Carly Whitaker: new phone, who dis?

In a time where the internet has redefined our perception of art and curatorial practice, it is no wonder that Continue reading →

Haegue Yang: Ornament and Abstraction

Imagine if the 20th century had concluded with modernism and minimalism becoming totalitarian aesthetic doctrines, dominating every facet of human Continue reading →

Pointless Protest, A Sculpture

Joining the urban demonstration that is reshaping into new forms of resistance, we carried out an unavailing protest, a public Continue reading →

Where can we find our contemporary heterotopias? IV

A letter arrives to the “partially recognised” country of Abkhazia. A friend writes a letter and waits. An answer arrives Continue reading →

Fernando Ortega: Nota Rosa (Pink Note)

Situated in a verdant corner of Parque Chapultepec, Mexico City’s largest green space, Museo Tamayo is hidden amongst the surrounding foliage, Continue reading →

10facts: What happened in the art world in March

1. 25-years-long artwork for Sophie Calle Creative Time has commissioned French artist Sophie Calle for an ambitious, twenty-five-year-long project that Continue reading →

Dadaclub.online: When Original and Copy Overlap

On Saturday March 25, it was the opening of Dadaclub.online: the Exhibition: the result of a wider project conceived by Continue reading →

Artist of the Month: April with Latifa Echakhch

Latifa Echakhch (b. 1974, El Khnansa, Morocco) is an artist based between France and Switzerland, and is a creator of Continue reading →