015/10/img_6691.jpgIMG_6691Welcome to the Jungle (Installation view) from left to right: Sandfountain (2015), Klaus Weber, Roundabout Monuments in the UAE (2014), Sophie-Therese Trenka-Dalton and The Park (2011), Ula Braunhttps://curatingthecontemporary.org/wp-content/uploads/2015/10/img_6704.jpgIMG_6704Malibu Moonrise (2015), Marianne Vlaschits2016-12-05T16:41:49+00:00monthlyhttps://curatingthecontemporary.org/2015/10/19/october-5th-2015-amsterdam-the-waag-society/https://curatingthecontemporary.org/wp-content/uploads/2015/10/7.jpg7https://curatingthecontemporary.org/wp-content/uploads/2015/10/6.jpg6https://curatingthecontemporary.org/wp-content/uploads/2015/10/5.jpg5https://curatingthecontemporary.org/wp-content/uploads/2015/10/4.jpg4https://curatingthecontemporary.org/wp-content/uploads/2015/10/3.jpg3https://curatingthecontemporary.org/wp-content/uploads/2015/10/2.jpg2https://curatingthecontemporary.org/wp-content/uploads/2015/10/1.jpg12016-12-05T16:40:04+00:00monthlyhttps://curatingthecontemporary.org/2015/10/16/i-have-language-on-my-side-franko-b-milk-blood/2016-12-05T16:39:34+00:00monthlyhttps://curatingthecontemporary.org/2015/10/06/artist-of-the-month-october-with-amalia-ulman/https://curatingthecontemporary.org/wp-content/uploads/2015/10/pic6.pngPic6Amalia Ulman & Ed Fornieles interactions on Instagram, please check out both accounts for more.https://curatingthecontemporary.org/wp-content/uploads/2015/10/pic5.pngPic5Screenshot of Performance is Perfection (2014). Artist Instagram via New Museum. https://curatingthecontemporary.org/wp-content/uploads/2015/10/pic4.jpgPic4Amalia Ulman, Excellance is Perfection (2014) (detail). Performance: Instagram. https://curatingthecontemporary.org/wp-content/uploads/2015/10/pic3.jpgOLYMPUS DIGITAL CAMERAAmalia Ulman, The Destruction of Experience (2014)https://curatingthecontemporary.org/wp-content/uploads/2015/10/pic2.jpgPic2Amalia Ulman, International House of Cozy (2015)https://curatingthecontemporary.org/wp-content/uploads/2015/10/pic1.jpgOLYMPUS DIGITAL CAMERAAmalia Ulman, International House of Cozy (2015)2016-12-05T16:39:11+00:00monthlyhttps://curatingthecontemporary.org/2015/09/29/bocs-ltd-a-partnership-between-three-artist-run-spaces-from-catania-berlin-and-london/https://curatingthecontemporary.org/wp-content/uploads/2015/09/londra17.jpglondra17https://curatingthecontemporary.org/wp-content/uploads/2015/09/londra16.jpglondra16https://curatingthecontemporary.org/wp-content/uploads/2015/09/londra15.jpglondra15https://curatingthecontemporary.org/wp-content/uploads/2015/09/londra11.jpglondra11https://curatingthecontemporary.org/wp-content/uploads/2015/09/londra10.jpglondra10https://curatingthecontemporary.org/wp-content/uploads/2015/09/londra8.jpglondra8https://curatingthecontemporary.org/wp-content/uploads/2015/09/londra7.jpglondra7https://curatingthecontemporary.org/wp-content/uploads/2015/09/londra6.jpglondra6https://curatingthecontemporary.org/wp-content/uploads/2015/09/londra5.jpglondra5https://curatingthecontemporary.org/wp-content/uploads/2015/09/londra4.jpglondra42016-12-05T16:37:31+00:00monthlyhttps://curatingthecontemporary.org/2015/09/03/openings-exhibitions-september-2015/https://curatingthecontemporary.org/wp-content/uploads/2015/09/webpremps_8_pack.jpgwebPremPS_8_packPrem Sahib, BUMP, Club Night, Southard Reid, Soho, London, 10 August 2013. Courtesy of ICA.https://curatingthecontemporary.org/wp-content/uploads/2015/09/andy_holden_bronte_country_set__j-bohman-r-thomas1-1170x655.jpgandy_holden_Bronte_Country_set__J.Bohman-R.Thomas1-1170x655Image Courtesy of the Whitechapel Gallery.https://curatingthecontemporary.org/wp-content/uploads/2015/09/5-pluriversale_incidental-insurgents-101.jpg5.pluriversale_incidental-insurgents-101Image Courtesy of Carroll/Fletcher.https://curatingthecontemporary.org/wp-content/uploads/2015/09/th12.jpgth12Thomas Hirschhorn In-Between, installation view, 2015. Courtesy of the artist. Photo by Mark Blower.https://curatingthecontemporary.org/wp-content/uploads/2015/09/jumana-manna-at-chisenhale-gallery_mom.jpgJumana-Manna-at-Chisenhale-Gallery_Momhttps://curatingthecontemporary.org/wp-content/uploads/2015/09/stomach_1-520x260.jpgStomach_1-520x260Jala Wahid, My serous lining, 2015. Courtesy of Seventeen Galleryhttps://curatingthecontemporary.org/wp-content/uploads/2015/09/george-barber-srill-from-fances-make-sense-2015.jpgGeorge Barber, srill from Fances Make Sense, 2015George Barber, still from Fances Make Sense, 2015https://curatingthecontemporary.org/wp-content/uploads/2015/09/kohei-nawa-direction-42-2012.jpgKohei Nawa, Direction #42, 2012Kohei Nawa, Direction #42, 2012https://curatingthecontemporary.org/wp-content/uploads/2015/09/kadhim-hayder-fatigued-ten-horses-converse-with-nothing-1965.jpgKadhim Hayder, Fatigued Ten Horses Converse with Nothing, 1965Kadhim Hayder, Fatigued Ten Horses Converse with Nothing, 1965https://curatingthecontemporary.org/wp-content/uploads/2015/09/keith-arnatt-self-burial-television-interference-project-1969.jpgSelf-Burial (Television Interference Project) 1969 by Keith Arnatt 1930-2008Keith Arnatt, Self-Burial (Television Interference Project), 19692016-12-05T16:37:01+00:00monthlyhttps://curatingthecontemporary.org/2015/09/01/artist-of-the-month-september-with-patrick-neu/https://curatingthecontemporary.org/wp-content/uploads/2015/09/1.jpg1Patrick Neu, ‘Verres en cristal’, 2007-2015, soot on glass. In front: based on ‘San Romano Battle’ by Paolo Uccello.https://curatingthecontemporary.org/wp-content/uploads/2015/09/2.jpg2Patrick Neu, ‘Constellation’, 2009, Centre Mondial de la Paix, Verdun.https://curatingthecontemporary.org/wp-content/uploads/2015/09/3.jpg3Patrick Neu, ‘Veste en ailes d’abeilles’, 2011, bees wings.https://curatingthecontemporary.org/wp-content/uploads/2015/09/4.jpg4Patrick Neu, 'Couronne d'épines', 2014, crystal.2016-12-05T16:36:33+00:00monthlyhttps://curatingthecontemporary.org/2015/08/17/brightons-graffiti-houses/https://curatingthecontemporary.org/wp-content/uploads/2015/08/pic1.jpgpic1Aroe MSK’s mural on Viaduct Road, Brighton, image courtesy Louise Clement2016-12-05T16:35:49+00:00monthlyhttps://curatingthecontemporary.org/2015/08/03/openings-exhibitions-august-2015/https://curatingthecontemporary.org/wp-content/uploads/2015/08/you-blew-it-up-night-of-vice-2015.jpgYou Blew it Up, Night of Vice, 2015https://curatingthecontemporary.org/wp-content/uploads/2015/08/thomas-mailaender-girl-liking-thire-2013.jpgThomas Mailaender, Girl liking thire , 2013https://curatingthecontemporary.org/wp-content/uploads/2015/08/thickear-thickear-records-store-logo-2015.jpgThickear, Thickear Records Store (logo), 2015https://curatingthecontemporary.org/wp-content/uploads/2015/08/michael-samuels-this-much-i-know-2014.jpgMichael Samuels, This Much I Know, 2014https://curatingthecontemporary.org/wp-content/uploads/2015/08/fiona-marron-there-was-truth-in-what-they-said-2009.jpgFiona Marron, There was truth in what they said, 2009https://curatingthecontemporary.org/wp-content/uploads/2015/08/holly-blakey-some-greater-class-2015.jpgHolly Blakey, Some Greater Class, 2015https://curatingthecontemporary.org/wp-content/uploads/2015/08/alex-tyrrell-memories-we-made-in-the-computer-age-2015.jpgAlex Tyrrell, Memories We Made in the Computer Age, 20152016-12-05T16:34:32+00:00monthlyhttps://curatingthecontemporary.org/2015/07/06/openings-exhibition-july-2015/https://curatingthecontemporary.org/wp-content/uploads/2015/07/low-res-sam-curtislaunch-event-at-sluice-art-fair-centre-for-innovative-and-radical-fishmongery-2013-1-copy-1170x655.jpgLow-Res-Sam-CurtisLaunch-event-at-Sluice-Art-Fair-Centre-for-Innovative-and-Radical-Fishmongery-2013-1-copy-1170x655Sam Curtis, Launch event at Sluice Art Fair, Centre for Innovative and Radical Fishmongery, 2013; Courtesy of the Whitechapel Galleryhttps://curatingthecontemporary.org/wp-content/uploads/2015/07/unnamed.jpgunnamedhttps://curatingthecontemporary.org/wp-content/uploads/2015/07/goldsmiths-mfa-degree-show.jpggoldsmiths mfa degree showGoldsmiths MFA Degree Show 2015, posterhttps://curatingthecontemporary.org/wp-content/uploads/2015/07/tlo_event_websiteheader_v22.jpgTLO_Event_Websiteheader_v22The London Open: Live 2015, image courtesy of Whitechapel Galleryhttps://curatingthecontemporary.org/wp-content/uploads/2015/07/how-we-beahve-grant-watson.jpghow we beahve grant watsonGrant Watson, How We Behave, still, 2015 https://curatingthecontemporary.org/wp-content/uploads/2015/07/nicholas-mangan-progress-in-action-installation-view-2013-courtesy-of-sutton-gallery.jpgNicholas Mangan, Progress in Action, installation view, 2013, courtesy of Sutton GalleryNicholas Mangan, Progress in Action, installation view, 2013, courtesy of Sutton Galleryhttps://curatingthecontemporary.org/wp-content/uploads/2015/07/nat-gal-soundscapes.jpgNat Gal - SoundscapesSoundscapes poster, 2015https://curatingthecontemporary.org/wp-content/uploads/2015/07/hannah-collins-true-story-london-2005.jpgHannah Collins, True Story (London), 2005 Hannah Collins, True Story (London), 20052016-12-05T16:32:34+00:00monthlyhttps://curatingthecontemporary.org/2015/06/29/all-the-worlds-uncertainties/https://curatingthecontemporary.org/wp-content/uploads/2015/06/dsc_1315.jpgDSC_1315https://curatingthecontemporary.org/wp-content/uploads/2015/06/dsc_1335.jpgDSC_1335Terry Adkins, 'Muffled Drums', drums, 2003https://curatingthecontemporary.org/wp-content/uploads/2015/06/dsc_1346.jpgDSC_1346Catharina Grosse, 'Untitled Trumpet', mixed media, 2015https://curatingthecontemporary.org/wp-content/uploads/2015/06/dsc_1349.jpgDSC_1349Catharina Grosse, 'Untitled Trumpet', mixed media, 2015https://curatingthecontemporary.org/wp-content/uploads/2015/06/dsc_1379.jpgDSC_1379Jason Moran, 'Savoy Ballroom' (sound installation), 2015https://curatingthecontemporary.org/wp-content/uploads/2015/06/dsc_1362.jpgDSC_1362Ibrahim Mahama, 'Out of Bounds', jute sacks (site-specific installation), 2014-2015https://curatingthecontemporary.org/wp-content/uploads/2015/06/dsc_1403.jpgDSC_1403Tania Candiani e Luis Felipe Ortega at the Mexican pavilionhttps://curatingthecontemporary.org/wp-content/uploads/2015/06/dsc_1466.jpgDSC_1466Liu Jiakun, 'Into the wild', mixed media (installation), 2015, Chinese pavilionhttps://curatingthecontemporary.org/wp-content/uploads/2015/06/dsc_1490.jpgDSC_1490Camille Norment, 'Rapture', mixed media (installation), 2015, Nordic pavilionhttps://curatingthecontemporary.org/wp-content/uploads/2015/06/dsc_1501.jpgDSC_1501Chiharu Shiota 'The Key in the Hand', mixed media (installation), 2015, Japanese pavilion2016-12-05T16:31:56+00:00monthlyhttps://curatingthecontemporary.org/2015/06/25/history-tellers/https://curatingthecontemporary.org/wp-content/uploads/2015/06/4ht.jpg4HTChinese Photobook at the Photographers' Gallery (2015) https://curatingthecontemporary.org/wp-content/uploads/2015/06/3ht.jpg3HTChinese Photobook at the Photographers' Gallery (2015) https://curatingthecontemporary.org/wp-content/uploads/2015/06/2ht.jpg2HTChinese Photobook at the Photographers' Gallery (2015) https://curatingthecontemporary.org/wp-content/uploads/2015/06/1ht.jpg1HTChinese Photobook at the Photographers' Gallery (2015) (Installation View)2016-12-05T16:31:13+00:00monthlyhttps://curatingthecontemporary.org/2015/06/08/sweat-equity/https://curatingthecontemporary.org/wp-content/uploads/2015/06/sweatequity.gifsweatequity2016-12-05T16:29:24+00:00monthlyhttps://curatingthecontemporary.org/2015/06/05/london-openings-exhibitions-0506/https://curatingthecontemporary.org/wp-content/uploads/2015/06/cass.jpegCassCourtesy of Cass Faculty of Arthttps://curatingthecontemporary.org/wp-content/uploads/2015/06/camberwell.jpgUAL15_FdA_web_imagesCourtesy of ualhttps://curatingthecontemporary.org/wp-content/uploads/2015/06/chelsea.jpgUAL15_FdA_web_imagesCourtesy of ualhttps://curatingthecontemporary.org/wp-content/uploads/2015/06/alex-brady-and-dave-briggs-egg-cup-126-2014.jpgAlex Brady and Dave Briggs, Egg Cup #126, 2014Alex Brady and Dave Briggs, Egg Cup #126, 2014https://curatingthecontemporary.org/wp-content/uploads/2015/06/gabriel-orozco-empty-shoe-box-2009.jpgGabriel Orozco, Empty Shoe Box, 2009Gabriel Orozco, Empty Shoe Box, 2009https://curatingthecontemporary.org/wp-content/uploads/2015/06/ivar-wigan-pool-party-2010.jpgIvar Wigan, Pool Party, 2010Ivar Wigan, Pool Party, 2010https://curatingthecontemporary.org/wp-content/uploads/2015/06/churchill-gardens-playground-london-1978.jpgChurchill Gardens Playground, London, 1978Churchill Gardens Playground, London, 1978https://curatingthecontemporary.org/wp-content/uploads/2015/06/carsten-hc3b6ller-snake-2013.jpgCarsten Höller, Snake, 2013Carsten Höller, Snake, 2013 https://curatingthecontemporary.org/wp-content/uploads/2015/06/hannah-regel-tender-hooks-2013.jpgHannah Regel, Tender Hooks, 2013Hannah Regel, Tender Hooks, 20132016-12-05T16:29:01+00:00monthlyhttps://curatingthecontemporary.org/2015/06/01/artist-of-the-month-june-with-rivane-neuenschwander/https://curatingthecontemporary.org/wp-content/uploads/2015/06/1-rn.jpg1 RNRivane Neuenschwander, Eu desejo o seu desejo (I Wish Your Wish), 2003. Courtesy of the Artisthttps://curatingthecontemporary.org/wp-content/uploads/2015/06/3-rn.jpg3 RNDigressões Palatáveis (Palatable Digressions), 2010, Polycarbonate sheet filled with 19 different spices and sugar sprinkles, steel cable, hand pullers and wooden staircase., 1000 x 950 x 400cm, 393 3/4 x 374 x 157 1/2in. Courtesy of Tanya Bonakdar Galleryhttps://curatingthecontemporary.org/wp-content/uploads/2015/06/2-rn.jpg2 RNCanteiros / Conversations and Constructions, 2006, C-print (poliptych of 16 photographs), Each: 40 x 60cm, (15 3/4 x 23 1/2in). Courtesy of Stephen Friedman Galleryhttps://curatingthecontemporary.org/wp-content/uploads/2015/06/4-rn.jpg4 RNInstallation shot from The fever, the sewing box and a ghost. Courtesy of Tanya Bonakdar Gallery2016-12-05T16:28:29+00:00monthlyhttps://curatingthecontemporary.org/2015/05/28/what-is-contemporeality/2016-12-05T16:27:52+00:00monthlyhttps://curatingthecontemporary.org/2015/05/25/everything-we-do-in-real-life-is-a-radical-act/https://curatingthecontemporary.org/wp-content/uploads/2015/05/pic15.jpgpic1She Was Drowning (Film Still, 2015) Courtesy of the author 2016-12-05T16:27:11+00:00monthlyhttps://curatingthecontemporary.org/2015/05/22/the-role-of-spectatorship-in-art-outside-market-and-critics-rules/https://curatingthecontemporary.org/wp-content/uploads/2015/05/audiencephoto-by-laura-callegari.jpgAudience(Photo by Laura Callegari)https://curatingthecontemporary.org/wp-content/uploads/2015/05/a-view-of-the-installation-photo-by-laura-callegari.jpgA View of the Installation (Photo by Laura Callegari)https://curatingthecontemporary.org/wp-content/uploads/2015/05/the-audience-involvement-spectrume.jpgAudience Spectrum_v0aThe Audience Involvement Spectrum.https://curatingthecontemporary.org/wp-content/uploads/2015/05/pic23.jpgMicrosoft Word - The role of spectatorship in Art outside markethttps://curatingthecontemporary.org/wp-content/uploads/2015/05/pic32.jpgMicrosoft Word - The role of spectatorship in Art outside markethttps://curatingthecontemporary.org/wp-content/uploads/2015/05/pic14.jpgPic1The Audience Involvement Spectrum.https://curatingthecontemporary.org/wp-content/uploads/2015/05/pic13.jpgPic1https://curatingthecontemporary.org/wp-content/uploads/2015/05/pic12.jpgPic1The Audience Involvement Spectrum.2016-12-05T16:26:48+00:00monthlyhttps://curatingthecontemporary.org/2015/05/18/an-open-air-gallery/https://curatingthecontemporary.org/wp-content/uploads/2015/05/10944628_1039134816112289_465486871_n.jpg10944628_1039134816112289_465486871_nhttps://curatingthecontemporary.org/wp-content/uploads/2015/05/10255519_1039134829445621_1243703052_n.jpg10255519_1039134829445621_1243703052_nhttps://curatingthecontemporary.org/wp-content/uploads/2015/05/10950888_1039134782778959_292764133_n.jpg10950888_1039134782778959_292764133_nhttps://curatingthecontemporary.org/wp-content/uploads/2015/05/10949972_1039134812778956_731632690_n.jpg10949972_1039134812778956_731632690_nhttps://curatingthecontemporary.org/wp-content/uploads/2015/05/10947525_1039134862778951_1531328229_n.jpg10947525_1039134862778951_1531328229_nhttps://curatingthecontemporary.org/wp-content/uploads/2015/05/10715713_1039134836112287_806742756_n.jpg10715713_1039134836112287_806742756_nhttps://curatingthecontemporary.org/wp-content/uploads/2015/05/10945105_1039134852778952_1708583793_n.jpg10945105_1039134852778952_1708583793_nhttps://curatingthecontemporary.org/wp-content/uploads/2015/05/10921934_1039134856112285_473622692_n.jpg10921934_1039134856112285_473622692_nhttps://curatingthecontemporary.org/wp-content/uploads/2015/05/961793_1039134832778954_1531984859_n.jpg961793_1039134832778954_1531984859_nhttps://curatingthecontemporary.org/wp-content/uploads/2015/05/10945941_1039134849445619_2066856668_n.jpg10945941_1039134849445619_2066856668_n2016-12-05T16:25:52+00:00monthlyhttps://curatingthecontemporary.org/2015/05/14/thoughts-on-freedom/https://curatingthecontemporary.org/wp-content/uploads/2015/05/cwt12.jpgcwt12https://curatingthecontemporary.org/wp-content/uploads/2015/05/cwt10.jpgcwt10https://curatingthecontemporary.org/wp-content/uploads/2015/05/cwt11.jpgcwt11https://curatingthecontemporary.org/wp-content/uploads/2015/05/cwt9.jpgcwt9https://curatingthecontemporary.org/wp-content/uploads/2015/05/cwt8.jpgcwt8https://curatingthecontemporary.org/wp-content/uploads/2015/05/cwt7.jpgcwt7https://curatingthecontemporary.org/wp-content/uploads/2015/05/cwt6.jpgcwt6https://curatingthecontemporary.org/wp-content/uploads/2015/05/cwt5.jpgcwt5https://curatingthecontemporary.org/wp-content/uploads/2015/05/cwt4.jpgcwt4https://curatingthecontemporary.org/wp-content/uploads/2015/05/cwt3.jpgcwt32016-12-05T16:25:28+00:00monthlyhttps://curatingthecontemporary.org/2015/05/11/curating-intangible-heritage-popular-music-in-museums-the-case-of-brazilian-museum-cais-do-sertao/https://curatingthecontemporary.org/wp-content/uploads/2015/05/feature.jpgfeature2016-12-05T16:25:02+00:00monthlyhttps://curatingthecontemporary.org/2015/05/08/nephelococcygia-curators-and-the-now/https://curatingthecontemporary.org/wp-content/uploads/2015/04/benedict_drew13.jpgBenedict_Drew13Benedict Drew, Heads May Roll (2014) Source: http://www.benedictdrew.com/works/heads.html Courtesy of the artist and Matt’s Gallery, London https://curatingthecontemporary.org/wp-content/uploads/2015/04/benedict_drew3.jpgBenedict_Drew3Benedict Drew, Heads May Roll (2014) Source: http://www.benedictdrew.com/works/heads.html Courtesy of the artist and Matt’s Gallery, London https://curatingthecontemporary.org/wp-content/uploads/2015/04/benedict_drew_icecream.jpgBenedict_Drew_icecreamBenedict Drew, Heads May Roll (2014) Source: http://www.benedictdrew.com/works/heads.html Courtesy of the artist and Matt’s Gallery, London https://curatingthecontemporary.org/wp-content/uploads/2015/04/benedict_drew_12.jpgBenedict_Drew_12Benedict Drew, Heads May Roll (2014) Source: http://www.benedictdrew.com/works/heads.html Courtesy of the artist and Matt’s Gallery, London https://curatingthecontemporary.org/wp-content/uploads/2015/04/benedict_drew_9.jpgBenedict_Drew_9Benedict Drew, Heads May Roll (2014) Source: http://www.benedictdrew.com/works/heads.html Courtesy of the artist and Matt’s Gallery, London https://curatingthecontemporary.org/wp-content/uploads/2015/04/benedict_drew_5.jpgBenedict_Drew_5Benedict Drew, Heads May Roll (2014) Source: http://www.benedictdrew.com/works/heads.html Courtesy of the artist and Matt’s Gallery, London https://curatingthecontemporary.org/wp-content/uploads/2015/04/bd_hand-wiggle_layer_1182px.gifbd_hand-wiggle_layer_1182pxBenedict Drew, Heads May Roll (2014) Source: http://www.benedictdrew.com/works/heads.html Courtesy of the artist and Matt’s Gallery, London https://curatingthecontemporary.org/wp-content/uploads/2015/04/11_14_fe_huyghe_02.jpg11_14_FE_Huyghe_02FROM LEFT TO RIGHT: L’Expédition Scintillante, Act 2: Untitled (light box), 2002, Human (2011–13), and Player (2010), in the exhibition “Pierre Huyghe” at the Centre Pompidou, Paris, September 2013–January 2014. PHOTO: PIERRE HUYGHE. ART: ©PIERRE HUYGHE/COURTESY MARIAN GOODMAN GALLERY, NEW YORK AND PARIS https://curatingthecontemporary.org/wp-content/uploads/2015/04/leandro-erlich.jpgLeandro-ErlichLa Vitrina Cloud Collection (London) Leandro Erlich 2011 Courtesy of http://hyperallergic.com/48040/the-armory-show-2012-a-foregone-conclusion/ https://curatingthecontemporary.org/wp-content/uploads/2015/04/leandro-erlich_2.jpgLeandro-Erlich_2La Vitrina Cloud Collection (London) Leandro Erlich 2011 Courtesy of http://hyperallergic.com/48040/the-armory-show-2012-a-foregone-conclusion/ 2016-12-05T16:23:53+00:00monthlyhttps://curatingthecontemporary.org/2015/05/04/london-openings-exhibitions-0405/https://curatingthecontemporary.org/wp-content/uploads/2015/05/mounira-al-solh-still-from-now-eat-my-script-2014.jpgMounira Al Solh, still from Now Eat My Script, 2014Mounira Al Solh, still from Now Eat My Script, 2014https://curatingthecontemporary.org/wp-content/uploads/2015/05/michael-dean-analogue-series-tongue-2013.jpgMichael Dean, analogue series (tongue), 2013Michael Dean, analogue series (tongue), 2013https://curatingthecontemporary.org/wp-content/uploads/2015/05/corinne-silva-imported-landscapes-installation-murcia-spain-2010.jpegCorinne Silva, Imported Landscapes, installation, Murcia, Spain 2010Corinne Silva, Imported Landscapes installation, Murcia, Spain 2010https://curatingthecontemporary.org/wp-content/uploads/2015/05/tim-dalzell-installation-view-at-32000000-metres-ii-2015.jpgTim Dalzell, installation view At 32,000,000 Metres (ii), 2015Tim Dalzell, installation view At 32,000,000 Metres (ii), 2015https://curatingthecontemporary.org/wp-content/uploads/2015/05/paul-schneider-office-party-blue-red-yellow-2014.jpgPaul Schneider, Office Party & Blue, Red, Yellow, 2014Paul Schneider, Office Party & Blue, Red, Yellow, 2014https://curatingthecontemporary.org/wp-content/uploads/2015/05/limitaction-freedom-chapter-iii-2015.jpgLimitaction, Freedom (chapter III), 2015https://curatingthecontemporary.org/wp-content/uploads/2015/05/john-henry-newton-cameo-2015.jpgJohn Henry Newton, Cameo, 2015John Henry Newton, Cameo, 2015https://curatingthecontemporary.org/wp-content/uploads/2015/05/4613077775_758x568.jpg4613077775_758x568https://curatingthecontemporary.org/wp-content/uploads/2015/05/pic7.jpgpic7Mounira Al Solh, still from Now Eat My Script, 2014https://curatingthecontemporary.org/wp-content/uploads/2015/05/pic6.jpgpic6Michael Dean, analogue series (tongue), 20132016-12-05T16:23:23+00:00monthlyhttps://curatingthecontemporary.org/2015/05/01/artist-of-the-month-may-with-jose-davila/https://curatingthecontemporary.org/wp-content/uploads/2015/05/pic21.jpgpic2Jose Dávila, Buildings You Have to See Before You Die, paper cut-outs, 2008https://curatingthecontemporary.org/wp-content/uploads/2015/05/pic1.jpgpic1Jose Dávila, Zimbabue (amarillo), 2014, Galeria OMR, Mexico Cityhttps://curatingthecontemporary.org/wp-content/uploads/2015/05/pic3.jpgpic3Jose Dávila, Imbalance of perfection, 2010, aluminium, 190 x 190 x 190 cmhttps://curatingthecontemporary.org/wp-content/uploads/2015/05/pic2.jpgpic2Jose Dávila, Buildings You Have to See Before You Die, paper cut-outs, 2008https://curatingthecontemporary.org/wp-content/uploads/2015/05/pic4.jpgpic4Jose Dávila, Joint effort, 2014, Max Wigram Gallery (London)2016-12-05T16:22:51+00:00monthlyhttps://curatingthecontemporary.org/2015/04/30/curator-as-artist-as-curator/https://curatingthecontemporary.org/wp-content/uploads/2015/04/blankforctc.jpgblankforctc2016-12-05T16:22:27+00:00monthlyhttps://curatingthecontemporary.org/2015/04/27/miranda-julys-somebody-technology-in-one-to-one-performance/https://curatingthecontemporary.org/wp-content/uploads/2015/04/somebody.jpgsomebody2016-12-05T16:21:46+00:00monthlyhttps://curatingthecontemporary.org/2015/04/23/in-conversation-with-giuseppe-lana/https://curatingthecontemporary.org/wp-content/uploads/2015/04/controcarrettadellasperanza-installation-view-pantelleria-2013.jpgControcarrettadellasperanza, installation view Pantelleria, 2013Controcarretta della Speranza project, Collage 30x40 view at the exhibition Controcarretta della speranza, Castello di Pantelleria, Pantelleria, 2013https://curatingthecontemporary.org/wp-content/uploads/2015/04/not-yet-by-ovidio-project-installation-view-bocs-catania-2014.jpgNot Yet, by Ovidio project, installation view BOCS, Catania, 2014NOT YET by Ovidio project, tires, inner tube, barbell, 220x60x70 cm, view in the studio, Catania, 2014https://curatingthecontemporary.org/wp-content/uploads/2015/04/art-9-costituzione-italiana-installation-view-museo-arte-moderna-e-contemporanea-riso-palermo-2013.jpgArt.9 Costituzione italiana, installation view Museo arte moderna e contemporanea RISO, Palermo, 2013La Repubblica promuove lo sviluppo della cultura e la ricerca scientifica e tecnica. Tutela il paesaggio e il patrimonio storico e artistico della Nazione. (art. 9 della Costituzione della Repubblica Italiana) polystyrene's sarcophagus, metal scaffolding 260x240x220 cm. view at the exhibition, Museo Riso, Palermo - American Academy, Rome, public collection, 2013https://curatingthecontemporary.org/wp-content/uploads/2015/04/externum-historia-installation-view-farm-cultural-park-favara-ag-2011-collezione-privata-roma.jpgExternum Historia, installation view Farm Cultural Park, Favara (AG), 2011, collezione privata RomaExternum Historia asphalt, 100x100x100 cm view at the exhibition Externum Historia at FARM CULTURAL PARK, Favara (AG) private collection, Roma 2011https://curatingthecontemporary.org/wp-content/uploads/2015/04/paolo-e-francesca-installation-view-zelle-arte-contemporanea-palermo-2012.jpgPaolo e Francesca, installation view Zelle Arte Contemporanea, Palermo, 2012Paolo e Francesca wide bed frames 1950, 194x167 cm view Zelle Arte Contemporanea, Palermo 2012https://curatingthecontemporary.org/wp-content/uploads/2015/04/22di-sbieco-22-installation-view-all-places-are-temporary-places-catania-2011.jpg%22di sbieco...%22, installation view All places are temporary places, Catania, 2011"di sbieco…" (dicotomia del terzo escluso) Mercedes’ wheels, 60 x 170 x 340 cm view at the exhibition, ALL PLACES ARE TEMPORARY PLACES, Catania 2011https://curatingthecontemporary.org/wp-content/uploads/2015/04/piuttosto-grigio-c3a8-quasi-soggettivo-installation-view-tomo-berlino-2012.jpgPiuttosto grigio è quasi soggettivo! installation view, TOMO Berlino, 2012Piuttosto grigio è quasi soggetivo! acrylic on canvas, 400x125x300 cm view at the exhibition Trinacria Contemporary, Artfactoty 02, Catania 2012https://curatingthecontemporary.org/wp-content/uploads/2015/04/dron-24-performance-view-kunstraum-kreuzberg-bethanien-berlino-2012.jpgDRON 24, performance view Kunstraum Kreuzberg Bethanien, Berlino, 2012DRON 24 performance, 24 hours view at the exhibition PartyArty, Kunstraum Kreuzberg Bethanien, Berlin 2012https://curatingthecontemporary.org/wp-content/uploads/2015/04/dron-3-installation-view-fondazione-brodbeck-catania-2010-collezione-privata-mazza.jpgDRON 3, installation view Fondazione Brodbeck Catania 2010, collezione privata MazzaDRON 3 Vintage fan, halogen heater, subwoofer 500w, view at the exhibition Person Less, Fondazione Sandretto Re Rebaudengo, Guarene (TO), Fondazione Brodbeck, Catania private collection Mazza, Catania 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2016-12-05T16:18:24+00:00monthlyhttps://curatingthecontemporary.org/2015/04/06/writing-as-event-writingontwitter/https://curatingthecontemporary.org/wp-content/uploads/2015/04/twitter-writing-2.jpgtwitter writing-22016-12-05T16:17:53+00:00monthlyhttps://curatingthecontemporary.org/2015/04/01/artist-of-the-month-april-with-ra-di-martino/https://curatingthecontemporary.org/wp-content/uploads/2015/04/marocc_america-1.jpgMarocc_America 1Rä di Martino, MOROCC/AMERICA, 2011https://curatingthecontemporary.org/wp-content/uploads/2015/04/marocc_america.jpgMarocc_AmericaRä di Martino, MOROCC/AMERICA, 2011https://curatingthecontemporary.org/wp-content/uploads/2015/04/no-more-stars-2010_1.jpgNo more stars, 2010_1Rä di Martino, NO MORE STARS (Abandoned Movie Set, Star Wars) 33°50’34 N 7°46’44 E Chot El-Gharsa, Tunisia 01 September 2010 https://curatingthecontemporary.org/wp-content/uploads/2015/04/no-more-start-2010_3.jpgRä Di Martino - Skywalker's moisture farmRä di Martino, NO MORE STARS (Abandoned Movie Set, Star Wars) 33°59’39 N 7°50’34 E Chot El-Gharsa, Tunisia 03 September 2016-12-05T16:17:16+00:00monthlyhttps://curatingthecontemporary.org/2015/03/20/lost-and-found-at-the-new-art-gallery-walsall/https://curatingthecontemporary.org/wp-content/uploads/2015/03/paul-chiappe-untitled-48-2010-pencil-on-paper.jpgPaul Chiappe, Untitled 48, 2010, Pencil on paper2016-12-05T16:16:33+00:00monthlyhttps://curatingthecontemporary.org/2015/03/16/a-curating-collectives-guide-to-curating-a-collection/https://curatingthecontemporary.org/wp-content/uploads/2015/03/15_02-partial-presence-e2888f-emma-warburton-130.jpg15_02 Partial Presence ∏ Emma Warburton (130)https://curatingthecontemporary.org/wp-content/uploads/2015/03/15_02-partial-presence-e2888f-emma-warburton-125.jpg15_02 Partial Presence ∏ Emma Warburton (125)https://curatingthecontemporary.org/wp-content/uploads/2015/03/15_02-partial-presence-e2888f-emma-warburton-84.jpg15_02 Partial Presence ∏ Emma Warburton 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(36)https://curatingthecontemporary.org/wp-content/uploads/2015/03/15_02-partial-presence-e2888f-emma-warburton-35.jpg15_02 Partial Presence ∏ Emma Warburton (35)2016-12-05T16:16:01+00:00monthlyhttps://curatingthecontemporary.org/2015/03/14/edmund-clarks-mountains-of-majeed/https://curatingthecontemporary.org/wp-content/uploads/2015/03/edmund-clark-the-mountains-of-majeed-4-2014-chromogenic-print.jpgEdmund Clark, The Mountains of Majeed 4, 2014, Chromogenic printEdmund Clark, The Mountains of Majeed 4, 2014, Chromogenic print2016-12-05T16:14:15+00:00monthlyhttps://curatingthecontemporary.org/2015/03/13/exhibition-openings-events-2/https://curatingthecontemporary.org/wp-content/uploads/2015/03/original.jpegoriginalJonathan Horowitz & Elizabeth Peyton, Secret Life, installation view Sadie Coles HQ, 2012https://curatingthecontemporary.org/wp-content/uploads/2015/03/giovanni-ozzola-sweet-weather-at-night-2007.jpgGiovanni Ozzola, Sweet Weather at Night, 2007Giovanni Ozzola, Sweet Weather at Night, 2007https://curatingthecontemporary.org/wp-content/uploads/2015/03/columbidae-cell-project-space-2015.jpgColumbidae, Cell Project Space, 2015Columbidae, Cell Project Space, 2015https://curatingthecontemporary.org/wp-content/uploads/2015/03/lee-ufan-relatum-e28093-silence-1979.jpgLee Ufan, Relatum – Silence, 1979Lee Ufan, Relatum – Silence, 1979https://curatingthecontemporary.org/wp-content/uploads/2015/03/ydessa-hendeles-partners-the-teddy-bear-project-2002.jpgYdessa Hendeles, Partners (The Teddy Bear Project), 2002Ydessa Hendeles, Partners (The Teddy Bear Project), 2002https://curatingthecontemporary.org/wp-content/uploads/2015/03/santiago-taccetti-nothing-to-see-here-2012.jpgSantiago Taccetti, Nothing to See Here, 2012https://curatingthecontemporary.org/wp-content/uploads/2015/03/los-carpinteros-podgaric-toy-2013.jpgLos Carpinteros, Podgaric Toy, 2013Los Carpinteros, Podgaric Toy, 2013https://curatingthecontemporary.org/wp-content/uploads/2015/03/matt-stokes-cantata-profana-2010.jpgMatt Stokes, Cantata Profana, 2010Matt Stokes:,Cantata Profana, 2010 https://curatingthecontemporary.org/wp-content/uploads/2015/03/tim-etchells-wait-here-2008.jpgTim Etchells, Wait Here, 2008Tim Etchells, Wait Here, 2008 https://curatingthecontemporary.org/wp-content/uploads/2015/03/xipe-totec-punk-cesar-silva-2014.pngXipe Totec Punk, Cesar Silva, 2014Cesar Martinez Silva, Xipe Totec Punk, 20142016-12-05T16:13:54+00:00monthlyhttps://curatingthecontemporary.org/2015/03/03/artist-of-the-month-march-with-gusmao-paiva/https://curatingthecontemporary.org/wp-content/uploads/2015/03/5gp.jpg5João Maria Gusmão + Pedro Paiva, Camera inside camera, 2010, Camera Obscurahttps://curatingthecontemporary.org/wp-content/uploads/2015/03/4gp.jpg4 João Maria Gusmão + Pedro Paiva, Third man, 2013, Chromogenic colour printhttps://curatingthecontemporary.org/wp-content/uploads/2015/03/3gp.jpg3João Maria Gusmão + Pedro Paiva, Triangles and Squares, 2013, 16mm film, colour, no sound, 1’25’’https://curatingthecontemporary.org/wp-content/uploads/2015/03/2gp.jpg2João Maria Gusmão + Pedro Paiva, About the motion of astronomical bodies, 2010, Camera obscura installationhttps://curatingthecontemporary.org/wp-content/uploads/2015/03/1.jpg1João Maria Gusmão + Pedro Paiva, Onça Geométrica, 2013, 16mm film installation, 5 projections composition, 120 meters of silent 16mm color film2016-12-05T16:13:24+00:00monthlyhttps://curatingthecontemporary.org/2015/02/27/a-memory-recalled-chp-2-can-i-borrow-your-pencil-lyndsey-gilmour/2016-12-05T16:13:01+00:00monthlyhttps://curatingthecontemporary.org/2015/02/25/ghosts-and-guards-riccarda-hessling/https://curatingthecontemporary.org/wp-content/uploads/2015/02/1_12-iisg-archief-cruquiusweg-31-1019-at-amsterdam.jpg1_12 IISG Archief Cruquiusweg 31, 1019 AT AmsterdamIISG Archief Cruquiusweg 31, 1019 AT Amsterdamhttps://curatingthecontemporary.org/wp-content/uploads/2015/02/2_12-iisg-archief-cruquiusweg-31-1019-at-amsterdam.jpg2_12 IISG Archief Cruquiusweg 31, 1019 AT AmsterdamIISG Archief Cruquiusweg 31, 1019 AT Amsterdamhttps://curatingthecontemporary.org/wp-content/uploads/2015/02/original.jpegoriginalPersonal Archive Giséle van Waterschoot van der Gracht, Herengracht 401, 1017 BP Amsterdamhttps://curatingthecontemporary.org/wp-content/uploads/2015/02/original-2.jpegoriginal-2Personal Archive Giséle van Waterschoot van der Gracht, Herengracht 401, 1017 BP Amsterdamhttps://curatingthecontemporary.org/wp-content/uploads/2015/02/5_12-stasi-archive-ruschestrasse-103-10365-berlin.jpg5_12 Stasi-Archive Ruschestrasse 103 10365 BerlinStasi-Archive Ruschestrasse 103 10365 Berlinhttps://curatingthecontemporary.org/wp-content/uploads/2015/02/6_12-stasi-archive-ruschestrasse-103-10365-berlin.jpg6_12 Stasi-Archive Ruschestrasse 103 10365 BerlinStasi-Archive Ruschestrasse 103 10365 Berlinhttps://curatingthecontemporary.org/wp-content/uploads/2015/02/9_12-stasi-archive-ruschestrasse-103-10365-berlin.jpg9_12 Stasi-Archive Ruschestrasse 103 10365 BerlinStasi-Archive Ruschestrasse 103 10365 Berlinhttps://curatingthecontemporary.org/wp-content/uploads/2015/02/10_12-stasi-archive-ruschestrasse-103-10365-berlin.jpg10_12 Stasi-Archive Ruschestrasse 103 10365 BerlinStasi-Archive Ruschestrasse 103 10365 Berlinhttps://curatingthecontemporary.org/wp-content/uploads/2015/02/11_12-stadsarchief-amsterdam-vijzelstraat-32-1017-hl-amsterdam.jpg11_12 Stadsarchief Amsterdam Vijzelstraat 32, 1017 HL AmsterdamStadsarchief Amsterdam Vijzelstraat 32, 1017 HL Amsterdamhttps://curatingthecontemporary.org/wp-content/uploads/2015/02/12_12-stadsarchief-amsterdam-vijzelstraat-32-1017-hl-amsterdam.jpg12_12 Stadsarchief Amsterdam Vijzelstraat 32, 1017 HL AmsterdamStadsarchief Amsterdam Vijzelstraat 32, 1017 HL Amsterdam2016-12-05T16:12:17+00:00monthlyhttps://curatingthecontemporary.org/2015/02/18/exhibition-openings-events/https://curatingthecontemporary.org/wp-content/uploads/2015/02/goldschmied-chiari-their-nympheas-2007.jpgImmagini 002Goldschmied & Chiari. Their Nympheas, 2007https://curatingthecontemporary.org/wp-content/uploads/2015/02/john-baldessari-come-on-sugar-and-a-hand-suddenly-grips-railing-both-2014.jpgJohn Baldessari, Come on sugar and A hand suddenly grips railing, both 2014John Baldessari, Come on Sugar and A Hand Suddenly Grips Railing, 2014https://curatingthecontemporary.org/wp-content/uploads/2015/02/basim-magdy-still-from-the-many-colours-of-the-sky-radiate-forgetfulness-2014.jpgBasim Magdy, still from The Many Colours of the Sky Radiate Forgetfulness, 2014Basim Magdy, still from The Many Colours of the Sky Radiate Forgetfulness, 2014https://curatingthecontemporary.org/wp-content/uploads/2015/02/herbert-golser-untitled-2012.jpgHerbert Golser, Untitled, 2012Herbert Golser, Untitled, 2012https://curatingthecontemporary.org/wp-content/uploads/2015/02/josh-brand-untitled-2009.jpgJosh Brand, Untitled, 2009Josh Brand, Untitled, 2009 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2014Partick Staff, still from The Foundation, 20142016-12-05T16:11:15+00:00monthlyhttps://curatingthecontemporary.org/2015/02/05/artist-of-the-month-february-with-suzanne-treister/https://curatingthecontemporary.org/wp-content/uploads/2015/02/suzannetreister2.jpgsuzannetreister20 THE FOOL (Aldous Huxley), NINE OF WANDS (LSD), XVII THE STAR (Quantum Computing - AI), Hexen 2.0, 2009, Suzanne Treisterhttps://curatingthecontemporary.org/wp-content/uploads/2015/02/suzannetreister1.jpgsuzannetreister1The Drone that Filmed the Opening of its own Exhibition (video still), 2013, Suzanne Treisterhttps://curatingthecontemporary.org/wp-content/uploads/2015/02/suzannetreister4.jpgsuzannetreister4Cybernetic Séance (video still), 2011, Suzanne Treisterhttps://curatingthecontemporary.org/wp-content/uploads/2015/02/suzannetreister3.jpgsuzannetreister3Hexen 2039 Diagram, 2011, Suzanne Treister2016-12-05T16:10:46+00:00monthlyhttps://curatingthecontemporary.org/2015/01/19/exhibition-openings-events-1901-to-102/https://curatingthecontemporary.org/wp-content/uploads/2015/01/haroon_mirza-cross-section-of-a-revolution-2011.jpgHaroon_Mirza, Cross section of a revolution, 2011https://curatingthecontemporary.org/wp-content/uploads/2015/01/sarah-sze-installation-at-the-venice-biennale-2013.jpgSarah Sze, installation at the Venice BIennale, 2013Sarah Sze, installation view at the Venice Biennale 2013https://curatingthecontemporary.org/wp-content/uploads/2015/01/chariot-of-apollo-study-1-versailles-france-1988.jpgchariot-of-apollo-study-1-versailles-france-1988Michael Kenna, Chariot of Apollo, Study 1, Versailles, 1988https://curatingthecontemporary.org/wp-content/uploads/2015/01/mira-shendel-monotypes-1964-65.jpgMira Shendel, Monotypes, 1964-65Mira Schendel, Monotypes, 1964-65https://curatingthecontemporary.org/wp-content/uploads/2015/01/christian-marclay-actions-sploosh-splsh-no-2-2012.jpgChristian Marclay, Actions Sploosh Splsh No.2, 2012Christian Marclay, Actions Sploosh Splsh No.2, 2012https://curatingthecontemporary.org/wp-content/uploads/2015/01/helen-carmel-benigson-still-from-wetwet-2010.jpgHelen Carmel Benigson, still from WetWet (2010)Helen Carmel Benigson, still from WetWet, 2010https://curatingthecontemporary.org/wp-content/uploads/2015/01/rachel-reupke_letter-of-complaint_still.jpgRachel-Reupke_Letter-of-Complaint_StillRachel Reupke, still from Letter of Complaint, 2014https://curatingthecontemporary.org/wp-content/uploads/2015/01/roy-voss-all-the-words-a-sunny-day-2014.jpgroy voss, all the word's a sunny day, 2014Roy Voss, from All the World's a Sunny Day, 2014https://curatingthecontemporary.org/wp-content/uploads/2015/01/ian-breakwell-1947-diary-detail.jpgIan Breakwell 1947 Diary (1974).2016-12-05T16:10:22+00:00monthlyhttps://curatingthecontemporary.org/2014/12/25/artful-christmas/https://curatingthecontemporary.org/wp-content/uploads/2014/12/yinka-shonibare-2001.jpgYinka Shonibare, 2001Yinka Shonibare, 2001https://curatingthecontemporary.org/wp-content/uploads/2014/12/tracey-emin-2002.jpgTracey Emin, 2002Tracey Emin, 2002https://curatingthecontemporary.org/wp-content/uploads/2014/12/tim-head-1989.jpgTim Head, 1989Tim Head, 1989https://curatingthecontemporary.org/wp-content/uploads/2014/12/tacita-dean-2009.jpgTacita Dean, 2009 Tacita Dean, 2009https://curatingthecontemporary.org/wp-content/uploads/2014/12/shirazeh-houshiary-christmas-tree-1993.jpgShirazeh Houshiary, Christmas Tree, 1993Shirazeh Houshiary, 1993https://curatingthecontemporary.org/wp-content/uploads/2014/12/sarah-lucas-2007.jpgSarah Lucas, 2007 Fiona Banner, 2007https://curatingthecontemporary.org/wp-content/uploads/2014/12/sarah-lucas-2006.jpgSarah Lucas, 2006Sarah Lucas, 2006https://curatingthecontemporary.org/wp-content/uploads/2014/12/richard-wilson-1998.jpgRichard Wilson, 1998 Richard Wilson, 1998https://curatingthecontemporary.org/wp-content/uploads/2014/12/richard-wentworth-2004.jpgRichard Wentworth, 2004Richard Wentworth, 2004https://curatingthecontemporary.org/wp-content/uploads/2014/12/paul-mccarthy-tree-2014.jpgFRANCE-ARTS -FIAC2016-12-05T16:09:43+00:00monthlyhttps://curatingthecontemporary.org/2014/12/17/fortnightly-bulletin-1612/https://curatingthecontemporary.org/wp-content/uploads/2014/12/original.giforiginal George Charman and Adam Knight, Tiny Lag, 2014, installation view, Acme Project Spacehttps://curatingthecontemporary.org/wp-content/uploads/2014/12/sarah-forrest-i-left-it-on-page-32-2013.jpgSarah Forrest, I left it on Page 32, 2013Sarah Forrest, I Left it on Page 32, 2013, installation view, CCA Glasgowhttps://curatingthecontemporary.org/wp-content/uploads/2014/12/gerhard-richter-strip-927-9-2012.jpgGerhard Richter, STRIP (927-9), 2012Gerhard Richter, STRIP (927-9), 2012 https://curatingthecontemporary.org/wp-content/uploads/2014/12/gary-colclough-garden-ruin-2011.jpgGary Colclough, Garden Ruin, 2011Gary Colclough, Garden Ruin, 2011https://curatingthecontemporary.org/wp-content/uploads/2014/12/alberto-biasi-politipo-1975.jpgAlberto Biasi, Politipo, 1975Alberto Biasi, Politipo, 1975 https://curatingthecontemporary.org/wp-content/uploads/2014/12/frederik-de-wilde-nano-black-sqr1-2014.pngFrederik De Wilde, Nano-Black Sqr#1, 2014Frederik De Wilde, Nano-Black Sqr#1, 2014https://curatingthecontemporary.org/wp-content/uploads/2014/12/agostino-bonalumi-orange-1968.jpgAgostino Bonalumi, Orange, 1968Agostino Bonalumi, Orange, 1968https://curatingthecontemporary.org/wp-content/uploads/2014/12/luiz-roque-the-new-monument-2013.pngLuiz, Roque, The New Monument, 2013Luiz, Roque, The New Monument, 2013, installation view, PIPA Prize 2014https://curatingthecontemporary.org/wp-content/uploads/2014/12/pratt.jpgprattRobert Pratt & Mark Seiltz, Right Idea Wrong Machine,installation view, Folkestone Fringe Festival, 2014https://curatingthecontemporary.org/wp-content/uploads/2014/12/suki_chan_obscura_2014.jpgSuki_Chan_Obscura_2014Suki Chan, Obscura, 20142016-12-05T16:09:00+00:00monthlyhttps://curatingthecontemporary.org/2014/12/13/a-moment-re-called-chp-1-david-edward-allen-and-the-pear-tree/https://curatingthecontemporary.org/wp-content/uploads/2014/12/untitled_2014_4_.jpgUntitled_2014_(4)_2016-12-05T16:08:07+00:00monthlyhttps://curatingthecontemporary.org/2014/12/09/brighton-graffiti-elder-place-to-providence-place/https://curatingthecontemporary.org/wp-content/uploads/2014/12/pic6.jpgpic6Images Courtesy of Lou Clementhttps://curatingthecontemporary.org/wp-content/uploads/2014/12/pic7.jpgpic7Images Courtesy of Lou Clementhttps://curatingthecontemporary.org/wp-content/uploads/2014/12/pic8.jpgpic8Images Courtesy of Lou Clementhttps://curatingthecontemporary.org/wp-content/uploads/2014/12/pic4.jpgpic4Image Curtesy of Lou Clementhttps://curatingthecontemporary.org/wp-content/uploads/2014/12/pic5.jpgpic5Image Curtesy of Lou Clementhttps://curatingthecontemporary.org/wp-content/uploads/2014/12/pic3.jpgpic3Image Curtesy of Lou Clementhttps://curatingthecontemporary.org/wp-content/uploads/2014/12/pic2.jpgpic2Image Curtesy of Lou Clementhttps://curatingthecontemporary.org/wp-content/uploads/2014/12/pic1.jpgpic1Image Courtesy of Lou Clement2016-12-05T16:07:19+00:00monthlyhttps://curatingthecontemporary.org/2014/12/06/an-absolute-beauty-brief-history-of-aesthetic-and-the-ultimate-solution/https://curatingthecontemporary.org/wp-content/uploads/2014/11/pic6.jpgpic6Example of canonical and modified stimuli: the Doryphoros.https://curatingthecontemporary.org/wp-content/uploads/2014/11/pic51.jpgpic5Canova A., The three Graces, 1813-1816, Ermitage, Saint Petersburg.https://curatingthecontemporary.org/wp-content/uploads/2014/11/pic41.jpgpic4https://curatingthecontemporary.org/wp-content/uploads/2014/11/pic21.jpgpic2Durer A., Studies on proportions of the female body, 1528https://curatingthecontemporary.org/wp-content/uploads/2014/11/pic31.jpgpic3Cesariano C., The Vitruvian man, 1521.https://curatingthecontemporary.org/wp-content/uploads/2014/11/pic11.jpgpic12016-12-05T16:06:50+00:00monthlyhttps://curatingthecontemporary.org/2014/12/01/artist-of-the-month-december-with-tris-vonna-michell/https://curatingthecontemporary.org/wp-content/uploads/2014/11/2.jpg2Tris Vonna-Michell, Turner Prize 2014. Image courtesy the artist and CentreVox.ca. https://curatingthecontemporary.org/wp-content/uploads/2014/11/3.jpg3Tris Vonna-Michell, Turner Prize 2014. Image: Tris Vonna-Michell/Cabinet, London and Jan Mott, Brussels/The Tate.https://curatingthecontemporary.org/wp-content/uploads/2014/11/4.jpg4Tris Vonna-Michell, Turner Prize 2014. Image: © P C Robinson Artlyst all rights reserved.https://curatingthecontemporary.org/wp-content/uploads/2014/11/1-feature-image.jpg1 Feature Image2016-12-05T16:05:47+00:00monthlyhttps://curatingthecontemporary.org/2014/11/30/6pm-ylt-uk/https://curatingthecontemporary.org/wp-content/uploads/2014/11/jl1297zsz9rmxsfdd71wohfcsgs6lkpsocqfkvlk2rc-e1417353241301.jpegjl1297zsz9rMXSFDd71WohFcSGs6lkpSOCQFkVLK2Rchttps://curatingthecontemporary.org/wp-content/uploads/2014/11/img_0525.jpgIMG_05256PM YLT UK. Fabio Paris, Gabrielle Jenks and Domenico Quaranta @ Furtherfield Commonshttps://curatingthecontemporary.org/wp-content/uploads/2014/11/img_0528.jpgIMG_05286PM YLT UK. Fabio Paris, Gabrielle Jenks and Domenico Quaranta @ Furtherfield Commons2016-12-05T16:05:25+00:00monthlyhttps://curatingthecontemporary.org/2014/11/24/weekly-bulletin-2411/https://curatingthecontemporary.org/wp-content/uploads/2014/11/run-new-mural-for-chichester-street-art-festival-01.jpgrun-new-mural-for-chichester-street-art-festival-01RUN, wall piece for the Chichester Street Art Festival, Chichester, 2013https://curatingthecontemporary.org/wp-content/uploads/2014/11/1414_1000.jpg1414_1000Caragh Thuring, I, 2009https://curatingthecontemporary.org/wp-content/uploads/2014/11/d8113b655302b0ed676a534fbf9b565d_0.jpgd8113b655302b0ed676a534fbf9b565d_0Liza Lou, Colour Field, 2012-13https://curatingthecontemporary.org/wp-content/uploads/2014/11/348051.jpg348051Joseph Kosuth, Words Are Deeds, 1991https://curatingthecontemporary.org/wp-content/uploads/2014/11/tumblr_med6gfpxsw1r29uz6o1_500.jpgtumblr_med6gfpxsW1r29uz6o1_500https://curatingthecontemporary.org/wp-content/uploads/2014/11/morgan-fisher-ilford-selochrome-120-september-1954-2014-archival-pigment-print-40-6-x-50-8-cm-16-x-20-inches-700x544.jpgMorgan-Fisher-Ilford-Selochrome-120-September-1954-2014-archival-pigment-print-40.6-x-50.8-cm-16-x-20-inches-700x5442016-12-05T16:05:02+00:00monthlyhttps://curatingthecontemporary.org/2014/11/23/wanted-human-rights-lawyer-to-defend-freedom-of-gender-sexual-and-creative-expression/2016-12-05T16:03:19+00:00monthlyhttps://curatingthecontemporary.org/2014/11/17/weekly-bulletin-1711/https://curatingthecontemporary.org/wp-content/uploads/2014/11/hirishi-sugimoto2c-pennsylvanian-bay2c-1980-gelatin-silver-print.jpgHirishi Sugimoto%2C Pennsylvanian Bay%2C 1980. gelatin silver printHirishi Sugimoto, Pennsylvanian Bay, (1980)https://curatingthecontemporary.org/wp-content/uploads/2014/11/fo3.jpgFO3Ludovica Gioscia, Neurotic Seduction Astral 8 (2014), installation view, John Joneshttps://curatingthecontemporary.org/wp-content/uploads/2014/11/saul-fletcher-untitled-23250-28meat-2b-2-veg292c-2012.jpgSaul Fletcher Untitled %23250 %28meat %2B 2 veg%29%2C 2012Saul Fletcher, Untitled #250 (meat + 2 veg), 2012https://curatingthecontemporary.org/wp-content/uploads/2014/11/suspicion2.jpgsuspicion2Still from Alfred Hitcock's Suspicion (1941)2016-12-05T16:02:09+00:00monthlyhttps://curatingthecontemporary.org/2014/11/10/weekly-bulletin-1011/https://curatingthecontemporary.org/wp-content/uploads/2014/11/thumbnail.jpgthumbnailWitch (2014), exhibition posterhttps://curatingthecontemporary.org/wp-content/uploads/2014/11/thumbnail.pngthumbnailAllen Jones RA, Luxe, Calme et Volupte, 19782016-12-05T16:01:33+00:00monthlyhttps://curatingthecontemporary.org/2014/11/09/stream-of-consciousness-a-retrospective/https://curatingthecontemporary.org/wp-content/uploads/2014/11/ribbons-deflated-copy_0.jpgRIBBONS-deflated-Copy_0Ed Atkins. Installations views, Serpentine Sackler Gallery, London (11 June - 25 August 2014). Photograph © 2014 READShttps://curatingthecontemporary.org/wp-content/uploads/2014/11/mg_0844.jpgMG_0844Ed Atkins. Installations views, Serpentine Sackler Gallery, London (11 June - 25 August 2014). Photograph © 2014 READShttps://curatingthecontemporary.org/wp-content/uploads/2014/11/mg_0643.jpgMG_0643Ed Atkins. Installations views, Serpentine Sackler Gallery, London (11 June - 25 August 2014). Photograph © 2014 READShttps://curatingthecontemporary.org/wp-content/uploads/2014/11/mg_0862_0.jpg_MG_0862_0Ed Atkins. Installations views, Serpentine Sackler Gallery, London (11 June - 25 August 2014). Photograph © 2014 READShttps://curatingthecontemporary.org/wp-content/uploads/2014/11/ribbons_ea10-copy.jpgRIBBONS_EA10 - Copy2016-12-05T16:01:09+00:00monthlyhttps://curatingthecontemporary.org/2014/11/07/subverting-the-male-gaze-femininity-as-masquerade-in-untitled-film-stills-1977-1980-by-cindy-sherman/https://curatingthecontemporary.org/wp-content/uploads/2014/11/untitled.jpgUntitledFig. 5: Cindy Sherman, Untitled Film Still #71, 8x10 inches, 1978https://curatingthecontemporary.org/wp-content/uploads/2014/11/pic9.jpgpic9Fig. 8: Cindy Sherman, Untitled Film Still #54, 8x10 inches, 1980https://curatingthecontemporary.org/wp-content/uploads/2014/11/pic8.jpgpic8Fig. 7: Cindy Sherman, Untitled Film Still #35, 10x8 inches, 1979https://curatingthecontemporary.org/wp-content/uploads/2014/11/pic7.pngpic7Fig. 6: Cindy Sherman, Untitled Film Still #10, 8x10 inches, 1979https://curatingthecontemporary.org/wp-content/uploads/2014/11/pic5.jpgpic5Fig. 4: Cindy Sherman, Untitled Film Still #21, 8x10 inches, 1978https://curatingthecontemporary.org/wp-content/uploads/2014/11/pic4.jpgpic4Fig. 3: Cindy Sherman, Untitled Film Still #7, 10x8 inches, 1978https://curatingthecontemporary.org/wp-content/uploads/2014/11/pic3.jpgpic3Fig. 2: Cindy Sherman, Untitled Film Still #11, 8x10 inches, 1978https://curatingthecontemporary.org/wp-content/uploads/2014/11/pic2.jpgpic2Fig. 1: Cindy Sherman, Untitled Film Still #4, 8x10 inches, 1977https://curatingthecontemporary.org/wp-content/uploads/2014/11/pic1.jpgpic12016-12-05T16:00:45+00:00monthlyhttps://curatingthecontemporary.org/2014/11/03/weekly-bulletin-0211/https://curatingthecontemporary.org/wp-content/uploads/2014/11/0211_2.jpg0211_2Carolyn Lefley, from The Realm series, 2009-2012https://curatingthecontemporary.org/wp-content/uploads/2014/11/0211_1.jpg0211_1KP Brehmer, Unit Labour Costs Trade Balance-Deficit, 1977 2016-12-05T16:00:16+00:00monthlyhttps://curatingthecontemporary.org/2014/11/01/artist-of-the-month-november-with-sigmar-polke/https://curatingthecontemporary.org/wp-content/uploads/2014/11/sigmar-polke2c-uranium-28pink292c-twenty-one-chromogenic-colour-prints2c-1992-display-at-tate.jpgAlibis a Sigmar Polke retrospective at the Tate Modern, London, UK 07 Oct 2014Sigmar Polke, Uranium (Pink), twenty-one chromogenic colour prints, 1992 - display at Tate.https://curatingthecontemporary.org/wp-content/uploads/2014/11/sigmar-polke2c-supermarkets2c-gouache2c-metallic-enamel2c-acrylic-paints2c-felt-tip-pen-and-collage-on-nine-sheets-of-paper-on-canvas2c-1976.jpgSigmar Polke%2C Supermarkets%2C gouache%2C metallic enamel%2C acrylic paints%2C felt-tip pen and collage on nine sheets of paper on canvas%2C 1976Sigmar Polke, Supermarkets, gouache, metallic enamel, acrylic paints, felt-tip pen and collage on nine sheets of paper on canvas, 1976.https://curatingthecontemporary.org/wp-content/uploads/2014/11/sigmar-polke2c-season27s-hottest-trend2c-mixed-fabrics2c-2003.jpgSigmar Polke%2C Season%27s hottest trend%2C mixed fabrics%2C 2003Sigmar Polke, Season's hottest trend, mixed fabrics, 2003.https://curatingthecontemporary.org/wp-content/uploads/2014/11/sigmar-polke2c-agate-window-28detail292c-sliced-agate-and-lead2c-grocc88ssmunster2c-zurich2c-2006-09.jpgSigmar Polke Fenster im Grossmuenster ZuerichSigmar Polke, Agate Window (detail), sliced agate and lead, Grössmunster, Zurich, 2006-09.2016-12-05T15:59:19+00:00monthlyhttps://curatingthecontemporary.org/2014/10/30/the-museum-in-contemporary-art/https://curatingthecontemporary.org/wp-content/uploads/2014/10/pitt-rivers-image-4.jpgPitt Rivers Image 4https://curatingthecontemporary.org/wp-content/uploads/2014/10/pitt-rivers-image-3.jpgPitt Rivers Image 3https://curatingthecontemporary.org/wp-content/uploads/2014/10/pitt-rivers-image-2.jpgPitt Rivers Image 2https://curatingthecontemporary.org/wp-content/uploads/2014/10/pitt-rivers-image-1.jpgPitt Rivers Image 1The Pitt Rivers Museum, Oxford, 2014, Photo credit & Copyright: Laura Plant 2016-12-05T15:58:54+00:00monthlyhttps://curatingthecontemporary.org/2014/10/28/weekly-bulletin-2710/https://curatingthecontemporary.org/wp-content/uploads/2014/10/news3.jpgnews3Glenn Ligon, Come Out Study #2, 2014https://curatingthecontemporary.org/wp-content/uploads/2014/10/news2.jpgnews2Edward Steichen, Mary Heberden, Vogue, 1935 and Viviane Sassen, In Bloom, Dazed & Confused, 2011https://curatingthecontemporary.org/wp-content/uploads/2014/10/news1.jpgnews1Thai Shani, Dark Continent, 2014 (also feat image) 2016-12-05T15:58:02+00:00monthlyhttps://curatingthecontemporary.org/2014/10/25/curating-the-self/https://curatingthecontemporary.org/wp-content/uploads/2014/10/human.jpgHumanCredited to Charlie Ratcliffe2016-12-05T15:57:37+00:00monthlyhttps://curatingthecontemporary.org/2014/10/20/weekly-bulletin-2010/https://curatingthecontemporary.org/wp-content/uploads/2014/10/desnudo-femenino-1914-egon-schiele.jpgdesnudo-femenino-1914-egon-schieleEgon Schiele, Female Nude, 1914https://curatingthecontemporary.org/wp-content/uploads/2014/10/theadaproject.jpgtheadaprojectConrad Shawcross, Loop System Quintet, 2006. Courtesy of the artist and Victoria Miro2016-12-05T15:57:02+00:00monthlyhttps://curatingthecontemporary.org/2014/10/18/a-body-that-hurts/https://curatingthecontemporary.org/wp-content/uploads/2014/10/bodythathurts.jpgBodyThatHurtsYayoi Kusama, Eyes of Mine, 20102016-12-05T15:56:27+00:00monthlyhttps://curatingthecontemporary.org/2014/10/16/jealous-gallery-owner-and-director-dario-illari-on-young-artists-and-the-market/https://curatingthecontemporary.org/wp-content/uploads/2014/10/trevor-abbott_ma-camberwell-college-of-art.jpgTrevor Abbott_MA Camberwell College of ArtTrevor Abbott, Jealous Prize 2014 winner, MA Camberwell College of Arthttps://curatingthecontemporary.org/wp-content/uploads/2014/10/teo-ormond-skeaping_-slade-school-of-fine-art.jpgTeo Ormond Skeaping_ Slade School of Fine ArtTeo Ormond Skeaping, Jealous Prize 2014 winner, Slade School of Fine Arthttps://curatingthecontemporary.org/wp-content/uploads/2014/10/sean-penlington_ma-chelsea-school-of-art.jpgSean Penlington_MA Chelsea School of ArtSean Penlington, Jealous Prize 2014 winner, MA Chelsea School of Arthttps://curatingthecontemporary.org/wp-content/uploads/2014/10/olivia-kemp_mawimbledon-college-of-art-2.jpgOlivia Kemp_MAWimbledon College of Art-2Olivia Kemp, Jealous Prize 2014 winner, MA Wimbledon College of Arthttps://curatingthecontemporary.org/wp-content/uploads/2014/10/nicola-thomas_ma-royal-college-of-art.jpgNicola Thomas_MA Royal College of ArtNicola Thomas, Jealous Prize 2014 winner, MA Royal College of Arthttps://curatingthecontemporary.org/wp-content/uploads/2014/10/mitra-saboury_ma-goldsmiths-fine-art.jpgMitra Saboury_MA Goldsmiths Fine ArtMitra Saboury, Jealous Prize 2014 winner, MA Goldsmiths Fine Arthttps://curatingthecontemporary.org/wp-content/uploads/2014/10/hwa-seon-yang_ma-central-saint-martins-university-of-arts.jpgHwa Seon Yang_MA Central Saint Martins University of ArtsHwa Seon Yang, Jealous prize 2014 winner,MA Central Saint Martins University of Artshttps://curatingthecontemporary.org/wp-content/uploads/2014/10/charlie_billingham-at-the-jealous-print-studio_2014.jpgCharlie_Billingham at the Jealous Print Studio_2014Charlie Billingham at the Jealous Print Studio, 2014, ph: Jealous Galleryhttps://curatingthecontemporary.org/wp-content/uploads/2014/10/charlie-billingham_ma-royal-academy-schools.jpgCharlie Billingham_MA Royal Academy SchoolsCharlie Billingham, Jealous Prize 2014 winner, MA Royal Academy Schoolshttps://curatingthecontemporary.org/wp-content/uploads/2014/10/jessica-albarn2c-resurrection-poster.jpgJessica Albarn%2C Resurrection PosterJessica Albarn, Resurrection (poster), 20142016-12-05T15:55:16+00:00monthlyhttps://curatingthecontemporary.org/2014/10/12/biology-and-archaeology-out-of-time-pierre-huyghe-as-creator-at-hauser-wirth/https://curatingthecontemporary.org/wp-content/uploads/2014/10/3.jpg3Pierre Huyghe, La déraison, 2014https://curatingthecontemporary.org/wp-content/uploads/2014/10/1.jpg1Pierre Huyghe, Nymphéas Transplant, Live pond ecosystem, 2014https://curatingthecontemporary.org/wp-content/uploads/2014/10/2.jpg2Pierre Huyghe, De-extinction, , Film, 19 min, 20142016-12-02T16:57:20+00:00monthlyhttps://curatingthecontemporary.org/2014/10/10/selfie-preservation-society/https://curatingthecontemporary.org/wp-content/uploads/2014/10/most-popular-selfie-28oscars29.jpgmost popular selfie %28oscars%29Oscars selfie, Ellen DeGeneres, 2014. Courtesy of The Guardian (http://www.telegraph.co.uk/culture/film/oscars/10674655/Oscars-2014-The-most-famous-selfie-in-the-world-sorry-Liza.html)2016-12-02T16:56:13+00:00monthlyhttps://curatingthecontemporary.org/2014/10/07/tracey-emins-world-on-show-at-the-white-cube/https://curatingthecontemporary.org/wp-content/uploads/2014/10/tracey-emin-wanting-2014-28high-res29.jpgTracey Emin Wanting 2014 %28high res%29Tracey Emin, Wanting, 2014 https://curatingthecontemporary.org/wp-content/uploads/2014/10/tracey-emin-the-last-great-adventure-is-you-white-cube-bermondsey-london-8-october-16-november-2014-28high-res29.jpgTracey Emin The Last Great Adventure is You White Cube Bermondsey London 8 October - 16 November 2014 %28high res%29Tracey Emin, The Last Great Adventure is You, exhibition view, White Cube, 2014 https://curatingthecontemporary.org/wp-content/uploads/2014/10/tracey-emin-thats-how-you-think-of-me-2014-28high-res29.jpgTracey Emin Thats how You Think of me 2014 %28high res%29Tracey Emin, Thats how You Think of Me, 2014https://curatingthecontemporary.org/wp-content/uploads/2014/10/tracey-emin-so-pretty-2014-28high-res29.jpgTracey Emin So Pretty 2014 %28high res%29Tracey Emin, So Pretty, 2014 https://curatingthecontemporary.org/wp-content/uploads/2014/10/tracey-emin-you-are-here-2014-28high-res29.jpgTracey Emin You are Here 2014 %28high res%29https://curatingthecontemporary.org/wp-content/uploads/2014/10/tracey-emin-the-last-great-adventure-is-you-2013-28high-res29.jpgTracey Emin The Last Great Adventure is you 2013 %28high res%29Tracey Emin, The Last Great Adventure is You, 20142016-12-02T16:55:38+00:00monthlyhttps://curatingthecontemporary.org/2014/10/06/italian-masters-at-auction-sothebys-expects-record-breaking-prices/https://curatingthecontemporary.org/wp-content/uploads/2014/10/ec-superficie-gialla-no-2-1964.jpgEC-superficie gialla no 2 - 1964Enrico Castellani, Superficie Gialla no. 2, 19642016-12-02T16:54:58+00:00monthlyhttps://curatingthecontemporary.org/2014/10/01/artist-of-the-month-october-with-richard-mosse/https://curatingthecontemporary.org/wp-content/uploads/2014/10/r-mosse-vintage-violence-2011.jpgR Mosse - Vintage Violence - 2011R. Mosse, Vintage Violence, 2011https://curatingthecontemporary.org/wp-content/uploads/2014/10/r-mosse-platon-2012.jpgR Mosse - Platon - 2012R. Mosse, Platon, 2012https://curatingthecontemporary.org/wp-content/uploads/2014/10/r-mosse-of-lillies-and-remains-2012.jpgOf Lillies and RemainsR. Mosse, Lillies and Remains, 2012https://curatingthecontemporary.org/wp-content/uploads/2014/10/r-mosse-madonna-and-child-2012.jpgR Mosse - Madonna and Child - 2012R. Mosse, Madonna and Child, 20122016-12-02T16:54:28+00:00monthlyhttps://curatingthecontemporary.org/2014/09/29/guy-bourdin-image-maker/https://curatingthecontemporary.org/wp-content/uploads/2014/09/gb41.jpggb4https://curatingthecontemporary.org/wp-content/uploads/2014/09/gb1.jpggb1Pentax Calendar, 1980https://curatingthecontemporary.org/wp-content/uploads/2014/09/gb2.jpggb2Charles Jourdan commercial, spring 1979.https://curatingthecontemporary.org/wp-content/uploads/2014/09/gb3.jpggb3From Guy Bourdin's Archive, ca. 1977https://curatingthecontemporary.org/wp-content/uploads/2014/09/gb4.jpggb4French Vogue, May 19772016-12-02T16:53:40+00:00monthlyhttps://curatingthecontemporary.org/2014/09/28/role-role-model-model-role-models-role-family-family-roles/https://curatingthecontemporary.org/wp-content/uploads/2014/09/ed-fornieles.jpgEd-FornielesEd Fornieles, Modern Family 2014, Courtesy of Chisenhale Galleryhttps://curatingthecontemporary.org/wp-content/uploads/2014/09/ed-fornieles-at-chisenhale-gallery_12_andy-keate-518x385.jpgEd-Fornieles-at-Chisenhale-Gallery_12_Andy-Keate-518x385Ed Fornieles, Modern Family 2014, Courtesy of Chisenhale Galleryhttps://curatingthecontemporary.org/wp-content/uploads/2014/09/7-ed-fornieles-at-chisenhale-gallery_andy-keate_web.jpg7-ed-fornieles-at-chisenhale-gallery_andy-keate_webEd Fornieles, Modern Family 2014, Courtesy of Chisenhale Galleryhttps://curatingthecontemporary.org/wp-content/uploads/2014/09/1-ed-fornieles-at-chisenhale-gallery_andy-keate_web.jpg1.Ed-Fornieles-at-Chisenhale-Gallery_Andy-Keate_WEBEd Fornieles, Modern Family 2014, Courtesy of Chisenhale Galleryhttps://curatingthecontemporary.org/wp-content/uploads/2014/09/screen-shot-2014-09-16-at-2-24-47-pm-700x360.pngScreen-shot-2014-09-16-at-2.24.47-PM-700x3602016-12-02T16:52:53+00:00monthlyhttps://curatingthecontemporary.org/2014/09/27/717/https://curatingthecontemporary.org/wp-content/uploads/2014/09/hidden-noise.jpgHidden NoiseBall of Twine by Marcel Duchamp. 19162016-12-02T16:52:14+00:00monthlyhttps://curatingthecontemporary.org/2014/09/25/underground-curating-an-interview-with-robert-gordon-mcharg-iii-subway-gallery/https://curatingthecontemporary.org/wp-content/uploads/2014/09/silviaimage1.jpgsilviaimage1https://curatingthecontemporary.org/wp-content/uploads/2014/09/silviaimage2.jpgsilviaimage22016-12-02T16:51:33+00:00monthlyhttps://curatingthecontemporary.org/2014/09/23/berlin-art-week-2014/https://curatingthecontemporary.org/wp-content/uploads/2014/09/img_1710.jpgIMG_1710Figure 10: Joep van Lieland, Video Palace #37 - MANIAC, Museum Goch, 2014 (inside installation); At ABC Art Berlin Contemporary.https://curatingthecontemporary.org/wp-content/uploads/2014/09/img_1707.jpgIMG_1707Figure 9: ABC Art Berlin Contemporary, 2014.https://curatingthecontemporary.org/wp-content/uploads/2014/09/img_1696.jpgIMG_1696Figure 8: Positions Berlin, 2014.https://curatingthecontemporary.org/wp-content/uploads/2014/09/img_1680.jpgIMG_1680https://curatingthecontemporary.org/wp-content/uploads/2014/09/img_1718.jpgIMG_1718Figure 5: Exotic .. and 4 Other Cases of the Self.https://curatingthecontemporary.org/wp-content/uploads/2014/09/img_1717.jpgIMG_1717Figure 6: Exotic .. and 4 Other Cases of the Selfhttps://curatingthecontemporary.org/wp-content/uploads/2014/09/img_1689.jpgIMG_1689Figure 4: Paidia Institute (Jonas Hansen, Thomas Hawranke, Karin Lingnau, Lasse Scherffig), Paidia Laboratory: feedback #4, 2011.https://curatingthecontemporary.org/wp-content/uploads/2014/09/img_1685.jpgIMG_1685Figure 3: Julian Oliver and Daniil Vasiliev, Men In Grey, 2009.https://curatingthecontemporary.org/wp-content/uploads/2014/09/img_1684.jpgIMG_1684Figure 2: Julian Oliver and Daniil Vasiliev, Men In Grey, 2009.https://curatingthecontemporary.org/wp-content/uploads/2014/09/1920539_541163969318421_7317538688217778718_n.jpg1920539_541163969318421_7317538688217778718_nFigure 1: Berlin Art Week Opening Night.2016-12-02T16:50:58+00:00monthlyhttps://curatingthecontemporary.org/2014/09/18/in-conversation-with-tamarin-norwood/https://curatingthecontemporary.org/wp-content/uploads/2014/09/olololo-black-closed-1000.jpgolololo-black-closed-1000https://curatingthecontemporary.org/wp-content/uploads/2014/09/tcs-biro-line-1-10001.jpgTCS-biro-line-1-10001https://curatingthecontemporary.org/wp-content/uploads/2014/09/tnorwood-line-describing1.jpgTNorwood-line-describinghttps://curatingthecontemporary.org/wp-content/uploads/2014/09/tnorwood-line-describing.jpgTNorwood-line-describing2016-12-02T16:50:17+00:00monthlyhttps://curatingthecontemporary.org/2014/09/15/window-space-2/2016-12-02T16:49:34+00:00monthlyhttps://curatingthecontemporary.org/2014/07/20/look-at-that-chicken-flesh/https://curatingthecontemporary.org/wp-content/uploads/2014/07/flesh-tote.jpegFLESH TOTEFLESH TOTE. Photo by Victor Ivanovhttps://curatingthecontemporary.org/wp-content/uploads/2014/07/flesh-clock.jpegFLESH CLOCKFLESH CLOCK. Photo by Victor Ivanovhttps://curatingthecontemporary.org/wp-content/uploads/2014/07/flesh-phone-cover.jpegFLESH PHONE COVERFLESH PHONE COVER. Photo by Victor Ivanovhttps://curatingthecontemporary.org/wp-content/uploads/2014/07/flesh-flip-flops.jpegFLESH FLIP FLOPSFLESH FLIP FLOPS. Photo by Victor Ivanovhttps://curatingthecontemporary.org/wp-content/uploads/2014/07/flesh-smaple.jpegFLESH SMAPLEFLESH SMAPLE. Photo by Victor Ivanovhttps://curatingthecontemporary.org/wp-content/uploads/2014/07/dsc_0497-v3.jpegDSC_0497 V3FLESH. Photo by Victor Ivanovhttps://curatingthecontemporary.org/wp-content/uploads/2014/07/fleshaerobics_1.jpegFleshaerobics_1Fleshaerobics. Photo by Victor Ivanovhttps://curatingthecontemporary.org/wp-content/uploads/2014/07/10478171_538872889552339_1663059476299796204_n.jpg10478171_538872889552339_1663059476299796204_nFLESH. 19/07/14. Photo by Loulou Reloulouhttps://curatingthecontemporary.org/wp-content/uploads/2014/07/10513362_538873062885655_498015630083731473_n.jpg10513362_538873062885655_498015630083731473_nFLESH. 19/07/14. Photo by Loulou Reloulouhttps://curatingthecontemporary.org/wp-content/uploads/2014/07/10479204_538872616219033_8487823039878725388_n.jpg10479204_538872616219033_8487823039878725388_nFLESH. 19/07/14. Photo by Loulou Reloulou2016-12-02T16:48:58+00:00monthlyhttps://curatingthecontemporary.org/2014/06/29/an-interview-with-juan-cruz/https://curatingthecontemporary.org/wp-content/uploads/2014/06/juan_7.jpgJuan_7Figure 3: Cruz, J. (2011, March 17). Perdendosi [recomissioned existing airport displays]. Terminal Convention, Decommissioned Airport, Cork. A Static project curated by Peter Goerschlueterhttps://curatingthecontemporary.org/wp-content/uploads/2014/06/juan_3.jpgjuan_3Figure 2: Juan Cruz Portrait of a Sculptor, 2001 (installation view), Matt’s Gallery.https://curatingthecontemporary.org/wp-content/uploads/2014/06/juan_2.jpgJuan_2Figure 1: Cruz, J. (2009). Translating: Chapter Two [Video Installation, Sculptural text work]. Crate, Margate. Commissioned for Bad Translations, Curated by Matthew de Pullford http://www.cratespace.co.uk/https://curatingthecontemporary.org/wp-content/uploads/2014/06/juancruz_web.jpgjuancruz_webJuan Cruz, RCA's dean of Fine Arts2016-12-02T16:48:17+00:00monthlyhttps://curatingthecontemporary.org/2014/06/22/in-conversation-with-neil-gall/https://curatingthecontemporary.org/wp-content/uploads/2014/06/10474370_10204001227891398_420618450_n.jpgNeil Gall at the opening of A Sense of Things at The Zabludowicz Collection with his work Unable to separate their own identities (2004) and Unable to separate their own identities (2008). Courtesy Zabludowicz Collection.2016-12-02T16:47:45+00:00monthlyhttps://curatingthecontemporary.org/2014/06/17/in-conversation-with-daniel-linehan/https://curatingthecontemporary.org/wp-content/uploads/2014/06/daniel-linehan_3648.jpg2016-12-02T16:46:54+00:00monthlyhttps://curatingthecontemporary.org/2014/04/09/the-great-beauty-la-grende-bellezza-a-movie-review-2/2016-12-02T16:46:19+00:00monthlyhttps://curatingthecontemporary.org/2014/03/20/the-arcadia-project-and-janek-schaefers-sound-performance-at-the-ace-hotel-shoreditch/https://curatingthecontemporary.org/wp-content/uploads/2014/03/img_0939.jpgIMG_0939https://curatingthecontemporary.org/wp-content/uploads/2014/03/img_0938.jpgIMG_0938https://curatingthecontemporary.org/wp-content/uploads/2014/03/img_0936.jpgIMG_0936https://curatingthecontemporary.org/wp-content/uploads/2014/03/arcadia.jpegArcadia2016-12-02T16:45:53+00:00monthlyhttps://curatingthecontemporary.org/2014/03/12/a-manifesto-audience-control-in-art-galleries-2/2016-12-02T16:45:30+00:00monthlyhttps://curatingthecontemporary.org/2014/03/04/five-minutes-with-daniel-f-herrmann-curator-of-hannah-hochs-major-uk-retrospective/https://curatingthecontemporary.org/wp-content/uploads/2014/03/senza-titolo.pngSenza titoloImage Courtesy of Whitechapel Gallery2016-12-02T16:42:25+00:00monthlyhttps://curatingthecontemporary.org/2014/02/28/katie-patterson-at-the-wellcome-collection-in-foreign-bodies-common-ground-six-artists-six-countries/https://curatingthecontemporary.org/wp-content/uploads/2014/02/neckless1.pngneckless12016-12-02T16:41:48+00:00monthlyhttps://curatingthecontemporary.org/2014/02/21/travelling-to-the-wonderland/https://curatingthecontemporary.org/wp-content/uploads/2014/02/pic51.jpgpic5https://curatingthecontemporary.org/wp-content/uploads/2014/02/pic41.jpgpic4https://curatingthecontemporary.org/wp-content/uploads/2014/02/pic31.jpgpic3https://curatingthecontemporary.org/wp-content/uploads/2014/02/pic21.jpgpic2https://curatingthecontemporary.org/wp-content/uploads/2014/02/pic11.jpgpic12016-12-02T16:40:56+00:00monthlyhttps://curatingthecontemporary.org/2014/02/16/special-feature-an-alternative-way-of-curating-and-collecting-art/https://curatingthecontemporary.org/wp-content/uploads/2014/02/pic41.pngpic4https://curatingthecontemporary.org/wp-content/uploads/2014/02/pic31.pngpic3https://curatingthecontemporary.org/wp-content/uploads/2014/02/pic21.pngpic2https://curatingthecontemporary.org/wp-content/uploads/2014/02/pic11.pngpic12016-12-02T16:40:26+00:00monthlyhttps://curatingthecontemporary.org/2014/02/14/looking-for-a-needle-in-a-haystack-works-on-paper-art-fair/https://curatingthecontemporary.org/wp-content/uploads/2014/02/works-on-paper.jpgWorks on Paperhttps://curatingthecontemporary.org/wp-content/uploads/2014/02/photo-1.pngphoto 12016-12-02T16:39:27+00:00monthlyhttps://curatingthecontemporary.org/2014/02/11/this-is-a-mans-world/https://curatingthecontemporary.org/wp-content/uploads/2014/02/pic5.jpgpic5Never keep both feet on the ground, 1940https://curatingthecontemporary.org/wp-content/uploads/2014/02/pic4.jpgpic4https://curatingthecontemporary.org/wp-content/uploads/2014/02/pic3.jpgpic3Indian Dancer [From an Ethnographic Museum], 1930https://curatingthecontemporary.org/wp-content/uploads/2014/02/pic2.jpgpic2Untitled [From an Ethnographic Museum], 1930https://curatingthecontemporary.org/wp-content/uploads/2014/02/pic1.jpgpic12016-12-02T16:38:44+00:00monthlyhttps://curatingthecontemporary.org/2014/02/06/just-stuff-martin-creed-at-the-hayward-gallery/https://curatingthecontemporary.org/wp-content/uploads/2014/02/pic4.pngpic4https://curatingthecontemporary.org/wp-content/uploads/2014/02/pic2.pngpic2https://curatingthecontemporary.org/wp-content/uploads/2014/02/pic3.pngpic3https://curatingthecontemporary.org/wp-content/uploads/2014/02/pic1.pngpic12016-12-02T16:38:12+00:00monthlyhttps://curatingthecontemporary.org/2014/02/02/wessingville-in-the-state-of-taylorsen/https://curatingthecontemporary.org/wp-content/uploads/2014/02/michael-an-ula.jpgCat & Phil - Painting of Love by Richard Alexander Pilnickhttps://curatingthecontemporary.org/wp-content/uploads/2014/02/pip-and-pop.jpgPip and Pophttps://curatingthecontemporary.org/wp-content/uploads/2014/02/linda-and-josephine.jpgNPG Gallery Record - Exhibition Image – Digital Copyhttps://curatingthecontemporary.org/wp-content/uploads/2014/02/marianne.jpgMariannehttps://curatingthecontemporary.org/wp-content/uploads/2014/02/tanja.jpgPicture 002https://curatingthecontemporary.org/wp-content/uploads/2014/02/sam.jpgSamhttps://curatingthecontemporary.org/wp-content/uploads/2014/02/martyn-sean-and-jacob.jpgMartyn, Sean and Jacobhttps://curatingthecontemporary.org/wp-content/uploads/2014/02/dorota.jpgDorinahttps://curatingthecontemporary.org/wp-content/uploads/2014/02/anne.jpgAnne2016-12-02T16:37:34+00:00monthlyhttps://curatingthecontemporary.org/2014/01/30/what-is-curating-a-survey/https://curatingthecontemporary.org/wp-content/uploads/2014/01/img_0732.jpgIMG_0732https://curatingthecontemporary.org/wp-content/uploads/2014/01/2013-12-17-21-28-30.png2013-12-17 21.28.30https://curatingthecontemporary.org/wp-content/uploads/2014/01/2013-12-18-00-42-03.png2013-12-18 00.42.03https://curatingthecontemporary.org/wp-content/uploads/2014/01/img_0734.jpgIMG_0734https://curatingthecontemporary.org/wp-content/uploads/2014/01/1526958_10153662139230118_574524139_n.jpg1526958_10153662139230118_574524139_n2016-12-02T16:36:50+00:00monthlyhttps://curatingthecontemporary.org/2014/01/20/lets-go-back-to/https://curatingthecontemporary.org/wp-content/uploads/2014/01/pic-3.pngpic 3The Portable Museumhttps://curatingthecontemporary.org/wp-content/uploads/2014/01/pic-2.pngpic 2The Large Glass https://curatingthecontemporary.org/wp-content/uploads/2014/01/gallery-pic1.pnggallery pic1Paris Exposition Internationale du Surrealisme, 1938https://curatingthecontemporary.org/wp-content/uploads/2014/01/gallery-pic2.pnggallery pic2First Papers of Surrealism, 1942https://curatingthecontemporary.org/wp-content/uploads/2014/01/pic-1.pngPic 12016-12-02T16:35:43+00:00monthlyhttps://curatingthecontemporary.org/2013/12/20/photography-in-the-age-of-technological-reproduction/2016-12-02T16:34:10+00:00monthlyhttps://curatingthecontemporary.org/2013/12/18/running-high-run-deep-run-wild/https://curatingthecontemporary.org/wp-content/uploads/2013/12/pic1.pngpic12016-12-02T16:33:39+00:00monthlyhttps://curatingthecontemporary.org/2013/12/10/a-look-into-sound-jacob-kirkegaard/https://curatingthecontemporary.org/wp-content/uploads/2013/12/aion.jpgAIONAIONhttps://curatingthecontemporary.org/wp-content/uploads/2013/12/else-marie-pade.jpgElse Marie PadeElse Marie Pade2016-12-02T16:32:58+00:00monthlyhttps://curatingthecontemporary.org/2013/12/05/universal-everything-you-at-the-science-museum/2016-12-02T16:32:22+00:00monthlyhttps://curatingthecontemporary.org/2013/12/03/an-autumn-of-femininity/2016-12-02T16:31:53+00:00monthlyhttps://curatingthecontemporary.org/2013/11/29/in-memoriam-arthur-c-danto-1924-2013/https://curatingthecontemporary.org/wp-content/uploads/2013/11/brillo-2.pngbrillo 2James Harvey´s soapbox, 1963.https://curatingthecontemporary.org/wp-content/uploads/2013/11/brillo-1.pngBrillo 1Andy Warhol´s Brillo box, 1964.https://curatingthecontemporary.org/wp-content/uploads/2013/11/pic11.pngpic12016-12-02T16:30:44+00:00monthlyhttps://curatingthecontemporary.org/2013/11/27/equinox-from-beirut-to-london/https://curatingthecontemporary.org/wp-content/uploads/2013/11/13.jpg13Photo taken by Iveta Ratarovahttps://curatingthecontemporary.org/wp-content/uploads/2013/11/12.jpg12Photo taken by Iveta Ratarovahttps://curatingthecontemporary.org/wp-content/uploads/2013/11/11.jpg11Photo taken by Iveta Ratarovahttps://curatingthecontemporary.org/wp-content/uploads/2013/11/10.jpg10Photo taken by Iveta Ratarovahttps://curatingthecontemporary.org/wp-content/uploads/2013/11/9.jpg9Photo taken by Iveta Ratarovahttps://curatingthecontemporary.org/wp-content/uploads/2013/11/8.jpg8Photo taken by Iveta Ratarovahttps://curatingthecontemporary.org/wp-content/uploads/2013/11/7.jpg7Photo taken by Iveta Ratarovahttps://curatingthecontemporary.org/wp-content/uploads/2013/11/6.jpg6Photo taken by Iveta Ratarovahttps://curatingthecontemporary.org/wp-content/uploads/2013/11/5.jpg5Photo taken by Iveta Ratarovahttps://curatingthecontemporary.org/wp-content/uploads/2013/11/4.jpg4Photo taken by Iveta Ratarova2016-12-02T16:29:55+00:00monthlyhttps://curatingthecontemporary.org/2013/11/22/painting-now-five-contemporary-artists/https://curatingthecontemporary.org/wp-content/uploads/2013/11/tomma-abts-zebe-2010.jpgZebe 2010 by Tomma Abts born 1967Tomma Abts, "Zebe", 2010. https://curatingthecontemporary.org/wp-content/uploads/2013/11/simon-ling-untitled-2012.jpgSimon Ling - Untitled 2012Simon Ling, "Untitled", 2012.https://curatingthecontemporary.org/wp-content/uploads/2013/11/lucy-mckenzie-quodlibet-xxii-nazism-2012.jpgLucy Mckenzie - Quodlibet XXII (Nazism) 2012Lucy Mckenzie, "Quodlibet XXII (Nazism)", 2012.https://curatingthecontemporary.org/wp-content/uploads/2013/11/gillian-carnegie-prince-2010.jpgGillian Carnegie - Prince 2010Gillian Carnegie, "Prince", 2010.https://curatingthecontemporary.org/wp-content/uploads/2013/11/catherine-story-lovelock-i-2010.jpgCatherine Story - Lovelock (I) 2010Catherine Story, "Lovelock (I)", 20102016-12-02T16:29:09+00:00monthlyhttps://curatingthecontemporary.org/2013/11/20/go-away-closer-a-new-way-to-display-photography/2016-12-02T16:28:24+00:00monthlyhttps://curatingthecontemporary.org/2013/11/17/in-conversation-with-robin-wallis-atkinson-for-want-of-better-news/2016-12-02T16:27:46+00:00monthlyhttps://curatingthecontemporary.org/2013/11/16/a-blast-from-the-past-saints-alive-michael-landy-at-the-national-portrait-gallery-23-may-24-november-2013/2016-12-02T16:26:55+00:00monthlyhttps://curatingthecontemporary.org/2013/11/15/a-beautiful-conversation/https://curatingthecontemporary.org/wp-content/uploads/2013/11/untitled21.pngUntitled2Into the Wild’s main character Chris in a Sublime environment.https://curatingthecontemporary.org/wp-content/uploads/2013/11/untitled.pngUntitled‘Commodity Fetishism’, in American Beauty.2016-12-02T16:25:53+00:00monthlyhttps://curatingthecontemporary.org/2013/11/13/special-visitor-research-and-curating-workshop-at-the-whitechapel-gallery/https://curatingthecontemporary.org/wp-content/uploads/2013/11/untitled16.pngUntitled16https://curatingthecontemporary.org/wp-content/uploads/2013/11/untitled15.pngUntitled15"CENTRE" MOVEMENThttps://curatingthecontemporary.org/wp-content/uploads/2013/11/untitled14.pngUntitled14"HALF" MOVEMENThttps://curatingthecontemporary.org/wp-content/uploads/2013/11/untitled13.pngUntitled13"S" MOVEMENT https://curatingthecontemporary.org/wp-content/uploads/2013/11/untitled12.pngUntitled12CIRCULAR MOVEMENThttps://curatingthecontemporary.org/wp-content/uploads/2013/11/untitled11.pngUntitled11HOT SPOTS & DEAD SPOTS – contacts (1st floor)https://curatingthecontemporary.org/wp-content/uploads/2013/11/untitled10.pngUntitled10HOT SPOTS & DEAD SPOTS – contacts https://curatingthecontemporary.org/wp-content/uploads/2013/11/untitled9.pngUntitled9DEAD SPOTS – contacts https://curatingthecontemporary.org/wp-content/uploads/2013/11/untitled8.pngUntitled8HOT SPOTS – contacts https://curatingthecontemporary.org/wp-content/uploads/2013/11/untitled7.pngUntitled7HOT SPOTS – contacts 2016-12-02T16:24:37+00:00monthlyhttps://curatingthecontemporary.org/2013/11/12/m-i-m-s/https://curatingthecontemporary.org/wp-content/uploads/2013/11/pic3.pngpic3Image courtesy of Zabludowicz Collectionhttps://curatingthecontemporary.org/wp-content/uploads/2013/11/pic2.pngpic2Image courtesy of Zabludowicz Collectionhttps://curatingthecontemporary.org/wp-content/uploads/2013/11/pic1.pngpic1Image courtesy of Zabludowicz Collection2016-12-02T16:23:12+00:00monthlyhttps://curatingthecontemporary.org/2013/11/11/sir-john-soane-museum-house-of-horror-or-home-of-the-muses/https://curatingthecontemporary.org/wp-content/uploads/2013/11/1456723_10200906115957480_819389865_n.jpg1456723_10200906115957480_819389865_nSir John Soane Museum2016-12-02T16:22:11+00:00monthlyhttps://curatingthecontemporary.org/2013/11/10/temporary-contemporary/https://curatingthecontemporary.org/wp-content/uploads/2013/11/roa.jpgROAROA Piecehttps://curatingthecontemporary.org/wp-content/uploads/2013/11/roa-1.jpgROA 1ROA Piece 2https://curatingthecontemporary.org/wp-content/uploads/2013/11/otto-shade.jpgOtto ShadeOtto Shade piecehttps://curatingthecontemporary.org/wp-content/uploads/2013/11/stik2.jpgStik2Stik Piecehttps://curatingthecontemporary.org/wp-content/uploads/2013/11/stik1.jpgStik1Stik Piece 2https://curatingthecontemporary.org/wp-content/uploads/2013/11/stik.jpgStikStik Piece 3https://curatingthecontemporary.org/wp-content/uploads/2013/11/hunto1.jpgHunto1HUNTO Piecehttps://curatingthecontemporary.org/wp-content/uploads/2013/11/hunto.jpgHUNTOHUNTO Piece 2https://curatingthecontemporary.org/wp-content/uploads/2013/11/christiaan-nagel1.jpgChristiaan Nagel1Christiaan Nagel Piece https://curatingthecontemporary.org/wp-content/uploads/2013/11/christiaan-nagel.jpgChristiaan NagelChristiaan Nagel Piece 22016-12-02T16:21:36+00:00monthlyhttps://curatingthecontemporary.org/2013/11/09/paul-klee-making-visible/https://curatingthecontemporary.org/wp-content/uploads/2013/11/n05657_10.jpgComedy 1921 by Paul Klee 1879-1940Comedy,1921.https://curatingthecontemporary.org/wp-content/uploads/2013/11/n05659_10.jpgA Young Lady's Adventure 1922 by Paul Klee 1879-1940A Young Lady's Adventure, 1922.https://curatingthecontemporary.org/wp-content/uploads/2013/11/firefullmoon_0.jpgfirefullmoon_0Fire at Full Moon, 1933.https://curatingthecontemporary.org/wp-content/uploads/2013/11/434px-paul_klee_1911.jpg434px-Paul_Klee_1911Paul Klee in 1911.2016-12-02T16:20:45+00:00monthlyhttps://curatingthecontemporary.org/2013/11/08/is-the-white-cube-relevant-today/2016-12-02T16:18:18+00:00monthlyhttps://curatingthecontemporary.org/2013/10/29/fayre-fare-fair-frieze/https://curatingthecontemporary.org/wp-content/uploads/2013/10/46_frieze_masters.jpg46_Frieze_Masters2016-12-02T16:17:46+00:00monthlyhttps://curatingthecontemporary.org/2013/10/25/ctc-hit-frieze-art-fair-last-week-2/https://curatingthecontemporary.org/wp-content/uploads/2013/10/photo-1.jpgThere were lots of great piece's by Ryan McGinley!https://curatingthecontemporary.org/wp-content/uploads/2013/10/photo-15.jpgRob Pruitt's 'safety cones' were extremely comical and seemed to attract a lot of attention.https://curatingthecontemporary.org/wp-content/uploads/2013/10/photo-141.jpgPortrait of the Artist, 2013. -By newcomer, Jennifer Rubell. Here is one of our very own nestled in her belly!2016-12-02T16:17:16+00:00monthlyhttps://curatingthecontemporary.org/2013/10/21/the-body-as-both-process-and-object-in-order-to-set-an-identity/https://curatingthecontemporary.org/wp-content/uploads/2013/10/janine-antoni-1993.jpgJanine Antoni - 1993Janine Antoni performing Loving Care at Anthony d'Offay Gallery, London, 1993 (by Prudence Cumming Associates)2016-12-02T16:16:52+00:00monthlyhttps://curatingthecontemporary.org/2013/10/20/embodying-the-space/https://curatingthecontemporary.org/wp-content/uploads/2013/10/thinking-with-the-body.jpegThinking with the body2016-12-02T16:15:55+00:00monthlyhttps://curatingthecontemporary.org/2013/10/16/should-artists-make-art-critics-write-and-curators-curate/2016-12-02T16:15:01+00:00monthlyhttps://curatingthecontemporary.org/2016/11/14/molly-soda-comfort-zone/2024-05-20T22:24:10+00:00monthlyhttps://curatingthecontemporary.org/2016/11/10/curating-in-the-dark-dank-part-ii/https://curatingthecontemporary.org/wp-content/uploads/2016/11/1-3.jpg1-3Doubt art (2016), Joseph Doubtfire and Judith Stewarthttps://curatingthecontemporary.org/wp-content/uploads/2016/11/2c6a1828.jpg2c6a1828Constellation (installation view) © Jeanette Bolton-Martin 2016https://curatingthecontemporary.org/wp-content/uploads/2016/11/2c6a1848.jpg2c6a1848Constellation (installation view) © Jeanette Bolton-Martin 2016https://curatingthecontemporary.org/wp-content/uploads/2016/11/2c6a1867.jpg2c6a1867Constellation (installation view), © Jeanette Bolton-Martin 2016https://curatingthecontemporary.org/wp-content/uploads/2016/11/2c6a1886.jpg2c6a1886Constellation (installation view), © Jeanette Bolton-Martin 2016https://curatingthecontemporary.org/wp-content/uploads/2016/11/2c6a2030.jpg2c6a2030Constellation (installation view) © Jeanette Bolton-Martin 20162016-11-10T19:30:43+00:00monthlyhttps://curatingthecontemporary.org/2016/10/28/africa-my-africa-connecting-boundaries/https://curatingthecontemporary.org/wp-content/uploads/2016/10/dada-my-beautiful-nightmare-2016-80x70cm-courtesy-of-the-gallery-of-african-art-gafra-2.jpgOLYMPUS DIGITAL CAMERAMy beautiful nightmare (2016), Olayanju Dada, Courtesy of the Gallery of African Art (GAFRA) https://curatingthecontemporary.org/wp-content/uploads/2016/10/easy-dreams_edward-akrout.jpgeasy-dreams_edward-akroutEasy Dreams (2015), Edward Akrout, Courtesy of Lahd Gallery https://curatingthecontemporary.org/wp-content/uploads/2016/10/d-soresa-memories-60-x-60-cm-oleo-and-acrylic-on-canvas-2015-courtesy-of-gallery-of-african-art-gafra-2.jpgd-soresa-memories-60-x-60-cm-oleo-and-acrylic-on-canvas-2015-courtesy-of-gallery-of-african-art-gafra-2Memories (2015), Daniel Soresa, Courtesy of the Gallery of African Art (GAFRA) https://curatingthecontemporary.org/wp-content/uploads/2016/10/the-myth-of-sisyphus.jpgthe-myth-of-sisyphusThe myth of Sisyphus (2015), Patrick Altes, Courtesy of Lahd Gallery 2016-10-26T23:37:07+00:00monthlyhttps://curatingthecontemporary.org/2016/10/17/this-must-be-the-place-_-chpt-5-room-temperature-piotr-lakomy/https://curatingthecontemporary.org/wp-content/uploads/2016/10/6-room-temperature-installation-view-courtesy-the-sunday-painter-gallery.jpg6-room-temperature-installation-view-courtesy-the-sunday-painter-galleryRoom Temperature (Installation view), Piotr Lakomy, Courtesy The Sunday Painterhttps://curatingthecontemporary.org/wp-content/uploads/2016/10/4-untitled-2016-courtesy-the-sunday-painter-gallery.jpg4-untitled-2016-courtesy-the-sunday-painter-galleryUntitled (2016), Piotr Lakomy, Courtesy of The Sunday Painterhttps://curatingthecontemporary.org/wp-content/uploads/2016/10/7-untitled-airhouse-or-windhouse-2016-courtesy-the-sunday-painter-gallery.jpg7-untitled-airhouse-or-windhouse-2016-courtesy-the-sunday-painter-galleryUntitled (Airhouse) or (Windhouse) (2016), Piotr Lakomy, Courtesy of The Sunday Painterhttps://curatingthecontemporary.org/wp-content/uploads/2016/10/8-untitled-2016-courtesy-the-sunday-painter-gallery.jpg8-untitled-2016-courtesy-the-sunday-painter-galleryUntitled (2016), Piotr Lakomy, Courtesy of The Sunday Painterhttps://curatingthecontemporary.org/wp-content/uploads/2016/10/3-room-temprerature-installation-view-courtesy-the-sunday-painter-gallery.jpg3-room-temprerature-installation-view-courtesy-the-sunday-painter-galleryRoom Temperature (Installation view), Piotr Lakomy, Courtesy The Sunday Painterhttps://curatingthecontemporary.org/wp-content/uploads/2016/10/1-untitled-spine-2015-2016-courtesy-the-sunday-painter-gallery.jpg1-untitled-spine-2015-2016-courtesy-the-sunday-painter-galleryUntitled- Spine (2015-2016), Piotr Lakomy, Courtesy The Sunday Painterhttps://curatingthecontemporary.org/wp-content/uploads/2016/10/5-room-temperature-installation-view-courtesy-the-sunday-painter-gallery.jpg5-room-temperature-installation-view-courtesy-the-sunday-painter-galleryRoom Temperature (Installation view), Piotr Lakmy, Courtesy The Sunday Painterhttps://curatingthecontemporary.org/wp-content/uploads/2016/10/2-room-temperature-installation-view-courtesy-the-sunday-painter-gallery.jpg2-room-temperature-installation-view-courtesy-the-sunday-painter-galleryRoom Temperature (Installation view) (2016), Piotr Lakomy, Courtesy The Sunday Painter2016-10-17T21:21:23+00:00monthlyhttps://curatingthecontemporary.org/2016/04/21/this-must-be-the-place-chp-4-space-as-visual-sound/https://curatingthecontemporary.org/wp-content/uploads/2016/04/4-suggestions1.jpg4.suggestionshttps://curatingthecontemporary.org/wp-content/uploads/2016/04/6-suggestions-pic-by-lolo-hytju-tuyuyu.jpg6.suggestions. pic by Lolo Hytju Tuyuyuhttps://curatingthecontemporary.org/wp-content/uploads/2016/04/1-suggestions-pic-by-caterina-avataneo.jpg1.suggestions.pic by Caterina Avataneo2016-10-15T16:19:39+00:00monthlyhttps://curatingthecontemporary.org/2016/10/03/skelf/https://curatingthecontemporary.org/wp-content/uploads/2016/10/tom-crawford-2.jpgtom-crawford-2https://curatingthecontemporary.org/wp-content/uploads/2016/10/deborah-stevenson-2.jpgdeborah-stevenson-2Screenshot from Waterloo and City: Private thoughts in public spaces (Deborah Stevenson, Skelf SITE, 2016)https://curatingthecontemporary.org/wp-content/uploads/2016/10/rob-mullender-4.jpgrob-mullender-4Screenshot from As Above, So Below (Robert Mullender, Skelf SITE, 2016)https://curatingthecontemporary.org/wp-content/uploads/2016/10/maia-conran-8.jpgmaia-conran-8Screenshot of This island, and its buildings, is our private paradise (Maia Conran, Skelf SITE, September 2016)2016-10-01T13:01:05+00:00monthlyhttps://curatingthecontemporary.org/2016/09/19/manifesta-chasing-a-european-identity-in-time-of-crisis/https://curatingthecontemporary.org/wp-content/uploads/2016/09/1-pavilion-of-reflections-lake-zurich-manifesta-11-zurich-2016.jpg1-pavilion-of-reflections-lake-zurich-manifesta-11-zurich-2016Pavilion of Reflections, Lake Zurich, Manifesta 11, Zurich 2016, Manifesta Copyrighthttps://curatingthecontemporary.org/wp-content/uploads/2016/09/2-satellite-exhibition-map-manifesta-11-zurich-2016.jpg2-satellite-exhibition-map-manifesta-11-zurich-2016Satellite Exhibition Map, Manifesta 11, Zurich 2016, Manifesta Copyright2016-09-18T12:03:34+00:00monthlyhttps://curatingthecontemporary.org/2016/04/18/ben-woodeson-in-conversation-with-angela-pippo/https://curatingthecontemporary.org/wp-content/uploads/2016/04/rat-trap-neon-neon-and-rattraps-2013-courtesy-of-the-artist.jpgRat Trap Neon, Neon and rattraps (2013), Courtesy of the artistRat Trap Neon, Neon and rattraps (2013), Courtesy of the artisthttps://curatingthecontemporary.org/wp-content/uploads/2016/04/slotted-water-jet-cut-glass-2015-courtesy-of-the-artist.jpgSlotted, Water-jet cut glass (2015), Courtesy of the artistSlotted, Water-jet cut glass (2015), Courtesy of the artist2016-09-10T13:03:10+00:00monthlyhttps://curatingthecontemporary.org/2016/07/04/in-conversation-sophro-x-atipyka-x-art-vanguard/https://curatingthecontemporary.org/wp-content/uploads/2016/07/sophro-x-atipyka-rehearsal.jpgSophro x Atipyka rehearsal2016-09-10T13:02:04+00:00monthlyhttps://curatingthecontemporary.org/2015/07/09/excess-economies-now-the-poisoned-gift/https://curatingthecontemporary.org/wp-content/uploads/2015/07/screen-shot-2015-07-09-at-11-52-44.pngScreen Shot 2015-07-09 at 11.52.44Gift Horse before it’s unveiling on 5th March 2015, Trafalgar Square via Instagram (www.instagram.com/ldn_gov) https://curatingthecontemporary.org/wp-content/uploads/2015/07/excess-economies-pic11.jpgExcess Economies pic1https://curatingthecontemporary.org/wp-content/uploads/2015/07/excess-economies-pic1.jpgExcess Economies pic1Gift Horse before it’s unveiling on 5th March 2015, Trafalgar Square via Instagram (www.instagram.com/ldn_gov) https://curatingthecontemporary.org/wp-content/uploads/2015/07/excess-economies-pic2.jpgExcess Economies pic2‘Just unveiled the new sculpture on the #FourthPlinth in Trafalgar Sq the fantastic #GiftHorse’ – Boris Johnson, via Twitter (www.twitter.com/MayorofLondon), 5th May 2015 2016-09-10T12:59:06+00:00monthlyhttps://curatingthecontemporary.org/2015/10/04/2093/https://curatingthecontemporary.org/wp-content/uploads/2015/10/oneyearartprojectimage01.pngoneyearartprojectimage012016-09-10T12:58:47+00:00monthlyhttps://curatingthecontemporary.org/2015/12/21/an-empathetic-affair-the-embodied-practice-of-hedwig-houben/https://curatingthecontemporary.org/wp-content/uploads/2015/12/img_1.jpgimg_1Hedwig Houben, The Hand, the Eye and It (performance lecture 20 min. still) (2013), Courtesy of Galerie Fons Welters https://curatingthecontemporary.org/wp-content/uploads/2015/12/img_3.jpgimg_3Hedwig Houben, Color and Shapes, a Short Explanation of My Artistic Practice (video, 11.24 min still) (2010), Courtesy of Galerie Fons Welters https://curatingthecontemporary.org/wp-content/uploads/2015/12/img_2.jpgimg_2Hedwig Houben, Personal Matters and Matters of Fact (video, 22 min. still) (2011), Courtesy of Galerie Fons Welters 2016-09-10T12:58:07+00:00monthlyhttps://curatingthecontemporary.org/2016/06/13/the-net-art-virus/https://curatingthecontemporary.org/wp-content/uploads/2016/06/pic3-copy-copy.pngPic3 copy copyGraham Harwood, Tate-Mongrel (2000). Link: http://www2.tate.org.uk/netart/mongrel/home/siteguide.htm https://curatingthecontemporary.org/wp-content/uploads/2016/06/pic6.pngPic6runme.org (2003). Screenshots of repository interface. Courtesy of Alejandro Ball.https://curatingthecontemporary.org/wp-content/uploads/2016/06/pic5.jpgPic5Cornelia Sollfrank, Female Extension (1997). Examples of fake female net artists.https://curatingthecontemporary.org/wp-content/uploads/2016/06/pic4.jpgPic4Cornelia Sollfrank, Female Extension (1997). Examples of fake female net artists.https://curatingthecontemporary.org/wp-content/uploads/2016/06/pic2.jpgPic2Pic 2 – 0100101110101101.org & epidemic, Biennale.py (2001). Image courtesy of the artists. https://curatingthecontemporary.org/wp-content/uploads/2016/06/pic1feature.jpgPic1(Feature)Pic 2 – 0100101110101101.org & epidemic, Biennale.py (2001). Image courtesy of the artists. 2016-09-10T12:53:22+00:00monthlyhttps://curatingthecontemporary.org/2016/08/15/what-doesnt-kill-you-makes-you-sonia/https://curatingthecontemporary.org/wp-content/uploads/2016/08/picture11.pngPicture12016-08-15T11:09:31+00:00monthlyhttps://curatingthecontemporary.org/2016/08/11/this-is-tomorrow-this-was-tomorrow-this-is-today-the-histories-of-an-exhibition/https://curatingthecontemporary.org/wp-content/uploads/2016/08/installation-view-2.jpgInstallation view 2Installation view of This Is Tomorrow exhibition held at the Whitechapel Gallery, 9 September 2010 - 6 March 2011. Courtesy of Whitechapel Gallery, Whitechapel Gallery Archive.https://curatingthecontemporary.org/wp-content/uploads/2016/08/installation-view-1.jpgInstallation view 1Installation view of This Is Tomorrow exhibition held at the Whitechapel Gallery, 9 September 2010 - 6 March 2011. Courtesy of Whitechapel Gallery, Whitechapel Gallery Archive.https://curatingthecontemporary.org/wp-content/uploads/2016/08/05_kunstmuseum-wolfsburg.png05_Kunstmuseum WolfsburgThis was Tomorrow. Screenshot of the Kunstmuseum Wolfsburg’s website (2016), Courtesy of the Kunstmuseum Wolfsburghttps://curatingthecontemporary.org/wp-content/uploads/2016/08/04__gazelli_art_house_19200116_002.jpg04__Gazelli_Art_House_19200116_002Installation view of This is Today at the Gazelli Art House, London. Photograph shows Eduardo Paolozzi sculpture in the foreground and Archigram vinyl in the background (2016), Eduardo Paolozzi, Archigram, Courtesy of the Gazelli Art Househttps://curatingthecontemporary.org/wp-content/uploads/2016/08/03__tate_hamilton_11-2-14_18.jpg03__Tate_Hamilton_11.2.14_18: Installation view of Richard Hamilton retrospective at Tate Modern, London, 2014. Photographs shows Group 2’s Fun House installation at This is Tomorrow by Richard Hamilton, John Voelcker and John McHale (1956, reconstructed 1987) (2014 / 1987 / 1956), Richard Hamilton, John Voelcker and John McHale, © The estate of Richard Hamilton, Courtesy of Tate Photographyhttps://curatingthecontemporary.org/wp-content/uploads/2016/08/01__dscn2624.jpg01__DSCN2624Installation view of Nigel Henderson retrospective at Gainsborough’s House, Sudbury, Suffolk, 2001. Photograph shows Nigel Henderson’s Head of a Man (1956) and Collage for ‘Patio and Pavilion’ (the growth of plant forms) (1956). The flooring and sand in the foreground are a detail from the reconstruction of Patio& Pavilion (1956), (2001/1956), Nigel Henderson, Eduardo Paolozzi, Alison Smithson, Peter Smithson, Courtesy of Gainsborough’s House, Sudbury, Suffolk.https://curatingthecontemporary.org/wp-content/uploads/2016/08/02__tate_hamilton_11-2-14_19.jpg02__Tate_Hamilton_11.2.14_19Installation view of Richard Hamilton retrospective at Tate Modern, London, 2014. Photographs shows Group 2’s Fun House installation at This is Tomorrow by Richard Hamilton, John Voelcker and John McHale (1956, reconstructed 1987) (2014 / 1987 / 1956), Richard Hamilton, John Voelcker and John McHale, © The estate of Richard Hamilton, Courtesy of Tate Photography2016-08-14T17:25:32+00:00monthlyhttps://curatingthecontemporary.org/2016/08/04/pil-project-2014-current-kickstarter/https://curatingthecontemporary.org/wp-content/uploads/2016/08/pilprint6.jpgpilprint6https://curatingthecontemporary.org/wp-content/uploads/2016/08/pic-prints-4.jpgpic prints 4https://curatingthecontemporary.org/wp-content/uploads/2016/08/picture1.pngPicture1https://curatingthecontemporary.org/wp-content/uploads/2016/08/2.png2https://curatingthecontemporary.org/wp-content/uploads/2016/08/3.png3https://curatingthecontemporary.org/wp-content/uploads/2016/08/4.png42016-08-04T09:27:10+00:00monthlyhttps://curatingthecontemporary.org/2016/07/18/prehuman/2016-08-01T19:17:27+00:00monthlyhttps://curatingthecontemporary.org/2016/07/11/what-can-we-learn-from-ariane-prins-rust-collection/https://curatingthecontemporary.org/wp-content/uploads/2016/07/mg_4204.jpg_MG_4204Oxidation in the process (2016). Photographed by Anke Buchmann.https://curatingthecontemporary.org/wp-content/uploads/2016/07/mg_4198.jpg_MG_4198Shapes and Simplicity (2016). Photographed by Anke Buchmann.https://curatingthecontemporary.org/wp-content/uploads/2016/07/mg_4199.jpg_MG_4199Rust Collection (2016). Photographed by Anke Buchmann.https://curatingthecontemporary.org/wp-content/uploads/2016/07/mg_4213.jpg_MG_4213Metal Waste (2016). Photographed by Anke Buchmann. https://curatingthecontemporary.org/wp-content/uploads/2016/07/mg_4200.jpg_MG_4200Stopped oxidation (2016). Photographed by Anke Buchmann. https://curatingthecontemporary.org/wp-content/uploads/2016/07/mg_4215.jpg_MG_4215Prin Studio (2016). Photographed by Anke Buchmann.2016-07-10T16:54:03+00:00monthlyhttps://curatingthecontemporary.org/2016/06/30/openings-exhibitions-july-2016/https://curatingthecontemporary.org/wp-content/uploads/2016/06/anna-choitova-olives-oil-on-canvas.jpegAnna Choitova, Olives, oil on canvas.https://curatingthecontemporary.org/wp-content/uploads/2016/06/admiralty-arch-london.jpgAdmiralty Arch, LondonAdmiralty Arch, Londonhttps://curatingthecontemporary.org/wp-content/uploads/2016/06/cgp.jpgCGPCGPhttps://curatingthecontemporary.org/wp-content/uploads/2016/06/lucy-suggate-photo-by-the-bodyfarm.jpgLucy Suggate, Photo by The BodyfarmLucy Suggate, Photo by The Bodyfarmhttps://curatingthecontemporary.org/wp-content/uploads/2016/06/lana-locke-the-drips-installation-at-carnival-glass-group-exhibition-block-336-london-4-december-2015-29-january-2016.jpegLana Locke, The Drips Installation at Carnival Glass group exhibition, Block 336, London, 4 December 2015 - 29 January 2016Lana Locke, The Drips Installation at Carnival Glass group exhibition, Block 336, London, 4 December 2015 - 29 January 2016https://curatingthecontemporary.org/wp-content/uploads/2016/06/yuri-pattison-architectures-of-credibility-helga-maria-klosterfelde-berlin.jpgYuri Pattison, Architectures of credibility, Helga Maria Klosterfelde, BerlinYuri Pattison, Architectures of credibility, Helga Maria Klosterfelde, Berlinhttps://curatingthecontemporary.org/wp-content/uploads/2016/06/simona-brinkmann-docile-brutes-iv-2014-steel-leather-metal-fittings.jpgSimona Brinkmann, Docile Brutes IV, 2014, Steel, leather, metal fittings.Simona Brinkmann, Docile Brutes IV, 2014, Steel, leather, metal fittings.https://curatingthecontemporary.org/wp-content/uploads/2016/06/guan-xiao-documentary-from-national-geographic-to-bbc-2015-detail-photo-credits-david-bebber.jpgGuan Xiao, Documentary- From National Geographic to BBC, 2015 (detail). Photo Credits David BebberGuan Xiao, Documentary- From National Geographic to BBC, 2015 (detail). Photo Credits David Bebberhttps://curatingthecontemporary.org/wp-content/uploads/2016/06/carlo-carrc3a0-il-pino-sul-mare-1921.jpgCarlo Carrà, Il pino sul mare, 1921Carlo Carrà, Il pino sul mare, 1921https://curatingthecontemporary.org/wp-content/uploads/2016/06/ateliers-in-goldsmiths-university.jpgAteliers in Goldsmiths UniversityAteliers in Goldsmiths University2016-07-01T10:28:34+00:00monthlyhttps://curatingthecontemporary.org/2016/05/23/magical-surfaces-the-uncanny-in-contemporary-photography/https://curatingthecontemporary.org/wp-content/uploads/2016/05/joel-sternfeld_mclean-virginia-december1978_1978_printed-2003_small.jpgJoel Sternfeld_McLean, Virginia, December1978_1978_printed 2003_smallJoel Sternfeld McLean, Virginia, December 1978 (1978), printed 2003https://curatingthecontemporary.org/wp-content/uploads/2016/05/jc3b6rg-sasse-2729-2012.jpgJörg Sasse, '2729, 2012'Jörg Sasse, 2729 (2012)https://curatingthecontemporary.org/wp-content/uploads/2016/05/julie-monaco_mc_01-05_2006.jpgJulie Monaco_MC_01.05_2006Julie Monaco, MC 01.05 (2006)https://curatingthecontemporary.org/wp-content/uploads/2016/05/sonja-braas_you-are-here-5_1999.jpgSonja Braas_You Are Here # 5_1999Sonja Braas, You Are Here #5 (1999)https://curatingthecontemporary.org/wp-content/uploads/2016/05/stephen-shore_badlands-national-monumen-south-dakota_july-14-1973_1973-printed-2014.jpgStephen Shore_Badlands National Monumen South Dakota_July 14 1973_1973 printed 2014Stephen Shore, Badlands National Monument, South Dakota, July 14 1973 (1973), printed 20142016-05-23T08:29:38+00:00monthlyhttps://curatingthecontemporary.org/2016/05/16/no-company-rehearsing-alone-with-others/https://curatingthecontemporary.org/wp-content/uploads/2016/05/flip.pngfliphttps://curatingthecontemporary.org/wp-content/uploads/2016/05/img_6556-copy-copy.jpgIMG_6556 - Copy - CopyPhoto by Clélia Vuille.2016-05-15T19:47:55+00:00monthlyhttps://curatingthecontemporary.org/2016/05/12/my-place-your-place-our-place-place/2016-05-11T19:05:52+00:00monthlyhttps://curatingthecontemporary.org/2016/05/01/artist-of-the-month-may-with-paulo-nimer-pjota/https://curatingthecontemporary.org/wp-content/uploads/2016/04/zoom_2013_montage-pjota-8_preview.jpgPermuta entre Dois Estados TemporaisPaulo Nimer Pjota, Entre-temps...Brusquement, et ensuite, 2013, 12ª Biennale de Lyon, Lyon ©Paulo Nimer Pjota, courtesy of Mendes Wood DM, Saõ Paulohttps://curatingthecontemporary.org/wp-content/uploads/2016/04/zoom_mw-pnp-p-005-00-00.jpgzoom_MW.PNP.P.005.00.00Paulo Nimer Pjota, AK47, 2012 acrílica, lápis, esmalte sintético e caneta sobre tela e chapa metálica 200 x 300 cm (200 x 110 cm - chapa metálica / 200 x 190 cm tela. ©Paulo Nimer Pjota, courtesy of Mendes Wood DM, Saõ Paulo https://curatingthecontemporary.org/wp-content/uploads/2016/04/zoom_mw-pnp-p-013-00-00.jpgzoom_MW.PNP.P.013.00.00aulo Nimer Pjota, Encontro de índios com viajantes europeus - marcação 1, 2013 acrílica, esmalte sintético sobre tela, caneta e impressão 111 x 99 x 6 cm. ©Paulo Nimer Pjota, courtesy of Mendes Wood DM, Saõ Paulo https://curatingthecontemporary.org/wp-content/uploads/2016/04/zoom_mw-pnp-p-035-00-00.jpgzoom_MW.PNP.P.035.00.00Paulo Nimer Pjota, Entre a filosofia e o crime part 1, 2015 acrílica, óleo, caneta, lápis, sobre chapa de ferro, algodão, papel e concreto 265 x 465 cm. ©Paulo Nimer Pjota, courtesy of Mendes Wood DM, Saõ Paulo https://curatingthecontemporary.org/wp-content/uploads/2016/04/screen-shot-2016-04-27-at-20-07-54.pngScreen Shot 2016-04-27 at 20.07.54Paulo Nimer Pjota Baiacu acrylic, charcoal, synthetic enamel, pen, pencil on canvas with resin objects 195 x 150 cm - 76 3/4 x 59 1/8 in 2015 ©Paulo Nimer Pjota, courtesy Maureen Paley, London https://curatingthecontemporary.org/wp-content/uploads/2016/04/ennials-lyon-biennial-mural.jpgennials-lyon-biennial-muralPaulo Nimer Pjota, Permuta entre Dois Estados Temporais (Passage Between Two Temporal States) (2013) at the 12th Biennale de Lyon. ©Paulo Nimer Pjota, courtesy the artist, La Biennale de Lyon. 2016-05-04T21:43:39+00:00monthlyhttps://curatingthecontemporary.org/2016/05/02/unborn-lovers-scripting-for-agency/https://curatingthecontemporary.org/wp-content/uploads/2016/05/img_1.jpgimg_1Katarina Rankovic, Rosa and Lawrence (2015), Readers’ names: Andrea Siso and Joshua Crowe, Two volunteer readers enact the script Rosa and Lawrence Were Here https://curatingthecontemporary.org/wp-content/uploads/2016/05/img_2.jpgimg_22016-05-02T19:50:04+00:00monthlyhttps://curatingthecontemporary.org/2016/04/25/how-to-handle-an-art-box-some-instructions-on-fig-2-by-its-curator-fatos-ustek/https://curatingthecontemporary.org/wp-content/uploads/2016/04/31.jpg3Fig-2, week 5/50 – Rebecca Birch. Photography by Sylvain Deleuhttps://curatingthecontemporary.org/wp-content/uploads/2016/04/21.jpg2Hiraki Sawa, ‘Lineament,’ 2012, two-channel video, colour, silent customised record player, vinyl record, stereo sound. Sound by Dale Berning and Ute Kanngiesser 18’ 47”. Installation image of fig-2 exhibition. Courtesy of the artist. Photography by Sylvain Deleuhttps://curatingthecontemporary.org/wp-content/uploads/2016/04/41.jpg4Annika Ström, ‘Six Lovely People’, 2015. Courtesy of the artist. Photography by Sylvain Deleuhttps://curatingthecontemporary.org/wp-content/uploads/2016/04/5.jpg5Tom McCarthy, 2015. Installation image of fig- 2 exhibition, week 12/50. Courtesy of the artist. Photography by Sylvain Deleu.https://curatingthecontemporary.org/wp-content/uploads/2016/04/7.jpg7Jacopo Miliani, 2015. Installation image of fig-2 exhibition, week 16/50. Courtesy of the artist. Photography by Sylvain Deleu. https://curatingthecontemporary.org/wp-content/uploads/2016/04/9.jpg9Francesco Pedraglio, (poema), 2015. Performance. fig-2 opening, week 28/50. Photography by ©Sylvain Deleuhttps://curatingthecontemporary.org/wp-content/uploads/2016/04/10.jpg10Anna Barham, 2015. fig-2 opening, week 30/50. Photography by Sylvain Deleuhttps://curatingthecontemporary.org/wp-content/uploads/2016/04/12.jpg12Donuts, 2015. fig-2 week 44/50. Photography by ©Sylvain Deleu https://curatingthecontemporary.org/wp-content/uploads/2016/04/8.jpg8Kathryn Elkin, ‘The Elephants in the Room’, 2015. Installation image of fig-2 exhibition, week 17/50. Courtesy of the artist. Photography by © Sylvain Deleuhttps://curatingthecontemporary.org/wp-content/uploads/2016/04/13.jpg13Manuel Mathieu, 2015. fig-2 week 49/50. Photography by ©Sylvain Deleu 2016-04-24T12:40:37+00:00monthlyhttps://curatingthecontemporary.org/2016/04/04/iain-ball-praseodymium-intracrine-signal-aggregate/https://curatingthecontemporary.org/wp-content/uploads/2016/03/1_iainball-rare-earth-sculptures-praseodymium-2016-03.jpeg1_Iainball (Rare Earth Sculptures) PRASEODYMIUM 2016 03Iain Ball, (Rare Earth Sculptures) PRASEODYMIUM, 2016 https://curatingthecontemporary.org/wp-content/uploads/2016/03/5_iainball-rare-earth-sculptures-praseodymium-2016-41.jpeg5_Iainball (Rare Earth Sculptures) PRASEODYMIUM 2016 41Iain Ball, Detail - (Rare Earth Sculptures) PRASEODYMIUM, 2016https://curatingthecontemporary.org/wp-content/uploads/2016/03/7_detail-iainball-rare-earth-sculptures-praseodymium-2016-11.jpeg7_Detail Iainball (Rare Earth Sculptures) PRASEODYMIUM 2016 11Iain Ball, Detail - (Rare Earth Sculptures) PRASEODYMIUM, 2016https://curatingthecontemporary.org/wp-content/uploads/2016/03/3_detail-iainball-rare-earth-sculptures-praseodymium-2016-07.jpg3_Detail Iainball (Rare Earth Sculptures) PRASEODYMIUM 2016 07Iain Ball, Detail - (Rare Earth Sculptures) PRASEODYMIUM, 2016https://curatingthecontemporary.org/wp-content/uploads/2016/03/10_iainball-rare-earth-sculptures-praseodymium-signal-monitor-2016-31.jpeg10_Iainball (Rare Earth Sculptures) PRASEODYMIUM signal monitor 2016 31Install view PRASEODYMIUM signal monitor (Rare Earth Sculptures), 2016https://curatingthecontemporary.org/wp-content/uploads/2016/03/11_iainball-fast-catches-and-signal-aggregate-non-stabilized-hd-2016-35.jpeg11_Iainball Fast Catches (And) signal aggregate (non stabilized HD) 2016 35Iain Ball, Fast Catches (And) signal aggregate (non stabilized HD), 2016 HD single channel video, stereo sound, duration 5:02min (looped)https://curatingthecontemporary.org/wp-content/uploads/2016/03/12_iainball-fast-catches-and-signal-aggregate-non-stabilized-hd-2016-intracrine-signal-aggregate-2016-39.jpg12_Iainball Fast Catches (And) signal aggregate (non stabilized HD) 2016, Intracrine Signal Aggregate 2016 39Iain Ball, Intracrine Signal Aggregate 2016 (*and behind) - Fast Catches (And) signal aggregate (non stabilized HD) 2016 Audio, duration 4:42min, looped.2016-04-02T14:41:26+00:00monthlyhttps://curatingthecontemporary.org/2016/04/07/performing-the-wine-dice-michael-joos-radiohalo/https://curatingthecontemporary.org/wp-content/uploads/2016/03/installation-view-of-michael-joos-radiohalo.jpgInstallation view of Michael Joo's RadiohaloPeter Mallet, (2016), Installation shot. Courtesy of Blain/Southern.2016-04-08T12:44:01+00:00monthlyhttps://curatingthecontemporary.org/2016/03/28/the-wine-dice/https://curatingthecontemporary.org/wp-content/uploads/2016/03/headerimage1.jpgheaderimagehttps://curatingthecontemporary.org/wp-content/uploads/2016/03/the-completed-wine-games-in-the-corridor-of-the-ben-pimlott-building-at-goldsmiths1.jpgThe completed Wine Games in the corridor of the Ben Pimlott building at GoldsmithsJoe Stevens, (2007), Wine Games. Courtesy of the artist.2016-03-31T20:12:57+00:00monthlyhttps://curatingthecontemporary.org/2016/03/24/neoliberal-lulz-carrolfletcher-lol-lul-lols-luls-lolz-lulz/https://curatingthecontemporary.org/wp-content/uploads/2016/03/neolulz-lrg-491.jpgNEOLULZ LRG-49Neoliberal Lulz, Installation View, 2016, Carroll/Fletcher Image courtesy of Carroll/Fletcherhttps://curatingthecontemporary.org/wp-content/uploads/2016/03/neolulz-lrg-22.jpgNEOLULZ LRG-22Neoliberal Lulz, Installation View, 2016, Carroll/Fletcher Image courtesy of Carroll/Fletcherhttps://curatingthecontemporary.org/wp-content/uploads/2016/03/neolulz-lrg-391.jpgNEOLULZ LRG-39Neoliberal Lulz, Installation View, 2016, Carroll/Fletcher Image courtesy of Carroll/Fletcherhttps://curatingthecontemporary.org/wp-content/uploads/2016/03/neolulz-lrg-19.jpgNEOLULZ LRG-19.jpg,Neoliberal Lulz, Installation View, 2016, Carroll/Fletcher Image courtesy of Carroll/Fletcherhttps://curatingthecontemporary.org/wp-content/uploads/2016/03/neolulz-lrg-33.jpgNEOLULZ LRG-33Neoliberal Lulz, Installation View, 2016, Carroll/Fletcher Image courtesy of Carroll/Fletcherhttps://curatingthecontemporary.org/wp-content/uploads/2016/03/neolulz-lrg-18.jpgNEOLULZ LRG-18Neoliberal Lulz, Installation View, 2016, Carroll/Fletcher Image courtesy of Carroll/Fletcherhttps://curatingthecontemporary.org/wp-content/uploads/2016/03/neolulz-lrg-16.jpgNEOLULZ LRG-16Neoliberal Lulz, Installation View, 2016, Carroll/Fletcher Image courtesy of Carroll/Fletcherhttps://curatingthecontemporary.org/wp-content/uploads/2016/03/neolulz-lrg-27-2.jpgNEOLULZ LRG-27-2Neoliberal Lulz, Installation View, 2016, Carroll/Fletcher Image courtesy of Carroll/Fletcherhttps://curatingthecontemporary.org/wp-content/uploads/2016/03/neolulz-lrg-23.jpgNEOLULZ LRG-23Neoliberal Lulz, Installation View, 2016, Carroll/Fletcher Image courtesy of Carroll/Fletcherhttps://curatingthecontemporary.org/wp-content/uploads/2016/03/neolulz-lrg-28.jpgNEOLULZ LRG-28Neoliberal Lulz, 2016, Carroll/Fletcher Image courtesy of Carroll/Fletcher2016-03-31T19:08:08+00:00monthlyhttps://curatingthecontemporary.org/2016/03/10/nothing-to-worry-about/https://curatingthecontemporary.org/wp-content/uploads/2016/03/1.jpg1Eloise Bonneviot, Thinking like a Mountain, 2015, courtesy of the artist2016-03-31T19:07:41+00:00monthlyhttps://curatingthecontemporary.org/2016/03/07/what-is-the-peer-group/https://curatingthecontemporary.org/wp-content/uploads/2016/03/the-peer-group-in-action-during-exhibition-changeover-at-gasworks.jpgThe Peer Group in action during exhibition changeover at GasworksGasworks, (2015), Peer Group. Courtesy of Gasworks2016-03-28T10:04:14+00:00monthlyhttps://curatingthecontemporary.org/2016/02/25/julian-charriere-for-they-that-sow-the-wind/https://curatingthecontemporary.org/wp-content/uploads/2016/02/33.jpg3Julian Charrière: For They That Sow the Wind, 2016. Installation view at Parasol unit, London Photograph: Jack Hems Courtesy of Parasol unit foundation for contemporary art https://curatingthecontemporary.org/wp-content/uploads/2016/02/23.jpg2Julian Charrière: For They That Sow the Wind, 2016. Installation view at Parasol unit, London Photograph: Jack Hems Courtesy of Parasol unit foundation for contemporary art https://curatingthecontemporary.org/wp-content/uploads/2016/02/14.jpg1Julian Charrière: For They That Sow the Wind, 2016. Installation view at Parasol unit, London Photograph: Jack Hems Courtesy of Parasol unit foundation for contemporary art https://curatingthecontemporary.org/wp-content/uploads/2016/02/51.jpg5Julian Charrière: For They That Sow the Wind, 2016. Installation view at Parasol unit, London Photograph: Jack Hems Courtesy of Parasol unit foundation for contemporary art https://curatingthecontemporary.org/wp-content/uploads/2016/02/42.jpg4Julian Charrière: For They That Sow the Wind, 2016. Installation view at Parasol unit, London Photograph: Jack Hems Courtesy of Parasol unit foundation for contemporary art 2016-02-26T13:19:37+00:00monthlyhttps://curatingthecontemporary.org/2016/02/22/qwaypurlake-challenging-the-curatorial-boundariesinterview-with-simon-morrisey/https://curatingthecontemporary.org/wp-content/uploads/2016/02/13.jpg1The Lake - David Wojtowycz - 2012 - film still - DVD - 30'00" (loop)https://curatingthecontemporary.org/wp-content/uploads/2016/02/12.jpg1The Lake - David Wojtowycz - 2012 - film still - DVD - 30'00" (loop)https://curatingthecontemporary.org/wp-content/uploads/2016/02/41.jpg4Time Passed - Heather & Ivan Morison - 2012 - cast iron, urine - 19 5/8 x 9 7/8 x 39 3/8 inhttps://curatingthecontemporary.org/wp-content/uploads/2016/02/32.jpg3Qwaypurlake, installation view at Hauser & Wirth Somerset.https://curatingthecontemporary.org/wp-content/uploads/2016/02/22.jpg2Stallion - Daphne Wright - 2009 - marble, dust and resin - 63 x 149 5/8 x 55 1/8 in2016-02-22T15:28:21+00:00monthlyhttps://curatingthecontemporary.org/2016/01/25/the-paradox-of-love/https://curatingthecontemporary.org/wp-content/uploads/2016/01/full.jpgFULLFULL (2m trailer) Director: Carol Mavor Film stillhttps://curatingthecontemporary.org/wp-content/uploads/2016/01/poetryfilm-paradox.jpgPoetryFilm Paradoxhttps://curatingthecontemporary.org/wp-content/uploads/2016/01/platillo-puro.jpgPlatillo PuroPlatillo Puro (2m 32s) Director: Bruno Teixidor Poet: Tomas Segovia Film still https://curatingthecontemporary.org/wp-content/uploads/2016/01/echoes.jpgEchoesEchoes (6m 0s) Director: Jaimz Asmundson Film stillhttps://curatingthecontemporary.org/wp-content/uploads/2016/01/447-intellect-e28093-n.jpg447- Intellect – N447- Intellect – N (35s) Director: Jane Glennie Film stillhttps://curatingthecontemporary.org/wp-content/uploads/2016/01/15th-february.jpg15th February15th February (6m 35s) Director: Tim Webb Poet: Peter Reading Film still2016-02-17T22:00:09+00:00monthlyhttps://curatingthecontemporary.org/2016/02/15/architecture-on-film-the-films-of-charles-and-ray-eames-screentalk-13th-january/https://curatingthecontemporary.org/wp-content/uploads/2016/02/31.jpg3James Nasmyth, Back of the Hand (to illustrate the origin of certain mountain ranges resulting from shrinkage of the interior), 1885. © Internet Archivehttps://curatingthecontemporary.org/wp-content/uploads/2016/02/11.jpg1A Film Dealing with the Relative Size of Things in the Universe and the Effect of Adding Another Zero, 1977. © Eames Office LLChttps://curatingthecontemporary.org/wp-content/uploads/2016/02/21.jpg2A Film Dealing with the Relative Size of Things in the Universe and the Effect of Adding Another Zero, 1977. © Eames Office LLC2016-02-15T11:55:40+00:00monthlyhttps://curatingthecontemporary.org/2015/07/16/a-description-lost-in-conversation/https://curatingthecontemporary.org/wp-content/uploads/2015/07/img_9402.jpgIMG_94022016-01-31T14:30:07+00:00monthlyhttps://curatingthecontemporary.org/2015/07/23/whats-that-thing-sarah-lucas/https://curatingthecontemporary.org/wp-content/uploads/2015/07/modularfurniture1.jpgmodularfurniturehttps://curatingthecontemporary.org/wp-content/uploads/2015/07/modularfurniture.jpgmodularfurniture2016-01-31T14:29:19+00:00monthlyhttps://curatingthecontemporary.org/2015/08/06/whats-that-thing-sarah-lucas-part-two/https://curatingthecontemporary.org/wp-content/uploads/2015/08/sarah-lucas-artist-bitch-1995-high-res.jpgSarah-Lucas-artist-Bitch-1995-high-resSarah Lucas, Bitch 1995, Wood table, cotton t-shirt, melons, kipper2016-01-31T14:28:18+00:00monthlyhttps://curatingthecontemporary.org/2015/08/13/whats-that-thing-sarah-lucas-part-three/https://curatingthecontemporary.org/wp-content/uploads/2015/08/monsters-layed-in-japan.jpgMonsters (Layed in Japan)https://curatingthecontemporary.org/wp-content/uploads/2015/08/11857736_10207379972917912_911155755_n3.jpg11857736_10207379972917912_911155755_nhttps://curatingthecontemporary.org/wp-content/uploads/2015/08/11857736_10207379972917912_911155755_n2.jpg11857736_10207379972917912_911155755_nhttps://curatingthecontemporary.org/wp-content/uploads/2015/08/11857736_10207379972917912_911155755_n1.jpg11857736_10207379972917912_911155755_nhttps://curatingthecontemporary.org/wp-content/uploads/2015/08/11857736_10207379972917912_911155755_n.jpg11857736_10207379972917912_911155755_n2016-01-31T14:27:36+00:00monthlyhttps://curatingthecontemporary.org/2015/10/27/michael-landy-breaking-news/https://curatingthecontemporary.org/wp-content/uploads/2015/10/7_feature.jpg7_featurehttps://curatingthecontemporary.org/wp-content/uploads/2015/10/11.jpg1Caption: Michael Landy, ‘Breaking News’ (2015) installation view. Image courtesy the artist and Thomas Dane Gallery, Londonhttps://curatingthecontemporary.org/wp-content/uploads/2015/10/31.jpg3Caption: Michael Landy, ‘Breaking News’ (2015) installation view. Image courtesy the artist and Thomas Dane Gallery, Londonhttps://curatingthecontemporary.org/wp-content/uploads/2015/10/21.jpg2Caption: Michael Landy, ‘Breaking News’ (2015) installation view. Image courtesy the artist and Thomas Dane Gallery, Londonhttps://curatingthecontemporary.org/wp-content/uploads/2015/10/41.jpg4Caption: Michael Landy, ‘Breaking News’ (2015) installation view. Image courtesy the artist and Thomas Dane Gallery, Londonhttps://curatingthecontemporary.org/wp-content/uploads/2015/10/61.jpg6Caption: Michael Landy, ‘Breaking News’ (2015) installation view. Image courtesy the artist and Thomas Dane Gallery, Londonhttps://curatingthecontemporary.org/wp-content/uploads/2015/10/5.png5Caption: Michael Landy, ‘Breaking News’ (2015) installation view. Image courtesy the artist and Thomas Dane Gallery, Londonhttps://curatingthecontemporary.org/wp-content/uploads/2015/10/71.jpg7Caption: Michael Landy, ‘Breaking News’ (2015) installation view. Image courtesy the artist and Thomas Dane Gallery, London2016-01-31T14:24:48+00:00monthlyhttps://curatingthecontemporary.org/2015/11/10/la-isla-network-an-experiment-in-internet-art-functionality/2016-01-31T14:23:02+00:00monthlyhttps://curatingthecontemporary.org/2016/01/21/the-algerianism-art-project/https://curatingthecontemporary.org/wp-content/uploads/2016/01/id-mizo-serie.jpgID Mizo serie'Mizo' Hamza Ait Mekideche, Once upon a time, El Hayek, Photograph, Image courtesy of the artisthttps://curatingthecontemporary.org/wp-content/uploads/2016/01/patrick-altes-mare-nostrum.jpgPatrick Altes - Mare NostrumPatrick Altes, Revolution in the air, Digital print, Hahnmuehle paper on Dibond, 2013, Image courtesy of the artisthttps://curatingthecontemporary.org/wp-content/uploads/2016/01/kaci-ould-aissa-2.jpgKaci Ould Aissa 2Kaci Ould Aissi, The housewife, Photograph, 2014, Image courtesy of the artisthttps://curatingthecontemporary.org/wp-content/uploads/2016/01/hania-jung-import-export.jpgHania Jung- import exportHanna Zaazou 'Princess Zazou', The Negociation, Digital print on canvas, 2015, Image courtesy of the artisthttps://curatingthecontemporary.org/wp-content/uploads/2016/01/souad-douibi.jpgSouad DouibiSouad Douibi, Howa we Hiya: This is me, this is my Story, Textile, doll installation, 2015, Image courtesy of the artisthttps://curatingthecontemporary.org/wp-content/uploads/2016/01/yasser-ameur.jpgYasser AmeurYasser Ameur, We Are You, Acrylic on Canvas, 2014, Image courtesy of the artist2016-01-19T22:18:02+00:00monthlyhttps://curatingthecontemporary.org/2016/01/04/redundancy-the-artists-material-technologys-failure-is-arts-gain/https://curatingthecontemporary.org/wp-content/uploads/2016/01/masding20joanne2058.gifMasding%20Joanne%2058https://curatingthecontemporary.org/wp-content/uploads/2016/01/1.png12016-01-03T16:09:50+00:00monthlyhttps://curatingthecontemporary.org/2015/12/24/ctc-2015-a-selection-of-articles/https://curatingthecontemporary.org/wp-content/uploads/2015/12/6.png6Meeting Peter Sellers (production still) (2015), Charlie Dance, Courtesy of the Artist, Photo: Charlie Dancehttps://curatingthecontemporary.org/wp-content/uploads/2015/12/5.png5Assemble, Photograph showing derelict houses in Toxteth, Liverpool (c.2015),Courtesy of Assemble Photo credit: http://assemblestudio.co.uk/?page_id=862https://curatingthecontemporary.org/wp-content/uploads/2015/12/4.png4Personal Archive Giséle van Waterschoot van der Gracht, Herengracht 401, 1017 BP Amsterdamhttps://curatingthecontemporary.org/wp-content/uploads/2015/12/3.png3Sarah Lucas, Modular Furniture (2013) MDF, Breeze Blockshttps://curatingthecontemporary.org/wp-content/uploads/2015/12/21.png2Sans Soleil (film still), 1983, Chris Markerhttps://curatingthecontemporary.org/wp-content/uploads/2015/12/11.png1Courtesy of Somebody and Miranda July2015-12-24T17:51:23+00:00monthlyhttps://curatingthecontemporary.org/2015/12/17/intertextuality-and-thematic-development-from-badlands-to-true-romance/https://curatingthecontemporary.org/wp-content/uploads/2015/12/21.jpg2You're so Cool - Alabama, True Romancehttps://curatingthecontemporary.org/wp-content/uploads/2015/12/1.png12015-12-20T12:26:41+00:00monthlyhttps://curatingthecontemporary.org/2015/12/10/post-modernism-neo-liberalism-and-the-selfie/https://curatingthecontemporary.org/wp-content/uploads/2015/12/2.jpg2https://curatingthecontemporary.org/wp-content/uploads/2015/12/1.jpg1Photo: Harry Brandrick, Old Street Station, ‘Shot on Iphone6’, 2015https://curatingthecontemporary.org/wp-content/uploads/2015/12/2.png21888 Kodak Advertisement-‘You press the button, we do the rest. The only camera that anyone can use without instructions’. https://en.wikipedia.org/wiki/Kodak, accessed 3rd November 2015https://curatingthecontemporary.org/wp-content/uploads/2015/12/4.jpg4Cindy Sherman, Untitled Film Still #14, 1978. Source: http://www.moma.org/interactives/exhibitions/1997/sherman/jpgs/sherman14.jpg, accessed 5th May 2015https://curatingthecontemporary.org/wp-content/uploads/2015/12/3.jpg3Photo: Harry Brandrick, Old Street Station, ‘Do Your Photos Stand Out From The Crowd? 2015https://curatingthecontemporary.org/wp-content/uploads/2015/12/5.jpg5Photo: Cindy Sherman, Untitled Film Still #58, 1977. Source: http://www.guggenheim.org/new-york/education/school-educator-programs/teacher-resources/arts-curriculum-online?view=item&catid=732&id=152, accessed 5th May 20152015-12-14T07:14:23+00:00monthlyhttps://curatingthecontemporary.org/2015/12/07/the-curatorial-and-the-collaborative-from-the-independent-group-to-assemble/https://curatingthecontemporary.org/wp-content/uploads/2015/12/assemble-photograph-of-children-playing-on-big-slide.jpgOLYMPUS DIGITAL CAMERAAssemble, Photograph of children playing on Big Slide (2013), Courtesy of Assemble Photo credit: http://assemblestudio.co.uk/?page_id=411 https://curatingthecontemporary.org/wp-content/uploads/2015/12/assemble-photograph-of-derelict-housing-in-toxteth.jpgAssemble, Photograph of derelict housing in ToxtethAssemble, Photograph showing derelict houses in Toxteth, Liverpool (c.2015),Courtesy of Assemble Photo credit: http://assemblestudio.co.uk/?page_id=862 https://curatingthecontemporary.org/wp-content/uploads/2015/12/assemble-photograph-of-granby-workshop.jpgAssemble, Photograph of Granby WorkshopAssemble, Photograph of Granby Workshop (2015), Courtesy of Assemble Photo credit: http://assemblestudio.co.uk/?page_id=1524 https://curatingthecontemporary.org/wp-content/uploads/2015/12/assemble-photograph-of-the-brutalist-playground.jpgAssemble, Photograph of The Brutalist PlaygroundAssemble and Simon Terrill, The Brutalist Playground by Assemble and Simon Terrill (2013), Photograph by Tristan Fewings/Getty Images for RIBA, courtesy of RIBA Photo credit: https://www.architecture.com/Explore/ExhibitionsandEvents/BrutalistPlayground/BrutalistPlayground.aspx https://curatingthecontemporary.org/wp-content/uploads/2015/12/henderson-photograph-of-children-playing-on-chisenhale-road.jpgHenderson, Photograph of children playing on Chisenhale RoadNigel Henderson, Photograph of children playing on Chisenhale Road, London (c.1949-c.1956) © Nigel Henderson Estate and Photographic Rights © Tate (2015). Available under a CC-BY-NC-ND 3.0 (Unported) licence Photo credit: http://www.tate.org.uk/art/archive/tga-201011-3-1-144-2/henderson-photograph-of-children-playing-on-chisenhale-road-london https://curatingthecontemporary.org/wp-content/uploads/2015/12/henderson-photograph-showing-a-row-of-shops-part-demolished.jpgHenderson, Photograph showing a row of shops part-demolishedNigel Henderson, Photograph showing a row of shops part-demolished (c.1949-c.1956) © Nigel Henderson Estate and Photographic Rights © Tate (2015). Available under a CC-BY-NC-ND 3.0 (Unported) licence Photo credit: http://www.tate.org.uk/art/archive/tga-201011-3-1-136-4/henderson-photograph-showing-a-row-of-shops-part-demolished https://curatingthecontemporary.org/wp-content/uploads/2015/12/henderson-photograph-showing-a-derelict-building.jpgHenderson, Photograph showing a derelict buildingNigel Henderson, Photograph showing a derelict building (c.1949-c.1956) © Nigel Henderson Estate and Photographic Rights © Tate (2015). Available under a CC-BY-NC-ND 3.0 (Unported) licence Photo credit: http://www.tate.org.uk/art/archive/tga-201011-3-1-50-4/henderson-photograph-showing-a-derelict-building https://curatingthecontemporary.org/wp-content/uploads/2015/12/henderson-photograph-showing-nigel-henderson-eduardo-paolozzi-alice-and-peter-smithson-seated-in-an-unidentified-street.jpgHenderson, Photograph showing Nigel Henderson, Eduardo Paolozzi, Alice and Peter Smithson, seated in an unidentified streetNigel Henderson, Photograph showing Nigel Henderson, Eduardo Paolozzi, Alice and Peter Smithson, seated in an unidentified street (c.1949-c.1956) © Nigel Henderson Estate and Photographic Rights © Tate (2015). Available under a CC-BY-NC-ND 3.0 (Unported) licence Photo credit: http://www.tate.org.uk/art/archive/tga-201011-3-1-73-4/photograph-showing-nigel-henderson-eduardo-paolozzi-alice-and-peter-smithson-seated-in-an https://curatingthecontemporary.org/wp-content/uploads/2015/12/henderson-photograph-showing-interior-of-a-room.jpgHenderson, Photograph showing interior of a roomNigel Henderson, Photograph showing interior of a room (c.1949-c.1956) © Nigel Henderson Estate and Photographic Rights © Tate (2015). Available under a CC-BY-NC-ND 3.0 (Unported) licence Photo credit: http://www.tate.org.uk/art/archive/tga-201011-3-1-72-1/henderson-photograph-showing-interior-of-a-room https://curatingthecontemporary.org/wp-content/uploads/2015/12/henderson-photograph-showing-hunstanton-secondary-modern-school-norfork-during-construction.jpgHenderson, Photograph showing Hunstanton Secondary Modern School, Norfork, during constructionNigel Henderson, Photograph showing Hunstanton Secondary Modern School, Norfolk, during construction (c.1949-c.1956) © Nigel Henderson Estate and Photographic Rights © Tate (2015). Available under a CC-BY-NC-ND 3.0 (Unported) licence Photo credit: http://www.tate.org.uk/art/archive/tga-201011-3-1-27-10/henderson-photograph-showing-hunstanton-secondary-modern-school-norfork-during 2015-12-07T13:35:45+00:00monthlyhttps://curatingthecontemporary.org/2015/11/26/beart-crowdfunding-as-the-contemporary-patronage/https://curatingthecontemporary.org/wp-content/uploads/2015/11/13.jpg1Logo BeArthttps://curatingthecontemporary.org/wp-content/uploads/2015/11/23.jpg2Claims BeArthttps://curatingthecontemporary.org/wp-content/uploads/2015/11/32.jpgE-ELT in its Enclosure (artist's impression)Marco Strappato’s BeArt project, “Mondi Lontanissimi” http://www.beartonline.com/projects/1133/mondi-lontanissimihttps://curatingthecontemporary.org/wp-content/uploads/2015/11/41.png4Diego Miguel Mirabella’s BeArt project, “Non è che – Prestar Fede” http://www.beartonline.com/projects/1144/non-che-prestar-fede https://curatingthecontemporary.org/wp-content/uploads/2015/11/2-claims.png2 (claims)Claims BeArt2015-11-26T11:14:44+00:00monthlyhttps://curatingthecontemporary.org/2015/11/12/room-6/https://curatingthecontemporary.org/wp-content/uploads/2015/11/21.jpg2Room 6 (Skylight), courtesy of Roisin Callaghanhttps://curatingthecontemporary.org/wp-content/uploads/2015/11/11.jpg1Room 6 (Victorian art), courtesy of Roisin Callaghan2015-11-11T19:24:14+00:00monthlyhttps://curatingthecontemporary.org/2015/11/02/openings-exhibitions-november-2015/https://curatingthecontemporary.org/wp-content/uploads/2015/11/5nov-valeriebenin-2-1170x655.jpg5Nov-ValerieBenin-2-1170x655Valerie Benin, Still life with Dish (2014), courtesy of the artist.https://curatingthecontemporary.org/wp-content/uploads/2015/11/all-the-revolving-cells.jpgAll the revolving cellshttps://curatingthecontemporary.org/wp-content/uploads/2015/11/benvickers.pngbenvickershttps://curatingthecontemporary.org/wp-content/uploads/2015/11/hannah-perry.jpghannah perryInstallation view of Mercury Retrograde (2015), courtesy of Seventeen and the artisthttps://curatingthecontemporary.org/wp-content/uploads/2015/11/emily-jacir.pngemily jacirInstallation view of Europa, image courtesy Photograph: David Heald/Emily Jacir/Whitechapel galleryhttps://curatingthecontemporary.org/wp-content/uploads/2015/11/michael-craig-martin.jpgmichael craig-martinhttps://curatingthecontemporary.org/wp-content/uploads/2015/11/ian-law.pngIan lawArchival material from a workshop held at Chisenhale Gallery in 1995, courtesy of Chisenhale Galleryhttps://curatingthecontemporary.org/wp-content/uploads/2015/11/robin-deacon.jpgrobin-deaconRobin Deacon, performance shot from White Balance: A History of Video, 2013. Courtesy of the artist. Photo: Chloe Panghttps://curatingthecontemporary.org/wp-content/uploads/2015/11/selfpublish.jpgselfpublishSelf Publish Be Happy, courtesy Patricia Karallis / Paper Journal 2014https://curatingthecontemporary.org/wp-content/uploads/2015/11/susan-hiller.jpgSusan Hiller2015-11-02T16:21:46+00:00monthlyhttps://curatingthecontemporary.org/2015/11/01/artist-of-the-month-november-with-emily-jacir/https://curatingthecontemporary.org/wp-content/uploads/2015/11/4.jpg4Emily Jacir Bethlehem street corner 1998 10 keffiyehs, 10 Cobain t-shirts 6 1/2 x 17 1/2 x 13 in/16.5 x 44.5 x 33 cm Courtesy of Alexander and Bonin Gallery https://curatingthecontemporary.org/wp-content/uploads/2015/11/3.jpg3From Paris to Riyadh (drawings from my mother) November 1977 (1998-2001) Marker on vellum, documenting the illegal sections of Vogue magazine (Beit al Beiruti, Darat al Funun). Photo: Otto Saxinger https://curatingthecontemporary.org/wp-content/uploads/2015/11/2.jpg2Emily Jacir, stazione (2008 – 2009), Public intervention on Line 1 vaporetto stops (Arsenale), Commissioned for Palestine c/o Venice © Emily Jacirhttps://curatingthecontemporary.org/wp-content/uploads/2015/11/1.jpg1Emily Jacir, Lydda Airport, 2009. Courtesy of Whitechapel Gallery2015-11-01T14:58:17+00:00monthlyhttps://curatingthecontemporary.org/2015/10/26/what-the-point-is-the-end-of-the-line-tamarin-norwood/https://curatingthecontemporary.org/wp-content/uploads/2015/10/se8-29.jpgSE8 29Copyright: SE8 Gallery, Photographer: Peter Kiddhttps://curatingthecontemporary.org/wp-content/uploads/2015/10/se8-06.jpgSE8 06Copyright: SE8 Gallery, Photographer: Peter Kidd2015-10-26T10:51:05+00:00monthlyhttps://curatingthecontemporary.org/2015/10/22/a-question-of-movement-marcus-coates-henry-montes/https://curatingthecontemporary.org/wp-content/uploads/2015/10/marcus-coates-a-question-of-movement-2015-courtesy-of-kate-macgarry.jpgMarcus Coates, A Question of Movement 2015. courtesy of Kate MacGarryMarcus Coates, A Question of Movement 2015. courtesy of Kate MacGarry2015-10-22T12:29:08+00:00monthlyhttps://curatingthecontemporary.org/2015/10/01/openings-exhibitions-october-2015/https://curatingthecontemporary.org/wp-content/uploads/2015/10/luke-fowler-to-the-editor-of-amateur-photographer-2015.jpgLuke Fowler, To The Editor of Amateur Photographer, 2015Luke Fowler, To the Editor of Amateur Photographer, 2015https://curatingthecontemporary.org/wp-content/uploads/2015/10/whitechapel.jpgWhitechapelhttps://curatingthecontemporary.org/wp-content/uploads/2015/10/doom-gallery.jpgDoom GalleryEd Atkins, 2014 https://curatingthecontemporary.org/wp-content/uploads/2015/10/alberto-giacometti-the-walking-man-i-1960.jpgAlberto Giacometti, The Walking Man I, 1960Alberto Giacometti, The Walking Man I, 1960https://curatingthecontemporary.org/wp-content/uploads/2015/10/frieze-london.jpgFrieze Londonhttps://curatingthecontemporary.org/wp-content/uploads/2015/10/m-c-escher-relativity-1953.jpgM.C. Escher, Relativity, 1953M.C. Escher, Relativity, 1953https://curatingthecontemporary.org/wp-content/uploads/2015/10/smiler-patrice-ladbroke-grove-1983.pngSmiler, Patrice (Ladbroke Grove), 1983Smiler, Patrice (Ladbroke Grove), 1983https://curatingthecontemporary.org/wp-content/uploads/2015/10/zhang-ding-buddha-jumps-over-the-wall-2-still-from-video-2012.jpgZhang Ding, Buddha Jumps over the Wall-2 (still from video), 2012Zhang Ding, Buddha Jumps over the Wall-2 (still from video), 2012https://curatingthecontemporary.org/wp-content/uploads/2015/10/elmgreen-dragset-the-named-series-installation-view-victoria-miro-london-2012.jpgElmgreen & Dragset, The Named Series, installation view, Victoria Miro, London, 2012Elmgreen & Dragset, The Named Series, installation view, Victoria Miro, London, 2012 https://curatingthecontemporary.org/wp-content/uploads/2015/10/frank-auerbach-portrait-of-catherine-lampert-1981-1982.jpgFrank Auerbach, Portrait of Catherine Lampert, 1981-1982Frank Auerbach, Portrait of Catherine Lampert, 1981-19822015-10-01T12:16:51+00:00monthlyhttps://curatingthecontemporary.org/2015/08/24/not-a-position-but-a-proposition/https://curatingthecontemporary.org/wp-content/uploads/2015/08/laviniaraccanello_image.jpglaviniaraccanello_image2015-08-24T10:51:21+00:00monthlyhttps://curatingthecontemporary.org/2015/08/10/morandi-at-mambo/https://curatingthecontemporary.org/wp-content/uploads/2015/08/3.jpg3Giorgio Morandi at the MAMbo Collection, Bolognahttps://curatingthecontemporary.org/wp-content/uploads/2015/08/2.jpg2Giorgio Morandi at the MAMbo Collection, Bolognahttps://curatingthecontemporary.org/wp-content/uploads/2015/08/5.jpg5Giorgio Morandi at the MAMbo Collection, Bolognahttps://curatingthecontemporary.org/wp-content/uploads/2015/08/1.jpg1Giorgio Morandi at the MAMbo Collection, Bolognahttps://curatingthecontemporary.org/wp-content/uploads/2015/08/4.jpg4Tony Cragg, Eroded Landscape at the MAMbo Collection, Bolognahttps://curatingthecontemporary.org/wp-content/uploads/2015/08/6.jpg6Giorgio Morandi at the MAMbo Collection, Bolognahttps://curatingthecontemporary.org/wp-content/uploads/2015/08/8.jpg8Giorgio Morandi at the MAMbo Collection, Bolognahttps://curatingthecontemporary.org/wp-content/uploads/2015/08/7.jpg7Giorgio Morandi at the MAMbo Collection, Bologna2015-08-10T14:46:53+00:00monthlyhttps://curatingthecontemporary.org/2015/08/01/artist-of-the-month-august-with-yuri-pattinson/https://curatingthecontemporary.org/wp-content/uploads/2015/08/pic-2.jpgYuri Pattison, Free Traveller, 2014, Cell Project SpaceYuri Pattison, Free Traveller, 2014, Cell Project Spacehttps://curatingthecontemporary.org/wp-content/uploads/2015/08/pic-3-chisenhale.pngYuri Pattison, www.enquire.work, Chisenhale Gallery Create Residency 2014-16 (Screen Shot)Yuri Pattison, www.enquire.work, Chisenhale Gallery Create Residency 2014-16 (Screen Shot)https://curatingthecontemporary.org/wp-content/uploads/2015/08/pic-4.jpgpic 4Yuri Pattison, Focal-Plane, 2012https://curatingthecontemporary.org/wp-content/uploads/2015/08/pic-1.jpgYuri Pattison, Untitled, 2013Yuri Pattison, Untitled, 20132015-08-06T15:35:38+00:00monthlyhttps://curatingthecontemporary.org/2015/07/27/time-and-the-finite-self/https://curatingthecontemporary.org/wp-content/uploads/2015/07/img_1019.jpgIMG_1019New Land (one of two works), Doug Aitken, Victoria Miro Gallery, Mayfairhttps://curatingthecontemporary.org/wp-content/uploads/2015/07/img_1020.jpgIMG_1020Installation shot, Eyes closed, wide awake (Sonic fountain II), New Land (background), Doug Aitken, Victoria Miro Gallery, Mayfairhttps://curatingthecontemporary.org/wp-content/uploads/2015/07/img_1025.jpgIMG_1025Detail, Eyes closed, wide awake (Sonic fountain II), Doug Aitken, Victoria Miro Gallery, Mayfairhttps://curatingthecontemporary.org/wp-content/uploads/2015/07/img_1028.jpgIMG_1028Installation shot, NOW, Doug Aitken, Victoria Miro Gallery, Mayfairhttps://curatingthecontemporary.org/wp-content/uploads/2015/07/img_1029.jpgIMG_1029NOW, Doug Aitken, Victoria Miro Gallery, Mayfairhttps://curatingthecontemporary.org/wp-content/uploads/2015/07/img_1033.jpgIMG_1033Detail, NOW, Doug Aitken, Victoria Miro Galleryhttps://curatingthecontemporary.org/wp-content/uploads/2015/07/img_1034.jpgIMG_1034END, Doug Aitken, Victoria Miro Gallery, Mayfair2015-07-27T10:44:50+00:00monthlyhttps://curatingthecontemporary.org/2015/07/20/why-dont-our-media-get-marx/https://curatingthecontemporary.org/wp-content/uploads/2015/07/nh2.jpgNH2Stuart Hall on the set of Isaac Julien's The Attendanthttps://curatingthecontemporary.org/wp-content/uploads/2015/07/nh1.jpgOLYMPUS DIGITAL CAMERAMaja Bajevic2015-07-20T11:41:54+00:00monthlyhttps://curatingthecontemporary.org/2015/07/13/uk-at-the-venice-biennale/https://curatingthecontemporary.org/wp-content/uploads/2015/07/ukvb.jpgukvb2015-07-13T12:50:53+00:00monthlyhttps://curatingthecontemporary.org/2015/07/01/artist-of-the-month-july-with-chiharu-shiota/https://curatingthecontemporary.org/wp-content/uploads/2015/07/cs1.jpgcs1The Key in the Hand (2015), The 56th International Art Exhibition - la Biennale di Venezia, Venice/Italy, photo by Sunhi Mang https://curatingthecontemporary.org/wp-content/uploads/2015/07/cs2.jpgcs2Accumulation - Searching for the Destination (2012) Marugame Genichiro-Inokuma Museum of Contemporary Art, Kagawahttps://curatingthecontemporary.org/wp-content/uploads/2015/07/cs3.jpgcs3After the Dream (2011), La Maison Rouge, Parishttps://curatingthecontemporary.org/wp-content/uploads/2015/07/cs4.jpgcs4In Silence (2008), CentrePasquArt, Biel - Bienne2015-07-01T12:59:31+00:00monthlyhttps://curatingthecontemporary.org/2015/06/18/the-line-that-breathes-tamarin-norwood/https://curatingthecontemporary.org/wp-content/uploads/2015/06/4.jpg4A Line Describing A Line Describing A Curve (2015), Video (still), Tamarin Norwood2015-06-24T11:13:44+00:00monthlyhttps://curatingthecontemporary.org/2015/06/22/diy-samantha-donnelly-mia-goyette-russell-hill-hannah-regel-at-the-ryder-projects/https://curatingthecontemporary.org/wp-content/uploads/2015/06/1trp.jpg1TRPHybrid (2014), Mia Goyette https://curatingthecontemporary.org/wp-content/uploads/2015/06/2trp.jpg2TRPSketch 27 (2009), Samantha Donnelly https://curatingthecontemporary.org/wp-content/uploads/2015/06/3trp.jpg3TRPRussell Hill and Hannah Regel - installation view at The RYDER Projects.https://curatingthecontemporary.org/wp-content/uploads/2015/06/4trp.jpg4TRPRussell Hill, Winner of the Catlin Art Prize 2011 at The RYDER Projects.https://curatingthecontemporary.org/wp-content/uploads/2015/06/5trp.jpg5TRPHybrid (2014), Mia Goyette 2015-06-22T14:16:12+00:00monthlyhttps://curatingthecontemporary.org/2015/06/15/the-shrinking-space/https://curatingthecontemporary.org/wp-content/uploads/2015/06/petersellersmask-1.jpgpetersellersmask (1)Meeting Peter Sellers (Mask template) (2015), Charlie Dance, Courtesy of the Artist, Photo: Charlie Dancehttps://curatingthecontemporary.org/wp-content/uploads/2015/06/petersellersdouble.jpgPeterSellersDoubleMeeting Peter Sellers (production still) (2015), Charlie Dance, Courtesy of the Artist, Photo: Charlie Dance2015-06-15T14:15:01+00:00monthlyhttps://curatingthecontemporary.org/2015/06/11/jonas-mekas-the-internet-saga-at-the-venice-biennale/https://curatingthecontemporary.org/wp-content/uploads/2015/06/365-day-project_jonas-mekas_video9347-min_2007-2015_courtesy-galerie-experimental_ph-giulio-favotto.jpg_365 day project_Jonas Mekas_video93,47 min_2007-2015_courtesy galerie EXPERIMENTAL_ph Giulio Favotto365 Day Project (2007), Jonas Mekas, video Photo courtesy of galerie EXPERIMENTAL & Giulio Favottohttps://curatingthecontemporary.org/wp-content/uploads/2015/06/internet_saga_-jonas-mekas_-exhibition-view_ph_giulio_favotto-otium-6.jpginternet_saga_ Jonas mekas_ exhibition view_ph_giulio_favotto-otium (6)The Internet Saga (2015), Installation View, Jonas Mekas, Photo courtesy of Giulio Favottohttps://curatingthecontemporary.org/wp-content/uploads/2015/06/00_on-line-diary_-jonas-mekas_-video_-11051min_courtesy-galerie-experimental_ph_giulio_favotto-otium.jpg00_On line diary_ Jonas Mekas_ video_ 110,51min_courtesy galerie EXPERIMENTAL_ph_Giulio_Favotto-otiumOnline diary, Jonas Mekas, Video, Photo courtesy of galerie EXPERIMENTAL & Giulio Favottohttps://curatingthecontemporary.org/wp-content/uploads/2015/06/sleepless-night-spazio-ridotto_-ph-francce295a0c2baois-leturcq-autometrique-com-2.jpgSLEEPLESS NIGHT @Spazio Ridotto_ ph.Francc╠ºois Leturcq - autometrique.com - (2)SLEEPLESS NIGHT @Spazio Ridotto (2015), Photo courtesy of François Leturcqhttps://curatingthecontemporary.org/wp-content/uploads/2015/06/sleepless-night-spazio-ridotto_birth-of-a-nation-still-ph-francce295a0c2baois-leturcq-autometrique-com-8.jpgSLEEPLESS NIGHT @Spazio Ridotto_BIRTH OF A NATION (still). ph.Francc╠ºois Leturcq - autometrique.com - (8)SLEEPLESS NIGHT @Spazio Ridotto (2015), BIRTH OF A NATION (still), Photo courtesy of François Leturcq2015-06-11T13:56:08+00:00monthlyhttps://curatingthecontemporary.org/2015/03/30/london-openings-exhibitions-3003/https://curatingthecontemporary.org/wp-content/uploads/2015/03/naturalnessproper.jpgNaturalness(proper)https://curatingthecontemporary.org/wp-content/uploads/2015/03/paul-mccarthy-brancusi-tree-2007.jpgPaul McCarthy, Brancusi Tree, 2007Paul McCarthy, Brancusi Tree, 2007https://curatingthecontemporary.org/wp-content/uploads/2015/03/5.jpg5Extractions (still) – Louise Sternhttps://curatingthecontemporary.org/wp-content/uploads/2015/03/fabien-cappello-happiness-for-daily-life-2010.jpgFabien Cappello, Happiness for Daily Life, 2010Fabien Cappello, Happiness for Daily Life, 2010https://curatingthecontemporary.org/wp-content/uploads/2015/03/clinton-hayden-your-weight-or-mine-lovers-noose-installation-view-2015.jpgClinton Hayden, Your Weight or Mine (Lover's Noose), installation view, 2015Clinton Hayden, Your Weight or Mine (Lover's Noose), installation view, 2015https://curatingthecontemporary.org/wp-content/uploads/2015/03/jonathan-meese-and-tal-r-installation-shots-mother-2006.jpgJonathan Meese and Tal R. Installation Shots, Mother, 2006 Jonathan Meese and Tal R. Installation Shots, Mother, 2006https://curatingthecontemporary.org/wp-content/uploads/2015/03/aa-bronson-queer-spirits-and-other-invocations-installation-view-2011.jpgAA Bronson, Queer Spirits and Other Invocations..., installation view 2011AA Bronson, Queer Spirits and Other Invocations..., installation view 2011https://curatingthecontemporary.org/wp-content/uploads/2015/03/4.jpg4A Line Describing a Curve Describing a Curve (2013) – Tamarin Norwoodhttps://curatingthecontemporary.org/wp-content/uploads/2015/03/gillian-ayres-tivoli-2001.jpgGillian Ayres, Tivoli, 2001Gillian Ayres, Tivoli, 2001https://curatingthecontemporary.org/wp-content/uploads/2015/03/thomas-raat-the-experimenters-dilemma-installation-view-2013.jpgThomas Raat, The Experimenter's Dilemma, installation view, 2013Thomas Raat, The Experimenter’s Dilemma, installation view, 20132015-04-08T14:19:23+00:00monthlyhttps://curatingthecontemporary.org/2013/11/14/visual-candy/https://curatingthecontemporary.org/wp-content/uploads/2013/11/cnv00036-2.jpgCNV00036-2Damien Hirst, "Super Happy Happy Dappy", 1993. 154.4 x 213.4 cm. & "Happy Fat Dappy Dappy", 1993. 183.5 x 153 x 5.1 cmchttps://curatingthecontemporary.org/wp-content/uploads/2013/11/cnv00034.jpgCNV00034Gallery Shot https://curatingthecontemporary.org/wp-content/uploads/2013/11/cnv00033.jpgCNV00033Felix Gonzalez-Torres overlooking Damien Hirst. https://curatingthecontemporary.org/wp-content/uploads/2013/11/cnv00032.jpgCNV00032https://curatingthecontemporary.org/wp-content/uploads/2013/11/cnv00035.jpgCNV00035Felix Gonzalez-Torres, "Unitited", 1992. Candies individually wrapped in variously coloured cellophane, Endless supply, Overall dimensions vary with installation.2015-03-17T16:25:07+00:00monthlyhttps://curatingthecontemporary.org/2014/03/06/ambivalent/https://curatingthecontemporary.org/wp-content/uploads/2014/03/ambivalent5.pngHannah Thual, The weight of Thingshttps://curatingthecontemporary.org/wp-content/uploads/2014/03/ambivalent4.pngHannah Thual, The weight of Thingshttps://curatingthecontemporary.org/wp-content/uploads/2014/03/ambivalent6.pngImantas Selenis, City Cornershttps://curatingthecontemporary.org/wp-content/uploads/2014/03/ambivalent2.pngGabriel Andreu, A Matter of Bloodhttps://curatingthecontemporary.org/wp-content/uploads/2014/03/ambivalent3.pngMiguel Ivorra, Rocking Ladderhttps://curatingthecontemporary.org/wp-content/uploads/2014/03/ambivalent.pngElle Kennedy, Rugged Fatality2015-03-17T16:12:13+00:00monthlyhttps://curatingthecontemporary.org/2014/10/11/amacollective-in-dialogue/https://curatingthecontemporary.org/wp-content/uploads/2014/10/screen-shot-2014-10-06-at-13-29-05.pngScreen Shot 2014-10-06 at 13.29.052015-03-17T13:27:45+00:00monthlyhttps://curatingthecontemporary.org/2014/10/13/weekly-bulletin-1310/https://curatingthecontemporary.org/wp-content/uploads/2014/10/sarah-lucas-2013-by-julian-simmons-290x500.jpgSarah-Lucas-2013-by-Julian-Simmons--290x500Sarah Lucas, 2013 ph: Julian Simmonshttps://curatingthecontemporary.org/wp-content/uploads/2014/10/cybernetic-serendipity2c-exhibition-poster2c-1968.jpgCybernetic Serendipity%2C exhibition poster%2C 1968Cybernetic Serendipity, exhibition poster, 1968https://curatingthecontemporary.org/wp-content/uploads/2014/10/cyb_sleeve_inner_vinyl.jpgCYB_Sleeve_Inner_VinylCybernetic Serendipity Music (1968), re issue of 2014https://curatingthecontemporary.org/wp-content/uploads/2014/10/wangechi-mutu2c-2014.jpgWangechi Mutu%2C 2014Wangechi Mutu, 2014 – ph: Kathryn Parker Almanas https://curatingthecontemporary.org/wp-content/uploads/2014/10/richard-tuttle2c-walking-on-air-air2c-c32c-2009.jpgRichard Tuttle%2C Walking on Air Air%2C C3%2C 2009Richard Tuttle, Walking on Air Air, C3, 20092015-03-17T13:26:09+00:00monthlyhttps://curatingthecontemporary.org/2014/12/02/fortnightly-bulletin/https://curatingthecontemporary.org/wp-content/uploads/2014/12/michael-staniak.jpgMICHAEL STANIAKhttps://curatingthecontemporary.org/wp-content/uploads/2014/12/jk_untitled2012_parasol1.jpgjk_untitled2012_parasol1Jannis Kounellis, Untitled, 2012https://curatingthecontemporary.org/wp-content/uploads/2014/12/filliou_hand-show_1967.jpgfilliou_hand show_19672015-03-17T13:15:15+00:00monthlyhttps://curatingthecontemporary.orgdaily1.02024-11-05T23:29:00+00:00